LGBT movies have become popular in recent years. The
LGBT group has gradually shown inconsistent but more positive images in movies.
at this year’s Cannes Film Festival, "Portrait of the Burning Woman" defeated "Pain and Glory" and won the Gay Palme d'Or and became the first gay Palme d'Or in Cannes film history.
(directors and creators)
, this hot lesbian movie, easily burned in my mind, and it is definitely my personal best gay movie of the year. The
heroine Adele Haenel's faint blue skirt burned silently in the dark night, and the passion in her eyes seemed to ignite together.
is the moment in the poster, the strong affectionate overflowing the picture in the flame, you taste, you carefully taste.
"Portrait of the Burning Woman "
(Portrait de la jeune fille en feu)
Interestingly, the film director Celine Sciamma and the film hero Adele Haenel used to be a pair of lovers. The two have known each other for more than ten years, as early as Celine Sciamma Adele Haenel played the leading role in her first feature film "Daffodils".
Adele Haenel auditioned for "Daffodils"
This time the director chose to let his ex-girlfriends return to their own works and collaborate again. With their familiarity and mutual trust, Adele Haenel's performance in the film was amazing and delicate.
Many netizens gossip. This is a farewell work given to Adele Haenel by director Celine Sciamma. I will never know the truth about this, but what is certain is that Adele Haenel has once again become the muse of Celine Sciamma.
(actor Adele Haenel and director Celine Sciamma)
Celine Sciamma brings classical painting aesthetics into the lens language, carefully crafting the design of each scene, the color and composition of the picture, and the smoothness of lens scheduling, finally making the whole film look like one The exquisite artwork makes people want to stop.
And the stamina it creates is like a storm from a flat bottom, slowly sweeping you and breaking your heart.
No need to go into the picture directly above, I'm sure you will be beautiful by this classical painting-like picture.
is! Do not! Yes! nice! To! miss you! tip! call!
can cut a frame at random, mount the frame and hang it up.
The composition is comfortable, the texture of the oil painting is very classical, and the photography of natural light and candlelight is so beautiful. This is not only a lesbian film, but also an exploration of feminism, integrating painting and philosophy and other artistic forms, embedding women's self-consciousness in the film.
Therefore, even if I know that this is a sad story, I cannot refuse this old-school charm and romance because it is too beautiful. The whole film of
is an unparalleled audiovisual art. The image charm of the oil painting texture really makes my language of praise quite weak! It is still the most powerful to continue the picture above! The story in the film
took place in 1760 in Brittany, France.
The talented female painter Marianne was commissioned to come to a small island to paint a portrait of the rich lady Heloise before marriage, but the premise is not to reveal her identity as a painter. So Marianne could only rely on careful observation to capture Heloise's appearance and expression, returning to the studio at night and slowly copying with the memory of staring.
"I have to get close enough to her to portray her soft earlobes and the hair covering her ears..."
spent some time on the island together with the purpose of sharing Complete a portrait. In just a few days, the two people in close contact have gone from acquaintance to love and cherish each other, and the taboo ambiguous feelings gradually become strong and indelible.
Heloise is a rich lady who likes monasteries. The equal life in the monastery makes her peaceful. Under the confinement of patriarchy, Heloise is not easy to trust, not easy to confide in his sincerity, reluctant to speak, and does not like to laugh.
Marianne is a beautiful portrait painter who bursts out the flames of desire between staring and being stared at. The portraits created for Heloise are from rigid to vivid and full, just as Marianne really injected a free soul into Heloise.
The emotions of the two people went from germination to imprinting. What I love most is the scene where the Heloise skirt is burning on the movie poster.
Heloise and Marianne looked at each other deeply, they forget each other's identity, forget the worldly imprisonment, without knowing that the flames quietly flowed to Heloise's skirt, just simply enjoying the soul that gradually approached each other and merged at this moment.
's seemingly calm demeanor hides turbulent turbulence, and the ambiguous mood that gazes at the other person's sight is their promise.
seems to be saying: lover, the romance at this moment is enough to resist everything that will be dim in the future; if you have been happy and sad, this life is not in vain.
However, dreams will always wake up, paintings will always be completed, weddings will always take place, and people will always leave.
The fire of desire ignited by love came to an abrupt end. Before parting, the painting on page 28 was left as the last memorial for each other.
reunion only once after parting, the sights did not intersect.
At the end of the film, in the close-up shot of Heloise for more than a minute, in the music with increasing volume, I know that Heloise remembers all the past, I know that her love for Marianne has never faded, she recalls From all the things he had with Marianne, his emotions collapsed a little bit and he couldn't help himself, as if he was about to be swallowed by the fire of the past. We follow her memories, follow her to the ground, until the bleeding holes are pierced.
