A small editor who loves to watch movies
Rao Xueman’s winter love movies, the subjective love between men and women is very naive, Qiong Yao dramas can no longer resonate
Everyone knows that many of Rao Xueman’s novels are very popular, and many novels have been filmed. Films, but the film adaptation rights are in her own hands, and many films including "Left Ear", "Secret Fruit" and "About Winter" are written by her herself. In fact, the editor believes that it is because the original author has too much interference in the script and substituting the narrative method of the novel into the narrative method of the movie, the consequences are also disapproving.
and most literary works are linear narratives, but the film itself is an art of re-editing time and space. And many of your emotions in the novel can be narrated through words, but in the movie, you must consider how to express each of her emotions. In fact, what impressed me the most was that the heroine asked when the hero would come back, and the hero answered that it was about winter. If we think it's okay when we read a book, but put it in a movie as an audiovisual language, it doesn't feel like human words.
If this sentence appears in a pure love novel, it is particularly acceptable. The audience of pure love novels and the audience of movies are still different. The audience of pure love novels may be more of this group of girls, maybe In the eyes of many people, it seems to be a very hypocritical way of expression. Instead, they think it is a relatively pure and literary expression, like "you are ruthless, you are cold, you are unreasonably making trouble."
, in the editor's opinion, if this movie appeared in Qiong Yao's era, the audience would cry tears, but the present way of expressing emotion is too out of touch with current life. Take one of the scenes, Ma Sichun played An Ran and Huo Jianhua after they broke up for the first time in Beijing. From that physical unit to a private film and television organization, they have grown from a print reporter to an outstanding female host. , How many ups and downs she has experienced over the years.
If she didn’t have a passion for this career, then she couldn’t get to this height, but when such a woman met her old lover in Taipei again, then Huo Jianhua did not do anything to impress her. The action just appeared very indifferently. The heroine ran out of this work situation like a demon, chasing him and even said such lines, that is, she can do nothing, as long as she is with him.
audiences will definitely be very strange. The editor thinks that Ma Sichun is still playing a silly love brain. For more mature audiences, such details are difficult to convince them. And similar plots have appeared in this movie more than once. The "Taipei Prodigal Son" turned around and they lived together for a while. The editor felt that the hero and heroine were naive in dealing with feelings. It is really hard to believe that these are two. Adults.
Generally speaking, the love of the heroine and heroine in "About Winter" is very old-fashioned, pale and impoverished. From the theory of screenwriters, especially the Hollywood screenwriter Robert McKee, once summarized a touching love story. The factors to have are, first of all, this difference between male and female leaders (social concepts, etc.); both male and female leaders have a desire for love, the encounter of lovers must have a strong opposition force, conflicts between lovers and even blame, The secret between the two, the romantic ritual, the confession, the proof of love, and the promise of love; the final is the key kiss, so the editor believes that "About Winter" actually violates the laws of many plays at this point.
Image source network invasion and deletion
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