reported on August 18 In 2020, the Beijing International Film Festival will reach its tenth year. These ten years are not only the ten years that the Beijing Film Festival’s dreams have been fulfilled, but also the ten years that countless filmmakers have settled forward. Chen Daoming is one of them.
Two years ago, Chen Daoming was elected as the chairman of the Chinese Filmmakers Association. He has a brand new identity on the road of helping the development of Chinese film art, and he has devoted himself to the development of Chinese film industry with sincerity. Chen Daoming once said, "How to promote the steady development of Chinese film from a'film power' to a'film power' is an important issue for Chinese film workers."
On August 22, Chen Daoming will work with Zhang Yimou, Huang Huilin, Sun Xianghui and Cao Yin, Fu Ruoqing, Yu Dong, Wu Jing and many other heavyweight representatives from different fields of the film industry participated in the launching ceremony of the 10th Beijing International Film Festival, gave speeches and talked about the development of Chinese films and the Beijing International Film Festival.
Chen Daoming has always maintained awe and sincerity in his career as an actor. For more than 30 years in the industry, he has always interpreted each role with his heart, writing his own light and shadow life.
In Chen Daoming's view, it is not because of love to be serious, but because seriousness is the professional spirit of all walks of life.
In 2010, Chen Daoming played Wang Deqing, the adoptive father of the heroine Fang Deng in the movie "Tangshan Earthquake". Chen Daoming has a precise and proper grasp of Wang Deqing's corner. In the film, his gestures are full of his adoptive father's infinite love and compassion for his daughter.
In the movie "Return" in 2014, Chen Daoming's extremely emotional acting skills portrayed the respectable Chinese intellectual Lu Yanzhi in the original book into three points. Regarding what a good movie is, Chen Daoming once revealed his thorough insights: "A good movie should tell a perfect story. It should be literary, social, and philosophical. It must have perfect expression and have an invisible hand. Leading the audience forward, there are film scenes that flow naturally like water, without any deliberate momentum."
(responsible editor: Du Jiayue_NK6020)
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