Chinese characters, calligraphy and Confucian culture.
followed by the environment is in place, whether it is architectural style, scene layout, prop details, all aspects are very good.
"The Big Buddha Opens Eyes" apart from these, the acting actor Yoshioka who really prepares this role is very good.
Film and television dramas with the theme of sending Tang ambassadors are relatively rare. "It is the old gentleman who has a great way, and he must be faithful to gain it, and arrogant to lose it." In the drama, the tragedy of sentient beings is the unity of words and deeds. But he is regarded as the person with the most Buddha-oriented mind and the most suitable person to be the supervisor of the Great Buddha.
Not familiar with history? It doesn't matter, the show is not very historical.
In fact, during the Tianping reign, the emperor and empress who admired Emperor Zetian heard that the empress was envious of the construction of the Rusanna Buddha in Luoyang and made a wish to build one. The
Buddha is the spiritual sustenance of the people of that era in the face of unsolvable real difficulties. Although the essence is to escape and not to solve the problem, it can support the hope of the poor for tomorrow as a spiritual comfort.
Todai-ji Temple was built completely in accordance with the Tang Dynasty's most advanced temple regulations, and it is also the temple that preserves the most ancient buildings from the Nara period.
In 752, Japan held an eye-opening ceremony for the Great Buddha at Todaiji Temple. The Celestial Royal family and nobles, bureaucrats, and monks from all over participated in this grand event. One of the important contents was the eye-opening ceremony, the so-called "Big Buddha Eye-opening".
The starting point for Japanese people to accept foreign civilizations or to experience advanced culture is to open their eyes. Japanese cultural enlightenment starts from opening their eyes. There is also a monk Jianzhen from Dongdu in
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frequently dispatched the two dynasties of Shengwu and Xiaoqian who sent Tang envoys. Nara culture directly connected with the weather of the Tang Dynasty, marked by the opening of the eyes of the Great Buddha of Todaiji, ushered in the peak of familiarity. It is a fact that Japanese culture was greatly influenced by China, but at at the turn of the Tang and Song Dynasties, the cultural exchanges between China and Japan began to slowly stop. In 894, the sending of Tang ambassadors was completely abolished, and began to engage in Japanese culture. During this period, kimonos also gradually began to get rid of the influence of foreign culture, and developed their unique luxury and exquisite features. The colors of their clothing began to diversify, and their sleeves also developed in a broad direction.
Watching this drama is not to miss how our past culture is superior to other countries, is that the way of service in this drama is generally in line with the overall style of the times; based on this, individuals can accept the traditional costumes in ancient costume dramas Certain "modifications" and second designs, although not at the point where they can only be exquisite, are dull and simple, without a trace of exaggeration. The art value of this play is higher than the value of drama.
Even our Chinese costume dramas are really difficult to be completely historical. In fact, they don't need to be harsh, because they are all costumes designed according to the popular contemporary aesthetics and character set personality.
However, one of the things we are most wary of about is: even if there is a problem with the clothing in the related documentary, the problem will be big ......
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small silver wallpaper!
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