The life drama "The Cultivation of a Vulgar Girl" that must be pursued during the self-isolation period: This is a TV drama that heals the soul

If you are 39 years old now, no car, no house, no job, no marriage, no children, would you still love yourself like this? Carina Chen, the heroine of the TV series "A Story of Raising a Vulgar Girl", is in such a dilemma. She had nothing. She returned to her hometown of Tainan from Taipei. She thought that this kind of self would disappoint her family, but the grandmother, who has always been thinking traditionally, said: "It doesn't matter. Many people of your age have not married." My father said: "My daughter was bullied outside. I still care what others will say about her?" The always stern mother said: "I am happy when you are happy. I will not be disappointed if you are not disappointed." Chen Jialing suddenly found out that she She has always lived in the love of her family, and has gained a lot of courage to "be yourself" from her family. Since she was a child, she thought of Tainan, where she had fled, and the home she had escaped from was the most tolerant place.   The hostess is a 40-year-old "Bei (Taipei) Piao" white-collar worker who has no house, no car, no marriage, and grew up in the home of the most ordinary people in Tainan. What she sees and feels is the epitome of most people's lives. In addition to the heroine's own hesitation and struggle, the play also talks about her second aunt who cut off contact with her family after retiring, and her mother and aunt have to compete from head to toe once a year...Taiwanese dialogue sounds strenuous , But many scene lines are familiar to people. What impressed me was the last two episodes of the death of her grandmother. She told her son and grandchildren early that she wanted everything to be simple after death and that her ashes would be spilled into the sea, but after the person really left, she hurried away. The aunt who came back firmly did not believe this. The aunt feels that "my mother loves face the most" and we must make the pomp a big deal. In the final analysis, it is because "the neighbors are watching whether we are filial or not."   The reason why grandma confessed that she would spill her ashes into the sea is because she has been enough of other people's wives, mothers, and grandma. She wants to be herself free after she leaves.   As we have been discussing for the past two days, do you really have to follow the pace of the people around you? Can we keep our original self after re-identification? This is not sales anxiety, but something that needs to be explored and broken through under the inherent cultural background.   In such a family reunion festival, I recommend this warm and powerful TV series "The Story of Raising a Vulgar Girl" to everyone, and I wish everyone peace!