On a warm evening, Anna and Aisha played family games as usual. But Aisha seemed a little absent-minded, because she had always vaguely heard a voice from afar calling her recently. She always felt that something was going to happen, and she seemed uneasy throughout the game. This was originally a complete and finished story. As we all know, Disney’s princess series has never had a precedent for a sequel (the DVD series after the movie is not a real sequel), but Disney itself did not expect Ice 1 to achieve a burst of success on a global scale, so it was iced under the demand of capital. 2 was officially put on the agenda. The problem is that Bing 1 is a complete story, and there is no condition to prepare for the sequel. So how to write the sequel is equivalent to the queen building the palace on the ground, basically "making something out of nothing".
Actually, I was relatively resistant to the clue of "searching for the origin of magic" at first. Bing 1 made it very clear: "Naturally," and then Elsa also accepts her own magic. I think it is enough. If you go again The search for the origin is superfluous. Especially when the trailer first came out, the beauty was beautiful, but I was actually very worried that Bing 2 would become a popular dark adventure story these years, but after watching the movie, I realized that I was too small. In
ice 2, the weight of the mother's role has been increased, but unfortunately it is not well developed/explained (the story of the entire parental line is not very clear). The role of the father is a good indication of the identity of patriarchy from the beginning: the narrator of history. The mother is obviously also the experiencer of the story, but she is basically aphasia in telling the history of the incident, and can only convey some information through children's songs. (The role of nursery rhymes in fairy tales is very important, and it basically implies the truth of the whole story) And this song runs through the movie, showing that mother is the most fundamental source of Elsa and Anna. The bold setting in Ice 2 is to remove the villain in the traditional sense. This is a narrative test that tests the screenwriter's ability, in other words, it is a very disadvantageous way. Of course, everyone has different opinions on the completion of the story, but this choice itself illustrates the team's ambition.
has some shortcomings, and it is impossible to surpass the first one. For example, I feel that the whole movie has a lot of songs, and there is an obvious pee point in about 50 minutes [covering face]. In terms of the plot, the protagonist is still two sisters, and there is basically nothing to do with boys, so the core theme is similar to the first one, and the overall structure rhythm is also Almost copied the first one, and can be benchmarked everywhere, which is a bit uninspiring. The logic of the plot cannot withstand scrutiny, especially the last key turning point, which I think is more abrupt and not believable. I was a little anxious and a little out of play during that period. In the end, it will obviously be a happy ending with a low and young orientation, so that my emotions cannot be easily substituted (but there is no such obvious problem in the first part), so points are still deducted in the plot. However, I have gained two golden sentences (general meaning): Magic is not malicious, and fear is your greatest enemy and will lead you astray. If you can’t see the future, take the path of the present and do what you should do now. In addition, the theme Xuebao has been talking about [grow up] may also be instructive to the children.
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