I understand Liu Xiaolingtong’s old-age artist habits and improper rhetoric. He is just an actor. But of course I am not optimistic about this film. First of all, because the times are different, this image is no longer the hero of the outstanding individualists in the collectivism of his era. After deconstruction and reshaping, this image is already very fragile. .
is too old for the main box office young people, and once his spirit is weakened, he loses his luster and becomes a very strange image. If this movie tries to express the real and false chapters, the Hamlet-style, intellectual confusion, it will appear absurd and dull, and I think that no matter the director and the starring actors have such philosophical thinking ability. The technical level is definitely not the main thing, but the characters.
tries to graft Hollywood and Chinese classical culture. It can only be a second-rate imitation in the hands of Chinese people. If the image of Monkey King breaks away from the local Chinese civilian, rebellious, optimistic, and moralistic rebellious spirit, it becomes a belt. The gloomy and complicated two-faced people in Hollywood's black and white dilemma are no longer attractive. Movies in the mainland are based on Hollywood standards in all aspects. This cultural product is a colonial copy with no real vitality. But anyway, I still look forward to the movie's release.
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