1905 Film Network News Recently, the giant Chinese movie "Jiang Ziya" officially announced that it will be set for the 2020 National Day (October 1), which is the first original "Spring Festival" blockbuster to return to the theater. The film simultaneously released the "Taigong Returns" version of the preview, the first exposure of the white-haired Taigong's return to "the length of the gods" high-burning clip.
Previously, the film had been resolutely withdrawn due to the epidemic. After this time, “withdrawal first” was praised for “attitude”. The finalized news was on the top of the hot search lists on major platforms in only 20 minutes, triggering a wave of movie-watching invitations from thousands of netizens to "make up for this year together", and singer Zhou Shen and other industry insiders supported it.
first withdraw the scheduled "Length of the Gods" super-burning return
reproduces the new Oriental hero after two hundred days
The fixed preview released this time is quite "returning", conveying the return of the movie and the cinema market Jiang Ziya's dual meaning to the return of "the length of the gods". On the one hand, since the outbreak of the epidemic on the eve of the Spring Festival, the film studios and cinema markets have faced the difficult challenge of industry shutdown. For the movie "Jiang Ziya", the film once achieved the second place in the pre-sale of "the most competitive 2020 Spring Festival file in history", but it was the first to withdraw the file due to public safety considerations, and it is still in the theater of recovery. At the same time, he was the first to announce his return and was praised for his “attitude”; at the same time, the movie "Jiang Ziya" was the first to be set at this time and hoped to contribute to the restoration of the cinema market.
On the other hand, it can be seen from the trailer that Jiang Ziya is confused and confused like ordinary people in the face of the change of identity from "god" to "human" and the obstacles of the outside world. But he has always been firm in his original intention to guard the common people, and finally enlightened him back to the strength of the gods. As the first animated film to put "Jiang Ziya" on the big screen, the film is innovatively adapted on the basis of traditional Chinese myths. The story focuses on Jiang Ziya, who was demoted to the world for his own fault after the Conferred God War. The "de-deified" Tai Gong has a more realistic resonance while retaining the blood spirit.
Four years to build a magnificent world of gods
Millions of viewers meet on National Day to make up the "New Year's Wishes"
After four years of production, the movie "Jing Ziya" has always attracted attention. Even after the file was withdrawn, many viewers still expressed their expectations for the film in various ways such as "self-made cheering songs" and "drawing fan pictures", and many viewers left messages to the official WeChat "calling for return" day after day. . After 206 days of waiting, the film official announced the file and received enthusiastic responses from many parties.
On the one hand, singer Zhou Shen and other industry insiders have posted blogs to help the national comics and supported the release of the movie "Jiang Ziya" on National Day; on the other hand, the film’s fixed topics are in the front row of multiple mainstream platforms such as Baping B Station and Kuaishou. A new round of heated discussions among the audience to "make up for the New Year". A single Weibo forwarding exceeded 70,000 that night, and tens of thousands of netizens left a message saying that "you must buy tickets for support". Guoman and the audienceA glimpse of the concentric emotions between.
The reason why the
movie is so trusted and loved by the audience is inseparable from the feeling of "the rise of the country" behind the movie. It is reported that the director Cheng Teng once worked for American DreamWorks Animation, and the co-director Wang Xin once served as the project art director of Blizzard, a top international game animation company. Several directors returned to China to create dreams and innovatively used advanced experience such as "pyramid and spiral iterative development" to make domestically produced products. Exploring the industrialization of animation.
is also inseparable from the film’s rigorous attitude of "never fooling the audience", "big" to strictly sophisticated Chinese elements, such as the use of "leave blank" oriental aesthetics for scene construction, by reading "Feng Shen Yanyi "Shan Hai Jing", Design patterns, spells, etc. with reference to cultural relics unearthed in 3000, trying to present a true and credible world of the gods; small enough to exquisite every detail, such as the use of time-consuming and laborious full hand-painted methods in three-dimensional animation to ensure the texture of the material. 10 months of meticulous production of two-dimensional opening paragraphs, of which the single-frame PS file can reach more than 600 layers at most. The 100% domestic team has poured countless efforts into this oriental mythical epic.
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