"Going to the End" is a typical movie that uses suspense to set and solve suspense to promote progress. It has always maintained an atmosphere of upgrading and customs clearance. All suspense is connected and progressing with each other, and there is almost no breathing space. This tense atmosphere relies on the fast-paced editing to make the whole movie full of movement. This is a treatment that meets the current aesthetic needs. More importantly, this movie does not set the contrast between the positive and negative characters. Almost all the police officers present are "bad police" in some sense. But these bad policemen have their own moral bottom line. They are greedy for money but are capable. They make money from criminals, but they do not use their positions to bully civilians. They never kill. This is the typical setting of a "hard-hard" detective story. It is more in line with the real complex human nature, and eliminates the preaching taste of facial makeup. This is another winning feature of mainstream Korean movies. Broad and free expression of subject matter. They always put the storytelling first, rather than warning and education. An important reason why Korean movies produce good stories is that they never shy away from the so-called "dark side." If you don't touch it, those dark sides still exist, and if you really wrote about a group of bad police, no one would think that all South Korean police are evil. When adults watch movies, especially mainstream feature films, they see illusory stories, enter situations, project feelings, and withdraw back to reality. That's all.
"The Last Samurai" came out in 2003, and I only watched it today. Needless to say, this is a great movie. Undoubtedly, I once again feel that the ability of domestic blockbusters to write stories and teach people is too poor. From the story itself, in fact, the background of "The Last Samurai" is almost exactly the same as that of the Westernization Movement in China, but the result is different. The story can be briefly summarized as: the process of the emperor of Japan purging internal conservative forces in order to put the country on the track of modern development. In the story, the conservative samurai leader Katsuki, like the defenders of traditional Chinese culture in the late Qing Dynasty, was very resistant to the Emperor's New Deal. They destroyed the railway and refused to use new weapons. Undoubtedly, judging from the development of historical trends, they are backward and will inevitably be eliminated. However, the director focused his critical eye on the emperor... In the film, the director used a lot of space to describe Tom Cruise's experience in a small Japanese village, showing the entire Japanese traditional Bushido spirit. This is the Japanese tradition. In fact, when watching movies, people will feel sorry for these samurai...because if they take up guns, they are definitely the best Japanese imperial army. But why did they always refuse to put down the sword in their hands?
"Despicable Street" The whole movie itself tells the life of a gangster, from the awkward second assistant to the second position, during which he struggled, struggled, and was happy, just thinking that he was already Close to happiness, even for his lover to have the idea of retreating from the world, his world has fallen. At this moment, I can feel his happiness is so fragile, his stability is so short, and he was betrayed by the director who once regarded as a good friend. Use his secrets and trust in exchange for a bright future, a prominence, and eventually his life was lost in the hands of his former brother. I still remember the look in Bingdou's eyes when he died, incomprehension, indignation, desolation, and even a hint of grievance. And the little bastard who inserted the knife into his body again and again, with tears and pain in his eyes, but still had to use a sharp knife to kill. The last one who appeared at the end was the most respected and most brotherly buddy. There was no friendship in his eyes, he could only feel desire and ambition, and seemed to mock Bingdou, the essence of the underworld? The affection of the family? That's just your naive thoughts. Very sad, but terribly realistic.
's "Furious" in 14 years has revived a small climax in a historical war movie of World War II, especially since Hollywood has not directly shown the marine tank unit for many years, this movie has attracted the enthusiasm of fans and military fans. . And in terms of the kung fu and elegance of the movie itself, it is also a rare good film for many years. The protagonist in the Umbra is the last batch of enhanced "Sherman" A4E8 tanks of a battalion of the 66th Regiment of the 2nd Armored Division of the 9th Army of the US Army. The commander Tang, played by De Pitt, simply confessed: from the landing of the torch in North Africa, to the landing in Sicily, Italy, and the conquering of Palermo; inserting into the European battlefield in Normandy of blood and fire, crossing France and taking Belgium all the way to the German mainland And in the famous battle of the Ardennes Forest Bulge, the tenacious resistance and severe damage to the elite NaThe 2nd Armored Division of the Wehrmacht was awarded the title of "Hell on Wheels" with very few casualties. And this series of battles was less than one year after the 9th Army and the division's creation designation. The film begins in the spring of 1945. From the climate in the film, it can be seen that Germany is in the early spring, with melting ice and snow, and muddy roads. It can be seen that the 2nd Division has just participated in the Battle of the Ruhr and approached the Elbe region like a sharp knife.
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