cross talk art has a history of more than two centuries. As a traditional folk art, it originated in the land of North China, so the impression given to audiences who did not have a deep understanding is that all cross talk actors come from the north.
However, it is worth mentioning that Nanjing Confucius Temple is also one of the three birthplaces of cross talk, but due to various historical reasons, it has not been handed down very well. In the north, cross talk has never broken the incense.
Nowadays, due to the rise of Guo Degang, more and more young people are listening to cross talk. All members of the Deyun Society are from the northern region, with Tianjin, Beijing and the Northeast as the main ones. So naturally, this folk art The baggage contained in it is also northerly. And because the dialects of all parts of the north are similar and not very different, the humor can be understood by northerners, men, women and children.
So friends in the southern region can still get the laughter of cross talk now? Zhou Libo is one of those who oppose it. I don’t know if he can understand the jokes, but he always talks about the Shanghai style and despise this folk art from the bottom of his heart. He feels that it is vulgar and can’t make it to the stage. He couldn't get rid of his discernment, so there was such a remark that "I drink coffee, they eat garlic".
But it was originally a profession, a means of earning a living. To put it ugly, it was called "begging" in the past. It is essentially the same as other performances that bring people enjoyment and joy. The so-called vulgarity Elegance has a degree. As Guo Degang said, the vulgar is the vulgarity, and the vulgarity is the vulgarity, and the performer can grasp it by himself. The editor of
thinks Zhou Libo is an example. From his usual words, he can be seen as a hypocrite who considers himself superior and likes to play with double standards. He can represent no one, only himself.
Deyun Club's special shows are located in various cities in China, and there are not a few foreign countries. Through the feedback of the audience's laughter and facial expressions, we know that everyone really likes this traditional art.