Recently, the film "The Wrangler" directed by Xie Jin suddenly became popular on the Internet.
"The Wrangler" artistically can be said to be the culmination of Xie Jin's film. Although many people appreciate "Furong Town", the popularity of "Furong Town" is more the fame of its novels, and "Furong Town" also shows that Xie Jin's film has exposed its decline. At that time, the film was released. At that time, the fifth generation of directors had already emerged, and Xie Jin’s influence was at stake. Coupled with Zhu Dake’s crusade against Xie Jin’s model at this time, Xie Jin, after "Furong Town," was equivalent to from the northern slope of Mount Everest. Begin to descend.
And "The Wrangler" is freely retractable and flowing, showing Xie Jin's unique status in the Chinese film scene at that time, and being able to present a narrative work on the screen with such a rhythmic sense of grasp, Xie Jin can be called. The one and only person in the Chinese film scene at that time.
The screenwriter of "The Wrangler" is Li Zhun. The success of "The Wrangler" has a lot to do with the screenwriting skills of screenwriter Li Zhun. Li Zhun’s advantage is that he masters a set of folk vocabulary and can create lifelike characters with a breath of life. This is in line with the creative style of director Xie Jin’s pursuit of life’s authenticity in the film.
Xie Jin’s genuine pursuit of the authenticity of the real situation, combined with Shang Li Zhun’s accurate restoration of the characters’ language, combined to become the best partner in the film creation team for eighty years.
If it wasn't for Li Zhun's health later, Director Xie Jin would definitely catch Li Zhun and let Li Zhun continue to be his queen screenwriter.
Xie Jin’s respect for Li Zhun also gave Li Zhun a certain right to speak.
In "The Wrangler", Li Zhun asked Xie Jin to arrange a role for one of his special characters.
We saw in the movie that Xu Lingjun and his father in "The Wrangler" came to the alma mater that year. In the movie, there is a scene where a teacher teaches in a classroom. This teacher is a role arranged by Li Juntuo Xie Jin. In the lens of
, the female teacher, dressed in plain clothes, is not amazing in appearance. She tells the history of China in the movie, and then writes the character "Long" on the blackboard with a dragon flying and phoenix dancing, which is a hint of where the male protagonist was after he was released. Geographical position.
Therefore, the existence of this female teacher in the movie is not just idle writing, and the actor who plays this female teacher also shows the character's dignified, calm, and dedicated spirit just right.
We can see her name on the cast list at the end of the film. The two short shots in the film became the only screen image she left in her life.
Actually, Li Zhun has a lot of love for this actress. Back then, when he was writing "The River Runs" at the Beijing Film Studio, he promised that the guerrilla captain in the movie would let her play, and said that this role was written for her.
After all, this actress has no status in the film industry. It is obviously too whimsical to let her take on the role of the core character in the movie. Even with the strong recommendation of Li Zhun, this role cannot be played by her.
Later this role in "The River Rushing" was played by Li Xiuming.
However, Li Zhun's support for the actress can be said to be sparing no effort, or Xie Jin is more humane. He arranged two roles for the actress recommended by Li Zhun in "The Wrangler".
The acquaintance between Li Zhun and this actress can be said to have profoundly changed Li Zhun's creative direction and theme.
We can think a little bit, if there is no relationship between Li Zhun and this actress, then the fullness and depth of the characters in Li Zhun’s novel "The Yellow River Flows East" that won the Mao Dun Literature Award will be greatly reduced.
"The Yellow River Flows East" writes about a character named Xuemei, who struggles painfully in the waves of love, sea and desire. Without the real life experience of Li Zhun, it would be difficult to write it.
In Li Zhun's early works, his most eye-catching character image is "Li Shuangshuang". Li Shuangshuang has the prototype influence of the author's wife, but Li Shuangshuang is fundamentally different from Xuemei in "The Yellow River Flows East".
Li Shuangshuang only has the appearance of a woman, but not the delicate ditch of a woman's emotion.
From Li Shuangshuang to the reveal of Xuemei’s true woman’s inner world in "The Yellow River Flows East",It cannot be said that the special relationship between Li Jun and the actress has played an important role. The actress
graduated from drama school in her early years. She met with her boyfriend to work in a drama troupe in a remote area, but her boyfriend did not fulfill the lie and did not report to the drama troupe. For hopeless love, she had to give up her job and return to Beijing alone. Because she left the original performing arts team without authorization, it was difficult to find a suitable unit when she was in Beijing Bei Piao, and life was very difficult. Later, she simply married a local who had a house and a job, but her ambition was still to work in acting and performance, often looking for opportunities in the surrounding environment of the Beijing Film Studio.
At that time, Li Zhun was working on "The River Rushing" at the Beijing Film Studio, and he met the actress. As time goes by, his feelings have also emerged.
However, unfortunately, the actress died in a car accident. Li Zhun was unhappy at the time. This incident also greatly affected Li Zhun’s health. Later, he suffered a stroke. He had to say that he was related to the internal injury of this relationship. Associated.
Li Zhun once told a friend that this actress is important to his life: "I have lived for most of my life. If I don’t know what a mother is, she tells me; if I don’t know what a wife is, she tells me If you don’t know what a daughter is, she told me; if you don’t know what a lover is, she told me too..." (See Hou Yuxin "The Back of the Master")
In Li Zhun’s past impressions, we only know He is a native writer who is good at describing rural women. However, his association with an actress has opened up his artistic vision and realm, and can bring us the differences in "The Wrangler" and "The Garland under the Mountain" Shaping of the female image. In this sense, the actress also used her own way of intervening in the writer's life to give Chinese literature special polish and luster. It was just an accident that interrupted her promising artistic life and left a terrifying sigh.
Today we saw the vivid reproduction of women in "The Wrangler". What impressed me was the beautiful figure and full personality of the female number one at the front desk. However, there are only a few shots of actresses hidden in the film behind this. This is the real reason for the radiance of the female number one at the front desk.
From this perspective, this actress should also deserve to be the number one woman in life. With her life and love, she has injected Chinese literature and Chinese movies with her passion and heartbeat.
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