The four kings of Hong Kong are not only four artists, they have also become a cultural symbol. One of the proper nouns in the 1990s:
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, especially between 1993 and 1995, the top four of the idol charts everywhere are not surprisingly dominated by the four big kings in 1996. The dominance began to weaken. Although it is still one of the hottest idols, it has no strong power to divide the traffic. Hong Kong is the main battlefield of the four kings and the most developed area in the Chinese-speaking entertainment circle at the time. In Asia, only Japan can keep pace. Breaking heads such as Lin Zhiying, Wu Qilong, and Takeshi Kaneshiro, who are so popular in Taiwan, will also develop in Hong Kong. Although they can comfortably be the number one idol in Taiwan, they may be just a supporting role in Hong Kong. They would rather come to Hong Kong to work hard and highlight Hong Kong entertainment. The status of the circle is
and Taiwan is the back garden of Hong Kong Star. Generally, Hong Kong stars who cannot get out of Hong Kong basically choose to focus on Taiwan. The famous Taiwanese host said that as long as Hong Kong stars come to Taiwan, they can become popular. It also confirms that this statement is fully valid. Sun Yaowei, Zhong Hanliang, Zhang Zhilin, etc. are all examples of
, but the gap in the mainland is even greater. At the peak, the four kings, Jialin Zhiying, basically won 95% of the idol’s votes, and CCTV's essay star chased five. photographs are just the four kings plus Jimmy Lin, and as dawn was popular king were placed in the most central, photos and largest
Let us look dominant four kings just how strong
1993年内地榜四大天王包揽前四, Dawn won 12 months of the 10 first and second two times, 1994, 1995, Dawn shared the top five 23 times, Jacky Cheung, Aaron Kwok22 times, Andy 21 times, far higher than other artists
Since then there have not been such a flourishing four hegemony monopoly traffic, awards ceremony did not like the kind of "battlefield" of intense feeling
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