Faced with all kinds of complaints about the annual costume drama "Miyue Biography", in fact, the main purpose is not to say that the drama is not good, but because the previous "Zhen Huan Biography" made everyone expect too much of director Zheng Da. The pre-Qin drama, which has been sharpened every year, is surpassed by Zhen Huan. In addition, with all kinds of vibes and super-long films before the broadcast, the Buddha let everyone wait and find faults. The reason for complaining is not because it is bad, but It's because of too much love. However, both were produced by Director Zheng. Of course, there are many similarities and differences between the two dramas. The similarities include both women's dramas, the history of women's growth, and court dramas. Different places have different styles of lines, different styles of clothing, etc. In comparison, each has its own advantages. If you still think Empress Zhen Huan is good, then Xiaozhi will tell you why Mi Yue is bad. The language style of
is not refined by Zhen Huan.
It is not difficult to see from the language style that "Mi Yue Biography" uses the vernacular, while the dialogue of "Zhen Huan Biography" is more classic, and each person has his own language style, which is more in line with the characteristics of the characters. . The most famous "Zhen Huan Body" has been compiled into countless paragraphs, giving people a sense of Zhen Huan's wisdom.
"I just saw a poster of a good place in this palace. The scene is very exciting. I thought it would be great if I could go and watch it in person. However, I was a little bit shy and inconvenient to go in my palace. This palace must have no chance to watch it. But if you can invite you sincerely, it will not be worthy of the love that this palace has for you!——Speaking of people: I want to see that fun place, no money, you invite me , I will go.” The language style of
is very close to "Dream of Red Mansions", and its characteristics are self-evident. In addition to Zhen Huan, Empress Hua's "Bitch is hypocritical" is also a classic dialogue of classic characters, which is very consistent with the character's identity.
But in Miyue, everyone did not see such a difference. Everyone spoke in the vernacular. Although full of emotion, everyone's language style was not obvious. This is one of the points that the audience complains about.
's first episode of Gongdou tearing forced the scene too much to pave the way for
because it was played since childhood, so when I was young, the actors changed three, and the tearing scenes in the first few episodes were just foreshadowing. This is very different from other dramas in that the drama conflict does not arise from the protagonist.
In "The Legend of Zhen Huan", Niang Niang met her opponent at the beginning. Whether it was a big opponent or a small opponent, someone opposed Huan Huan at the beginning, and the dramatic conflict was fierce.
is also like other popular TV series. "Wu Zetian" first entered the palace and encountered several opponents before he saw the emperor. The opponents came out when they danced "Lanling King Enters the Battle". And before he had settled with the emperor, he was in danger of beheading. The dramatic conflict was so tight and fascinating.
Miyue’s Gongdou drama when she was a child didn’t seem to be particularly intense. Although it was parting from life to death, everything seemed so plain, as if she had accepted the established facts. Since she accepted the next step, it’s easy to be seen through. There is no suspense. The audience is not enjoyable enough. The starring role of
has no suspense and the supporting role is too ugly and no surprise.
Liu Tao’s acting skills are unquestionable, acting as a general like a general, acting like a princess like a princess, acting as a sister who is more like Miyue’s antagonism, that kind of vicious expression comes out from his eyes, expressions Quite a lot. In contrast, although Huanhuan is also very good, the domineering leakage can also be interpreted very well, but the tomboy's character unconsciously makes it feel like a minute to play.
In addition, among the original cast of Zhen Huanli, we only saw their guest appearances. Jinxi and Hua Fei died of hatred in a few episodes. Apart from lamenting their acting skills, I really want Jiang Xin to stay for a few more episodes. Where can her bitter eyebrows go?
The remaining protagonists were exposed too early, and there is no suspense, and because of the shape, how can Ma Su, Yuan Zhibo, who plays Zheng Xiu, and Xu Cuicui look so awkward, not amazing at all, and there is no such thing as Zhen Huan’s The beauty of a maiden. And the supporting role is too ugly, not even a clever and beautiful girl like Huanbi and Liuzhu. I remember the scene where Zhen Huan and Mr. Qi were torn up later. Although Mr. Qi is a villain, people can't hate it. It's not because the girl did not perform well, but because the girl was too good. And Reyza, who plays Ning Bi, is also so touching in Zhen Huanli, but he disappears immediately in "Young Di Renjie"It’s really strange. In addition, what kind of ghost is Pei Na in "Ugly Invincible" who turned into a costume drama? I couldn't bear to look straight, even if the styling wanted to highlight her as a villain, it wouldn't be so unbearable. It looked like a middle-aged woman's immediate sense of sight.
Tucao here, I must have already understood why Mi Yue did not Zhen Huan, right? In fact, the biggest difference is the level of the screenwriter. In the end, Xiaozhi had to give Huanhuan a compliment. Good directors are always available, but good scripts are hard to come by. What's more, how to become a top screenwriter can’t help you in today's low status as a screenwriter. However, Sinosoft can help you register the copyright. Screenwriters as a disadvantaged group can suffer less harm
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