watched "Heroes of Fire", the most regrettable movie so far this year. This theme, this background, and this story can be made into a high-quality disaster movie, hero movie and main theme movie. However, the narrative rhythm that is more out of control than the fire, the soundtrack that runs faster than the flow of fire, and the director's desperate sensation that you are crying at the audience with a megaphone, and with the slogan that flashes from time to time, it succeeds. The whole film burned into a pity. Although I cried, it has nothing to do with the movie. It just reminds me of the fire fighters I have been in contact with, their ordinary and great, real and secret lives.
Du Jiang’s crying scene is really good. Huang Xiaoming’s role is a pity. It’s not that he didn’t perform well, but that the director tried too hard on him. The director wanted his role too much to move people, so he added everything to him. The symbols are reminding the audience that he will sacrifice and you should cry. But some places do a good job, even this kind of detailed setting is not expressed in lines, which is closer to literature, but is done with more cinematic means, such as a fire truck toy in the hands of children. This is The so-called cinematic sense. For the shaping of fire, we also used the roar of the beast, the enhancement of the sound and the rendering of special effects to achieve the desired effect. Another way of saying
disaster movies is hero movies. No matter what type of search is used, it requires ample emotional expression. This is also a pity of "Heroes of Fire". The creators cannot be excited earlier than the audience, nor can they be excited too often. , Otherwise the audience will rebound and the excitement will be greatly reduced. Therefore, the protagonist of "Heroes of Fire" is the hero, and the fire is only the villain. The purpose of describing fire is also to highlight people. This is the choice of storytelling angle, there is no difference between superior and inferior. But I still hope that I can see a movie starring a man with fire as the protagonist.
tells about a common fire in life, which actually implies such a huge danger and such a huge sacrifice. It digs out too many invisible things from common events, so, perhaps, because it has more sense of substitution and spectacle, it has more power. This needs to jump from the perspective of the audience, but from the professional perspective of firefighters. At that time, the scene I wanted to see was no longer the chief of the fire brigade shouting to his team members, that we were up there with chemicals behind them, and we did not give in, but calmly instructed the team members to use a high-pressure water gun to hold down the first One fire, a certain, with dry powder, press the flame tongue 45 degrees from the air, a certain, use foam to create a fire isolation channel, certain, how much high-pressure water gun is adjusted to cool the chemical storage tank. The
film has the overall genre design of disaster films, the rendering of audio-visual effects that spare no effort, and the standard configuration of humanity and disaster, and the high theme of heroes and sacrifices. It is a major improvement for domestic disaster films and industry films. Many audiences in the theater are infected by sacrifice and parting, and the rhythm and scenes have reached a high level. Both Du Jiang and Huang Xiaoming have completed the role modeling, and the smoking details before bid farewell are good (although the venue is not acceptable).
However, if you can't get in touch with the real problems and contradictions behind the disaster, you can at least provide more idealistic fictions in improving citizen crisis literacy and government crisis handling. At present, it is a bit too prominent for firefighting heroes, and other people are too negative. The large-screen visual presentation of fire and explosion scenes is very effective. Only when the only big villain in the film "Fire" is established can the real story be adapted into a visible disaster film. I like the climax of the movie. The three-line parallel montage of Huang Xiaoming closing the valve, the squadron guarding the chemical tank and the team leader pumping long-distance water underwater, is cut very brightly.
is the convincing entry point of the main melody movie. From the individual to the collective, the protagonists all start from the family to complete the inner self-overcoming integration. Such a big fire can ignite everything, but not even a cigarette can be lit. Human beings are so small, yet extremely powerful. Seeing the sound of the terrifying fire burning like a ghost, roaring at them like the gates of hell. Especially when I saw Zheng Zhi's death, I thought of the heroes who died in the Liangshan fire, and my heartache was beyond words. The guardian of the peace era, pay tribute to the firefighters.
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