Inventory of 5+1 One-Stop Conferred Works of the First Seven Seasons of "Singer"

The new season of

's "Singer" has already started. While watching the show, everyone missed the wonderful live of the past, so the editor counted the 5+1 "Masterpieces of the First World War" for everyone in the past seven seasons.

Top 5 Tan Jing's "Nine Children"

The great thing about Tan Jing's "Nine Children" is that for those who have seen the original "Red Sorghum" and film and television dramas, there will be a natural sense of substitution; for those who have not seen it, I will also substitute myself with the music. This edition of "Jiu'er" sings the background of Jiu'er's desolate destiny, and sings the sorrow of Jiu'er. In my mind is Zhou Xun's jiu'er's unremarkable line in "Red Sorghum": There are no rich people in this world, but each has its own suffering.

Suona is indeed a stroke of magic. However, when many people emphasize the version of Tan Jing, they feel that it is the Suona Conferred God. In fact, this is not true. There are many versions of "Jiu Er". In addition to Tan Jing, there are also Han Hong and Sa Dingding. Almost all of them use Suona. But there are still differences. Suona is an assistant, but inside is Tan Jing's skills and understanding of the song.

Top 4 GAI "A Laugh in the Sea"

GAI's "A Laugh in the Sea", which combines the atmosphere of the rivers and lakes and the rural spirit, especially the "heaven", "earth", "people" and "harmony" are the blood of the whole song. . The pipa and drum in the arrangement burst out GAI's understanding of the ups and downs with the waves. The original "A Laugh from the Sea" is a knight-errant action pinned on "Swordsman", and GAI is a big song that injects the spirit of a small person's perspective into this big song.

If you repeatedly watch the first issue of "Singer 2018", you will find that GAI's typhoon does not lose to Jessie J, which is also a kind of pride.

Top 3 Qi Yu's "This Life"

​​Qi Yu's "This Life", a cuckoo cuckoos blood ape like a whine. Looking back at Qi Yu's selection of songs in "Singer" last year, "This World" can be regarded as the pinnacle of humanity. This is her most difficult song on the "Singer" stage, and also the hardest song to sing in the album "Echo" that year. Li Taixiang's classical composition, Sanmao weeping and not repeating words , Qi Yu's compassionate singing has achieved such a swan song. Similarly, this is also a masterpiece with a lively tension greater than the studio version.

​​"This World" reproduces the moving love between San Mao and Jose from a musical perspective. The day was over, the tide was gone, and Jose drowned unexpectedly. Sanmao came to him and talked to him. The corner of Jose’s eyes was bleeding. Sanmao wiped the blood from the corner of his eye with a handkerchief and wiped his face. Tears, so there are such bloody words: "The same handkerchief, wipe your blood, wipe my tears" Qi Yu with deep affection, looking back at Sanmao and Hexi's blood and tears of love, expressing the memory of the deceased . I think there is also nostalgia for his teacher Li Taixiang.

Qi Yu's "This Life" was the sixth on the spot, but in my heart it was the first. I actually heard "This World" at the "Echo" concert of Qi Yu and Pan Yueyun the year before last. I think the arrangement of the concert is not as good as the "Singer" version. This is also a great part of the stage of "Singer". It is impossible to hear such a high-level arrangement of this song when it is changed to another stage.

Qi Yu is a gentle river. She did not use the torrent to break through the aesthetic boundaries of this era and that era. Instead, she connected the river channel of literature and music, moving forward freely and poetically. This is a gentle, boundless force, spring breeze. bend. This era of should cherish singers like Qi Yu.

Top 2 Yuan Yawei's "Metro to Spring"

​​Yuan Yawei's "Metro to Spring" is her highlight moment in "Singer 2017" and also the highlight moment of the whole season of live.

Generally speaking, incorporating too many elements into the arrangement of a song will give people a sense of chaos, but if the original intention and presentation are to make the work more complete, such "multi-element" will appear to be hard to come by. The prelude of "Merry Christmas Mr Lawrence" by brige lieutenant general Sakamoto Ryuichi in "Subway to Spring" is intangible. After the dolphin sound gave "Kiss From A Rose" a whole new life, Yuan Yawei's highest pitch reached F6. Her voice is like "A light hits"the gloom on the grey" (like a light that breaks the haze in the gray), and then seamlessly returns to "Metro to Spring".

