From being popular all over the country to the collapse of "An Jia", it is difficult for the screenwriter level of Six or Six to return to "Snail House"?

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The domestic professional drama "Settlement" has already been played for more than half of the time, and the popularity is quite high. Discussions about the plot are frequently on hot searches.

In recent years, domestic professional dramas have been experiencing ups and downs. From "Translator" to "My True Friend", there are people who have exaggerated and perfunctory plots. They are just "romantic dramas in the cloak of workplace dramas".

But "An Jia" aroused enthusiastic attention from the audience as soon as it was released. It was adapted from the Japanese drama "The Woman Who Sells a House", starring Sun Li and screenwriter Liuliu. It is no wonder that the lineup of such "fairies" makes the audience have high hopes for "An Jia".

However, the reality is not as good as imagined. Although the heroine finally did not "love the brain" and began to concentrate on work, the various suspended plots of "An Jia" did not escape the audience's complaints.

For example, in the initial episode, the heroine "Fang Sijin" played by Sun Li took over a client who hadn't selected a house for several years. The reason why this client agreed to buy a house within one day was because the hostess took her to a house with a skylight, saying that this skylight can make the customer's life poetic. Ungrounded plots such as

and so on have caused a lot of questions about "Settle Down" and screenwriter Liuliu.

The screenwriter of "An Jia", Liuliu, is a first-line screenwriter in domestic realism. She is responsible for the screenwriting of "Snail House" and "Heart Technique". It is because of Liuliu's qualifications that appeared in "An Jia" The ills of the plot make the audience feel incredible.

Faced with doubts, Liuliu seemed very calm. She said that she had interviewed thousands of practitioners in ten months in order to write "Settle Down", and the plots in the play were also realistic.

But until the 26th episode of "An Jia" was broadcast, the score of the play went down all the way, and it is currently stable at 6.1, which is only one step away from failing. It is obviously not enough to become a "boutique drama."

This is not Liuliu’s first word-of-mouth drama. As early as in the last TV series "The Youth Group" where Liuliu served as screenwriter, some people have questioned Liuliu’s current screenwriting ability.

In the early days of "Youth School", with the heroine's tomboy-like quirky and pleasant personality, there was a wave of fans, but as the hostess collapsed in the later period, the evaluation of "Youth School" also declined, both in terms of attention and reputation. , Were beaten by the same period of "Little Huanxi".

The failure of a play can not be entirely blamed on the screenwriter, but there are still netizens questioning Liuliu's "precipitous decline" in screenwriting. They all reflect social issues through the house. What is the difference between "An Jia" and "Snail House"?

First of all, "Settlement" and "Snail House" are realist works. "Snail House" reflects the extremely sensitive social issues at the time such as housing prices, corruption, and derailment through the story of seaweed buying a house.

And "Settling Down" also shows the various aspects of life, such as a series of hot topics such as high house prices, newlyweds who buy the real estate certificate and whose name should be written. But the audience follows the heroine and examines these issues from the perspective of onlookers. It is difficult to resonate.

and limited by the format of the Japanese version of the original unit drama, many tenants’ stories are simply played in a few episodes, which makes "An Jia" more like a duck-filling of social issues into the plot to gain popularity, rather than serious and profound To discuss.

Secondly, due to the unconvincing plot like "solving difficult customers in one day", the audience loses their sense of identity with the plot and does not think the plot is really possible.

For a drama dedicated to reflecting reality, it is fatal to lose the audience's resonance and sense of identity. These problems also occur in "Youth School". This work of the protagonist is a high school student even makes netizens suspect that the screenwriter is not on. High school.

is the reason why the script has such a big omissionNaturally appeared on the screenwriter himself.

screenwriter Liuliu has always been very active on social platforms. Some people commented on her as "sharp and daring to speak", but more people's impression of her has changed from a new-minded, sharp-pointed excellent screenwriter to a "three-mindedness" "The ordinary middle-aged person.

Liuliu once posted a daily news in 2018 about his friend’s son entering a prestigious school and quickly falling in love, and questioning whether the girl’s entrance to a prestigious school was just to catch a golden turtle?

stirred up waves with one stone, and netizens accused Liuliu of being illogical and despising women.

Coincidentally, the screenwriter Liuliu's attitude towards the "Dr. Humbleman Suicide" incident that has been raging before is also unacceptable, accusing the victim of being too weak and taking himself too high, and there is no empathy between his words. .

even posted a blog post complaining about being robbed of seats at the airport, and openly made territorial black remarks, saying that "I do not know why I pinched my nose to certain three provinces."

It can be seen that whether in terms of gender rights or humanistic care, Liuliu's thinking has not kept up with the current mainstream thinking, and it seems backward and outdated. The author's thoughts will be directly reflected in her plot.

Liuliu once faced the accusation that "the three views of the characters in the play are not correct", answering that the characters do not have to have the correct three views. Indeed, the characters in the play do not have to be "guangweizheng", but if the author himself With pedantic thinking, it is difficult to write well-realistic works.