The goddess of art transforms into King Kong Barbie, the box office on the premiere day is nearly 10 million, and the Douban score has just passed the pass line

Tang Wei is the goddess of literature and art in the public's inherent impression. Whether it is directed by Lee Ang or the "Beijing Meets Seattle" series, her role always radiates charm everywhere. But over time, such a fixed set of characters is too restrictive to the development of actors, but it stifles the development prospects.

"The Whistleblower" is a good opportunity for Tang Wei.

This is not the first time she has collaborated with Director Xue Xiaolu. From "Beijing Meets Seattle" to "The Whistleblower" just released now, this is the third multinational film directed by Xue Xiaolu, and Tang Wei seems to have become the heroine of Xue Xiaolu's favorite. Although the genre is quite different from the previous two, the movie "Whistler" still uses Tang Wei as the starring role. The current score of Maoyan is 8.7 and Douban score is 6.3. It seems that the audience's love for the film may be polarized.

Director Xue Xiaolu said at the press conference that the creative direction he yearns for is not romantic love themes, but suspense and plot. This film is a transformation for her, and it is also a transformation for Tang Wei. So whether the audience approves or not is very important.

Looking at the general environment of the movie market today, more and more directors have begun to tend to create suspense films and feature films. From the youth wave to paying attention to the literary and artistic plot, the audience and the director grow up together with the film market. Up to now, some people have not only paid attention to entertainment when watching movies. The humanities contained in the film and television works have left problems that attract the audience to think deeply after leaving the theater. What is

whistleblower?

This is a film with a unique perspective, starting from the whistleblower, which is both novel and bold. The film was delayed from September to December until it was released. Whether the content and scale involved can pass the trial, people are terrified. But just before the release, on September 12, the State Council issued relevant regulations. Since then, the whistleblower is not only a singularity in the film, but a related law that exists in life, becoming a pair of eyes in the shadow of corruption, and such groups will also be protected.

A phone call detonated the old relationship between Ma Ke and his ex-girlfriend, and at the same time lit an extraordinary flame in Ma Ke's life. The appearance of Zhou Wen brought a crisis to Ma Ke's life, and the ensuing hunters cast a tense rhythm on the film itself. One of them is a Chinese living abroad, and the other is an expatriate representative living in China. There are similarities between the two characters and the connection with the predecessor, so let the two lines connect.

If the first half of the film is like watching a romance, then the second half is like watching a fleeing movie. Through the resurgence of two people's old relationship, the dark side behind corruption is ignited. After the two crossed the Three Kingdoms and Ma Ke understood what situation he was in, he fell into confusion. But behind this, the real purpose of ex-girlfriend Ma Wen is the key to promoting Ma Ke's actions.

Ma Ke threw a realistic problem to the audience on the way to chase the truth. Director

is very precise in controlling the narrative rhythm, from throwing out multiple choice questions of love and morality to revealing the truth bit by bit. Ma Ke is not a perfect person, this is also the director's consistent style when portraying characters. Setting the role as an imperfect person makes the role more like a real individual in life. While Ma Ke and Zhou Wen were in dire straits, he abandoned his family. So after he and Zhou Wen are together, has everything tended to be good?

does not.

became a whistleblower for the first time, and he was a victim. This incident not only failed to bring any benefits, but his youth palace Ma Ke faced unemployment, threats and all kinds of doubts from those around him. On the one hand, he became the self-dominant from the exploited, on the other hand, Tang Wei, as a two-faced, finally found his inner bottom line through Ma Ke.

For Tang Wei, this is a bold breakthrough. From the goddess of literature and art to the ex-girlfriend of the conspiracy theory, it seems that love is still inseparable. Only by peeling off the outer shell of love can we discover that the film is not only to be delivered to the audience. This is the first time that Tang Wei has filmed an action scene in her film and television career. Crashing, jumping off a building, and fleeing are all new challenges for her. When she first received the script, she was not sure that she could act the character. This just confirmed Lei Jiayin's statement that she had no so-called acting skills, so what she presented to the audience was a real role.

At the same time, this is also a bold breakthrough for the director. No matter if you chooseThe material is still the filming process, and director Xue Xiaolu has made a big turn. Unlike her previous works, the film "Whistleblower" focuses on a sensitive group in society, and what it wants to show is a sensitive topic in society, which is also a problem that has not been cured. It can be seen in the film that director Xue Xiaolu's expectation is not to stay in China, but to go abroad and go international. Among them, the action scenes and blast scenes have a Hollywood feel. The protagonists are all domestic actors, which also means that the film market is constantly rising and the future can be expected.