reported on August 20 On August 18, Mr. Xie Yuan, a film actor and former teacher of Beijing Film Academy, suffered a heart attack. After various rescue efforts, he died unfortunately at the age of 61. In the early morning of August 20, Ma Weidu sent a long message to mourn Xie Yuan, "I woke up in the morning and looked at the phone as usual. A news broke into my eyes and shocked my heart: "Lao Xigu Xie Yuan passed away at the age of 61." Immediately afterwards, news from various parties rushed to my face, which was disturbing. I still did not give up and sent a message to Mr. Liang Tian, and Liang Tian replied in a low voice:'Yes'... Happiness, presumably after heaven accepts Mr. Xie Yuan, there will be more laughter and more joy. Xie Lao, rest in peace."
He also recalled the scene of the last meeting with Xie Yuan: "About less than two years ago At Liang Tianchu, we all had dinner together. During the dinner, Xie Yuan danced and learned from Xie’s linguistics. It was so wonderful that everyone burst into laughter from time to time."
Original text:
woke up in the morning and looked at the mobile phone as usual. A news broke into my eyes and shocked my heart: "Lao Xigu Xieyuan passed away at the age of 61." Then the news from all parties rushed to my face, which made me feel disturbed. I still didn’t give up, and sent a message to Mr. Liang Tian. Liang Tian replied in a low voice: "Yes..." The bad news of
became worse as soon as it was confirmed. I tried to recall the last time I saw Xie Yuan. . About less than two years ago, in Liang Tianchu, everyone had dinner together. During the dinner, Xie Yuan danced and learnt from Xie’s stuttering linguistics. It was so wonderful that everyone burst into laughter from time to time. sound.
In the early years, Ge You, Liang Tian, and Xie Yuan were known as the Three Musketeers of Comedy. When they were young, they had the same siblings and often appeared together. I always thought that they were classmates of the film school, but that was not the case. Xie Yuan came from an academic class, so Liang Tian said "Xie Lao" in silence, showing respect in his banter. Xie Lao Xie Yuan also accepted it. The vice is very useful.
I didn't expect "Xie Lao" to be the same age as Liang Tian, but the film industry has an older qualification. Everything is a little bit older, and the twins are only a few minutes old. The brother is the brother. Xie Yuan was admitted to the Beijing Film Academy in 1978. After graduation, he did not become an actor and acted in a movie, but stayed in school and became a teacher. Teaching in the Beijing Film Academy, the hall where many stars have been born, is famous and has a dazzling halo. When Xie Yuan was the head teacher, Yu Nan and Zuo Xiaoqing were his students. Most teachers will stay in school for a lifetime, and Xie Yuan does the same until retirement. Who knows that the sky is not holiday, Xie Yuan, who was just able to fly freely, suddenly folded his wings, had a heart attack without a sign, and died suddenly, which made people sigh.
The 1980s was the golden age of the rise of Chinese movies. The reform and opening up has made the film no longer dominate the country, but allows a hundred flowers to bloom. At that time, filmmakers were called filmmakers, and they had a compassionate work attitude. Today's filmmakers are film investors, and most of them talk about how to make money. I remember that filmmakers in the 1980s were most keen to talk about art together. Stanislavsky’s performance theory and Brecht’s performance theory. If you don’t talk about this non-advanced one, it seems that they will soon be eliminated by art. Every filmmaker, whether it is a screenwriter, a director or an actor, is proud of being in the film industry. When talking about movies, they are very excited and proud.
Xie Yuan is the kind of film worker who loves movies and some people are crazy. As long as he is there at each party, all kinds of jokes are endless, and laughter and laughter are endless. Xie Yuan's imitative power is very good, and he often imitates his peers vividly, which attracts everyone's attention. He can still see his imitations in various programs on the Internet. In fact, these modelsAfter all, imitation shows are subject to broadcast restrictions, and are much more cautious than live shows; live shows are Xie Yuan's specialty. Xie Yuan's existence seems to be for everyone's joy. As long as he is there, it is definitely a happy gathering. Many times, the party broke up, and everyone was still immersed in the joy he just created.
Over the years, I have clearly felt that the nature of all types of dating has changed. Dates when you were young were mostly purposeless. Everyone got together to talk and talk, and no one begged or hindered anyone; but today’s date must be the goal first, and most of the strangers are present, all hidden. Scheming, with purpose, if you don’t beg you to do things on the spot, you have to put a long line to catch the big fish, forming a social relationship scene of fake parenthood fever.
but not that year. If our party had a purpose at that time, it must be art. People in every circle have different degrees of artistic pursuits. Many rascals are literary and artistic. Men and women are all literary and youthful. When it comes to literature and art, the stars are flying all over the sky, and no one is called an artist. After the first wave of literature in the early years, followed by the tide of film and television, dozens of our writers also set up the "Hippocampus Film and Television Creation Studio". All of them were top talents at the time. Today, many well-known writers are active in the literary world. All are members of the creative room.