"Metro to Spring" has a strong sense of order, so strong I feel that losing any link is incomplete. The final "Don't hide from me, okay" is enough to shut up people who claim that Yuan Yawei has only technology and no emotion. In addition to the excellent arrangement and singing of the entire song, TIA's body language is also full of performance art. When she sang "I was blown by the wind, I can't open my mouth", she held the piano with her hand. The physical expression outside of music is the extension of the blood in music. (* Pay attention to Lin Yilian’s small expressions in the audience, as if her sister is looking at her sister and petting her face.)

Top 1 Tan Weiwei's "Night in Ulaanbaatar"

​​In the past, Tan Weiwei's "Night in Ulaanbaatar" has been in my heart ever since Fengshen. What kind of music can pass through the world, through the wilderness, and complete the dialogue between heaven and earth? I think it is a sound of longing. The song "Night in Ulaanbaatar" has surpassed the music variety show. The bearing of the stage is a dialogue that travels through time and space. In the original version of Jia Zhangke's words, Tan Weiwei added a dialogue between himself and his father, "Hey, you are here", and because of this expression with blood and blood, it makes people I'm sure that the person has not gone far. There is also the Mongolian singing of the Hanggai band, Humai, Matouqin, and long tune. I didn't understand why "our world is only left in the desert". Later I understood, when When relatives leave the world, the world is a wasteland. We can only go down in the chaotic world without looking back.

"Night in Ulaanbaatar", the sky and the world meet again, through the wind, through the clouds, through Rain, through everything, and come back. "The place where you stare from heaven and earth should return to the guests by the wind."

Top 0 Liu Huan "Zhen Huan"

("Golden Clothes", "Bodhisattva Man", "Phoenix Yufei")

"Singer" Seven The performance that touched me the most in 2017, I don’t think I deserve to rank this song, so it is Top 0.

Liu Huan and Yao Beina sang due to time and space. Liu Huan took Yao Beina to the world stage and fulfilled her dream. Yao Beina’s As soon as the voice came out, it made people feel that she was still there. This live broke the original love destiny of the "Zhen Huan" suite, but with a long sense of impermanence in life.

"Looking for long love and looking forward to looking forward but staying empty "Piano and flute", is it not the helplessness of the deceased, the two completed the harmony that travels through time and space at "Don't wait for no flowers and empty branches", which is teary.

Actually, Liu Huan’s voice in live is not the best. Good, but such an imperfect tremor is the charm of live. It is also such a live, which convinces Liu Huan's words, "There is only a song, no king." This song by Liu Huan is for " The seven years of "Singer 2019" and even "Singer" have drawn a perfect end, becoming the last peak of "Singer" in the past seven years.

Summary

I named Tag the First Battle Conferred God. Actually, I don’t want to send anyone to the altar, but express my respect and love for these scenes from my heart. The selected 5+1 scenes have 2 dimensions. The first one is what I like deep in my heart; the second one is really a surprise to me.

is under the second standard, so outstanding singers like Coco and Jessie J are not selected. They have long been named gods, so what they sing on the stage, I think I can expect it. Well, especially Jessie J, from a functional point of view, it can be said to be the best in the seven seasons.

In addition to the 5+1 selected this time, there are actually many excellent scenes: Xin Xiaoqi "Comprehension", Yang Zongwei "Wandering Story", Lin Zhixuan "Fireworks Easy to Cold", "Rolling Bead Curtain", Shang Wenjie "Dog Days Are Over" , Deng Ziqi "Existence", Sheila "The Longest Movie", Li Jian "If Love Has Providence", Zhang Liangying "All of Me", A-lin "The Taste of Lemongrass", Letter "Rainbow", Yuan Yawei " "Golden", Liu Huan & Yuan Yawei "Fearless of Life + Phoenix Yu Fei", Peng Jiahui "Older Woman", Tan Jing "Resent the Sky Has Changed Heart", Lin Yilian "Persimmon", Su Shiding "Red Eyes", Qi Yu "Farewell + Don't Say Goodbye", Wu Qingfeng "Swallow's Nest", Yang Naiwen "Walking in the Waves", Gong Linna "Wuhun"...

In short, art acceptance is the ultimate realization link of art. But this acceptance is to listen to the heart. Music reviews are not important, your feelings are the most important.