I think this love is destined to end in tears.
deserves the most touching ending of the year.
The dress style in "Portrait of the Burning Woman" should start from the Rococo fashion.
Rococo is a style derived from French classicism. Influenced by the artistic trend of this period, the clothing colors are bright and delicate, and the entire clothing style tends to be soft and beautiful.
In the first half of the 18th century, the development of Rococo fashion was led and promoted by the mistress of Louis XV, Madame Pompadour, and reached its peak until the French Revolution in 1789.
Even in modern society, Rococo dresses have a large number of loyal fans, and they are bright and lovely.
The main characteristic element of the rococo style is a fluffy skirt with Parisian hip pads and puff sleeves. The neckline is opened very large, almost revealing the breasts, and a wide flat collar is decorated along the large neckline or the cloth is softened. The fine crushed pleats decorate the neckline. In "Portrait of a Burning Woman", the actor's skirts are mostly like necklines.
In the second half of the 18th century, Mary, the wife of the French King "Louis XVI," succeeded to dominate the final pleasure and extravagance of the palace in the early period of the French Revolution, and the pretentious dress represented by her became the final period of Rococo.
Until the end of the 18th century, people's interest in classicism grew stronger and neoclassical thought emerged. With the decline of the French Rococo fashion, people took ancient Greek and Roman art as a model, and pursued sublime nature and harmony. The entire European continent followed with the emergence of a simple English style of dress.The outfit is simple and low-key.
And in Europe before the industrial revolution, most women actually only had one or two clothes in their wardrobes. For rich ladies like Heloise, there were only a few slightly gorgeous dresses in their wardrobes. The costume designer of the
film is Dorothée Guiraud, and his main design works include "The Blue Room", "The Last Hammer" and "Winged Boat".
only used the soundtrack in two places throughout the film.
is still the burning scene on the poster. Accompanied by the bewitching music, the camera follower Marianne's eyes turned to Heloise. In the flash of fire, the friendship in Heloise's eyes was caught by us. When the music sounded at the right time, it didn't call for the victory to weaken the beauty of Heloise in the fireworks, but gave us a more immersive emotional storm experience.
is also the movement played at the end-Vivaldi's "Four Seasons". The appearance of this soundtrack has brought the entire film to its true climax. All restrained and suppressed emotions spew out at this moment. As the movement becomes more and more exciting, all the emotions that can be expressed by non-words and words are completely in the music. combustion.
Heloise remembered that Marianne had played the "Four Seasons" for her, remembering all the past, and the grief in my heart gradually invaded all her thoughts, and it made me realize how precious this relationship is.
is poetic and eternal.
"Orpheus is the son of the sun god Apollo and the goddess Calliopa, whose piano and singing can confuse the beasts.
Since his wife Eurydijk was killed by a snake, Orpheus Poss desperately wanted to live, and with the help of Eros, Orphes went to the Hades to rescue his wife without hesitation, but he had two conditions: first, on the way back, he could not look back at Osdick; second, this commandment was not allowed Leaked out. On the way back, Orpheus could not resist the thoughts of his wife. He turned around and glanced at her, causing his wife to die for the second time. Orpheus, abandoned by mankind and the gods, thought of suicide."
"Portrait of the Burning Woman" has a new artistic interpretation of the "tragedy of Orpheus and Eurydice" in Greek mythology. Orpheus's return to the death of his beloved wife was not because it was irresistible. Miss, but Orpheus's own choice, "He chose to leave memories about her, so he will look back. What he made is not a lover's choice, but a poet's choice."
hinted at Marianne Before finishing the painting and leaving the island, Heloise called her to ask her to look back at Marianne's choice. She made the same decision, which was to leave an unforgettable memory forever. Dazzling and precious memories may have more artistic value than eternal companionship.
's painting infused with emotion is completed, and the two people's erotic desires have also been sublimated.
When Heloise said turning his head back, Heloise and Marianne's eyes slowly reflected the twinkling candles in each other's eyes. They walked into each other's world unhurriedly but very firmly. The flames flew unstoppable and started to burn, but this was goodbye. , This is the choice they have to make.
is really worth the aftertaste of this scene.
director Celine Sciamma uses the screen as a canvas to outline a set of exquisite and stunning paintings that can make people fall into the vortex of love. Moreover, when the director interprets the repressed erotic desires of the lovers on the isolated island, he also conveys in-depth thinking about the female body consciousness.
I guess as early as the moment they met, God whispered four words in their ears: Doomsday is inevitable. As they gradually fell in love, women's self-awareness was gradually awakened. The classic love story of
is too beautiful in terms of video art, painting art or philosophy.
is such a beautiful movie, just have time these few days, don't miss it.
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