all have needs to be desired and recognized. The so-called friendship between Yu Boya and Zhong Ziqi are all yearning for it. Human nature is so, all want to contend with the secular. Jiang Wen did not shy away from his ambitions in this movie. Jiang Wen said that he would stand to make money.
His ambition is meticulously structured to seek the bullet to break the game. At the same time, his ambition has also been recognized by many colleagues. Jiang Wen is a representative of not kitsch. What Jiang Wen wants to make money standing up is to be able to make money while winning the audience's approval. In this movie with a little absurdism, there are a lot of unreasonable settings, but these seemingly unreasonable scenes actually have some profound connotations, and the connotation that makes me more profound is that The horse-drawn train that directly "rushed into" the scene at the beginning of the movie is actually implying our current national system. Although the Chinese are on the economic train of Westerners, in fact the track of the economic system is not suitable for the essence of the horse-drawn carriage. , Implying an economic system that needs urgent reform.
"Goose City" represents a city where people can be exploited. In this city, the people are the rulers. Zhang Muzhi has repeatedly tested the people three or four times and finally aroused the anger of the people. What caused people's fear and anger? It is power that makes the people fear and anger. It is because Huang Shilang in his mind makes them afraid, so they dare not get their things back. However, after Zhang Muzhi's repeated trials, Huang Shilang's seemingly "indestructible" bunker could no longer stop people's power.
I am very grateful to Zhang Muzhi who Jiang Wen created, who is the hero who ignited the fire in our hearts. Zhang Muzhi here is extremely masculine, with melancholy eyes, sparse stubble, humorous language, domineering actions, enough wisdom and perseverance, I believe that what a mature woman wants is here. Of course, people don’t believe that a bandit’s name is actually Muzhi. What most people are willing to believe is that Zhang Mazi here has rendered heroism to the extreme, lying on the knees of a drunk beauty, waking up and beheading the enemy. The brothers who hugged each other before and after shouted and hugged each other, and finally let Huang Shilang get on the road "decently".
Jiang Wen is able to stand alone among the many Chinese directors, the most important thing is that he can stand loneliness. He has only filmed 4 films in 17 years, including "Sunny Days", "Devils Coming" and "The Sun Also Rises". He tried to think about society and humanity in his films. This time, he downplayed the artistic color and made a fit to the business. Some people think that this is a compromise made by Jiang Wen, but I don’t think so. I think in Jiang Wen’s movie, "I stand to make this money." "A" is very close to the subject. I think cooling down has completed a man's Chinese maturity. However, it is undeniable that "Let the Bullets Fly" ignited the heroism in my mind. At the end of the movie, the hero is still there, but the people who follow the hero have other plans. Perhaps, the real hero is late, it is his former partner who left him. The end of heroism may be that everything disappears and one person returns.
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