In the performing arts industry, in addition to gossip, smart pioneers began to move towards the company. Liang Tian, Ge You, and Xie Yuan followed suit to establish Holaxi Film and Television Company, and filmed and starred in the comedy "Innately Timid", the name of the film It was Wang Shuoqi, and the script was written by Feng Xiaogang. This film won Xie Yuan the Best Supporting Actor Award at the 18th Popular Film Hundred Flowers Awards. Today, when I went back and watched the film 25 years ago, I felt that the years were rushed first, and then that life was not easy. The "Three Musketeers" were all skinny and somewhat malnourished. Why were people so thin back then? No one really worried about losing weight.
Xie Yuan’s movies are not too many. The most famous one was the film of the same name adapted from Acheng’s novels "King of the Kid" and "The King of Chess". Acheng’s novels were godlike in the literary world, especially his "King of Chess." The Three Kings novels of "The King of Trees" and "The King of Children" are as real as they are on the scene, cleverly shooting the case. I still remember the beginning of "The King of Chess": "The station is too chaotic, and thousands of people are talking...". The protagonist Wang has a unique and vivid image throughout his life, starring Xie Yuan, a seemingly feminine and weak chess king who loves chess and accumulates his strength in peacetime. Whenever he needs to exert his strength, he immediately recovers his cathodic yang, bursting with dazzling light, and his story is shocking. Like a fable, Xie Yuan's interpretation was perfect in that era. There are little-known hardships behind this perfection. Liang Tian told me that Xie Yuan could almost memorize novels in order to play "The King of Chess" and "The King of Children". He went to find the director himself, and then recommended himself, Teng Wenji and Chen Kaige, two great directors. Seeing that he was so devout to art and deeply moved, I decided to let him play the leading role. Today, are there still people who have worked so hard and treated art so persistently? The
movie is the life of Xie Yuan, dedicated to it all his life. Today’s people’s understanding of movies is mostly entertainment and entertainment. Practitioners talk about traffic and stars; people back then were not like that. Filmmakers talked about art, and there was a sense of sacredness when talking about art. No one at that time knew about it. Money can also influence art, so people in that era still seem a bit pedantic today. People who are not familiar with Xie Yuan look pedantic at Xie Yuan. Wearing the hat of a professor at the film school, they always talk about acting, and they are always entangled in the level of art, not knowing the depth of the market. He is also an advocate of the old Beijing culture, and his colloquial language is "Where is my Beijing city?" Every time he says every time he moves, he can't help himself.
At the dinner party of more than ten people, Liang Tian invited guests. Many old friends also reunited after a long time. At first, everyone happily greeted each other, but after three rounds of wine and food, Xie Yuan suddenly talked about it. The past did not control his emotions, first choked up, then cried up to the sky, tears streaming down his face, it seemed to be incompatible with the festive atmosphere at the opening just now. Liang Tian went up to persuade him, but he insisted on crying, and insisted on telling the past in his heart intermittently. I listened carefully. It was all the sincere pursuit of art, the love of old Beijing culture, and the sadness of the present.
The heart of a person who loves film art is difficult for ordinary people to understand. Most people feel that it is not worthy of being so absorbed. A small number of people think that even if they are into their heart, it is not so, but I really feel that Xie Yuan is from that innocence Filmmakers who have come from the age of art must have artistic innocence, just like children. thatOne night, although I didn't speak any more, I felt the same, and my heart was tumbling.
Xie Yuan walked suddenly. Many friends sent messages expressing their nostalgia. My friend Ge Xiaogang sent me an old photo. He took a photo with the three Musketeers of the comedy. The four were peaceful and optimistic, and suddenly dragged me to thirty years ago. Back then, all of them were full of collagen, but the years were like swords, and now all of them are old-fashioned and have no ambitions. Looking at the old photos of my friends, I only replied to Lu Xun’s old poem: "Look at my peers as new ghosts..." Mr. Lu Xun wrote a good poem: "Look at my friends as new ghosts, anger at the sword Cong Mi’s little poem.” In recent years, my friends don’t know who would take the first step on Huangquan Road. The old saying goes that there are no young or old on Huangquan Road. Today I think about it. It is true; Xie Yuan is only sixty-one years old. We are sorry for it, and there is nothing to return to.
Where there is Xie Yuan, there will be joy. After heaven accepts Mr. Xie Yuan, there will be more laughter and more joy. Thank you, rest in peace.
(responsible editor: Xu Meiyu_NBJS11310)
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