[Exclusively released by Big Fish]
has a very exciting hunt at a late-night zoo in the movie. The flashlight brightens the constricted pupils of nocturnal creatures, wild, mysterious, and murderous. Zhou Zenong is one such nocturnal creature, living on the margins of society, on the dark side of the world, "people are like feathers, fate is like weeds" may be Zhou Zenong's best comment. However, the reward from the police made Zhou Zenong, a marginal man who was originally worthless, suddenly worthwhile. People equals money. Zhou Zenong is no longer Zhou Zenong, but walks 300,000. This is the biggest dislocation in the movie.
surrounds these 300,000 people, and people of all colors are waiting for their debut. The nocturnal lone wolf is at the end of its way. The snake, rat, hyena, smelling the fresh blood from its wound, swarms, or hides in the dark, or shows its minions to tentatively, coveting his fur and flesh and blood. But after all, a wolf is a wolf. Before it falls completely, anyone who dares to pounce should be prepared to be bitten by a piece of meat. In the end, the Zhou Zenong we saw was a silent and gloomy image most of the time. Standing in the sun or walking in the crowd, he always cowered and dodged, but as long as he worked hard, he was extremely decisive and cruel.
So the charm of this movie lies not in what it promotes, but in the character Zhou Zenong it creates, in the character of Zhou Zenong who is free from the nocturnal creatures outside the world we see every day-danger But beautiful, humble but proud.
The so-called "party" refers to the gathering between the criminal and the criminal chaser. There is only one criminal but there are many who track him. These people have their own plans for the ghosts in the center, and they have also contributed to the plot content of the movie, so basically This film is a story of everyone chasing the same fugitive, but the director used a very alienated method to narrate, and also tried to leave some foreshadowings for the audience to suspect. The whole film is about the fugitives who continue to escape, that is, the police constantly It’s carried out during the hunt, and those who are also systematic are inserted in the middle, which is very commercial in terms of plot setting, but the filming method of the director is relatively distant, which of course has something to do with the director’s own image style , The advantage of this is that you can create personal characteristics, but on the other hand, you have to face the niche situation of the film. This is the inevitable situation of the film "author theory". The director puts quite a lot of elements in this film, but These are probably not reachable by most viewers, and the Hubei dialect is quite local, creating a good environment for images. The image of
is highly stylized, rainy and humid, blurred lights and shadows, cool gangsters fighting, bad night speed car breaking head, umbrella murderous blood splashing everywhere. Fugitives armed with guns accompany the swimmers, lust and passion in the Wild Goose Lake. The village in the city like the Kowloon Walled City, the game of soldiers and thieves between chasing and fleeing, the black rivers and lakes flashing neon neon in the countryside, murderous opportunities are everywhere. The form of
is bigger than the content, the characters are seriously symbolized, and the characters' motives are suspicious and cannot stand scrutiny. Hu Ge worked very hard, but unfortunately he didn’t meet a good character. I couldn’t see the charm of the fugitive Zhou Zenong. I need such a space to write a biography for him. If there are impressive passages, the scene of eating noodles is still Yes, I can see a little bit of inner struggle. Most of the others are unidentified so the vicissitudes of life are cool. Even if I wear the No. 9 jersey of God of War Batty, it is just a subversion of the previous style. As for Gui Lunmei, Liao Fan, Wan Qian, Huang Jue, and Zeng Meihuizi...It's really a waste of all these good actors.
(Image reprinting network infringement deletion)
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