Today we are going to talk about a commercial art film "This Killer Is Not So Cold". This work is directed by Luc Besson. The use of lenses and colors in the film left a deep impression on the editor . The film also scored 9.4 points on Douban, both in terms of art and commercial audiences. We all buy it. Today, I will briefly talk about the lens and colors of this film, and see what makes it stand out.
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When you talk about French movies, you can think of romance and beauty. "This Killer Is Not So Cold" is a modern movie full of pure romance. The director incorporated a lot of French poetry into the production of this work, which greatly improved the tone of the whole work. The mastery of the details of the
movie lens makes people can't help but respect Besson. From the beginning of the movie, the two men's rivals are very interesting. The director first let the audience know that this is a killer boss assigning tasks to the protagonist Li Ang through a chat between two individuals. Then, through the big lens of the characters' eyes, hands, and milk, the communication is interpreted, and the characters never show up. A technique like can convey the killer’s mysterious identity and arouse the curiosity of the audience.
In this scene, pay attention to the props (milk) in the hands of the protagonist. When he accepts the assigned task, he will properly drink the cup of milk. Such close-up shots can show the character's state of confidence.
lens two
Stanfield and his subordinates rushed to Matilda's house and got their things back. This part of is about 2 minutes, but this part of the content is one of the most exciting content of the whole show. The director of
here uses two different visions and shots to express: the close-up shots in this part of
are depicting the villain, which is directly displayed with a big front. This method can highlight the villain's powerful role.
Immediately afterwards, the camera began to follow the preparations of the villain before the attack, and began activities the moment he entered Matilda's house. It is not difficult for a careful friend here to see that the camera is still a little shaken, so that the content of the display can set off the tense atmosphere at the time, and can highlight that the villain is a veteran. After applying the "Noon" music, appears to be particularly elegant and artistic. The color, its taste and its approach are in sharp contrast .
There is one detail here that is just right. The director deliberately filmed the content of the villain boss and his subordinates. The subordinates’ sense of vigilance contrasts with the villain’s calm mindset, highlighting the core positioning of the villain boss.
lens three
In the process of the villain’s destruction of the Matidal family, the director used two different lens techniques to explain the different psychological activities of the abuser and the victim. In the case of Sister Matidal, the camera shakes to highlight the victim's inner fear, while the villain and his subordinates use a fixed lens to stabilize the scene, showing the calm attitude of the villain when he kills.
's father in Matilda was surprised by the gunshots. The detailed description in this group of shots is also in place. The transition from the villain’s gun and opening to Matilda’s father shivering is very tight, and the characterization is also very vivid. What deserves praise is the camera shake at the moment Matilda's father shivered, which can highlight his state of surprise and fear. I can only say that the director is really too detailed.
lens four
In the movie, the male protagonist Lyon and the female protagonist Matilda are the core of the story. The director also has most of the overlapping content between the two in the film. Let’s take a look at the interaction between the two. The lens expression applied to. Director
will use the same frame lens for supporting roles or non-key characters in the film, but basically does not use the same frame for the male and female protagonists, and the same is true for the frontal frame. What's interesting is that even if the director gave the male lead and the female lead several shots in the same frame, there will be a third person or the male lead and the female lead face the third person.
Everyone knows that when describing characters, only a close-up shot is often given, and the director again always combines two individuals into one "person" to shoot, just to express the unusual relationship between the two. On the one hand, it is necessary to explain that the two belong to the same front, and on the other hand, they complement each other aesthetically.
When there is no third person, most of the interactive scenes between the two are taken through the shoulder lens or the side lens.Line shot. When
has used the shoulder lens, most of them are to take close-ups of the character's expression. After all, the lens is limited and it is impossible to observe the character's dress. Doing so is to issue an "invitation" to the audience, allowing the audience to observe the character's personality and inner movement. This technique can help the character to show a more image and at the same time increase the tension of the content.
has appeared in the movie some interactive content between the male lead and the female lead, and the two will also be interpreted in the same frame. This is another comparison. The relationship between the two is closer than before, and it can also enhance the relaxed atmosphere of the movie.
The success of "This Killer Is Not So Cold" is largely due to Luc Besson's understanding of aesthetics and the application of lens , both of which add a lot of power to this movie. Through the processing of the details of the camera, he makes the characters feel full of loneliness in life and emotions, thoroughly explaining that the male protagonist’s emotionlessness is better than the emotion, and the female protagonist's state of being emotional at all times but there is nowhere to release. In general, these lens processing is worthy of learning and research. The
article is exclusively published on the big fish platform by Wang Xu. It is not easy to create, plagiarism must be investigated
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