actor Jiang Wen
Recently, the movie "Evil Does Not Suppress Righteousness" once again pushed Jiang Wen to the focus of public opinion.
Some people say that Jiang Wen’s new work is hearty; others say that the logic is chaotic.
is even more people, using a big bad movie to describe it.
's various interpretations of the film are also rushing, from various angles such as female image, metaphor setting, director style, etc., Jiang Wen once again shows the powerful appeal of this talented director.
(Jiang Wen and his friend Quentin Tarantino)
For Jiang Wen, the most common sentence is:
"Jiang Wen will succeed, and Jiang Wen will fail."
His films always have a strong personal mark. Sister Tiao will always be deeply attracted by the personalized film language and passionate imagination in Jiang Wen's movies. Maybe she likes the vigor in his movies. Be self-confident and even public.
His strong "author's film" style is so distinctive in Chinese movies that people can't ignore it.
is something that people cannot ignore, and that Jiang Wen as an actor.
His performance, with a sharp edge, also connected with too many precious memories of light and shadow.
In 1985, Jiang Wen, who had just graduated from the Chinese opera, starred in his first movie "The Last Queen" and played with Pan Hong as Pu Yi.
In order to act, Jiang Wen rummaged through the book "My First Half of Life", searched for a lot of historical materials, and specially visited Pu Yi's younger brother Pu Jie to learn about various details of life. The younger brother of
, Jiang Wu, was also annoyed to death by him: "There is no way to sleep with him, as long as he is awake, he will talk to you about Puyi." When
played Puyi, such an interesting thing happened once-
had never made a movie before. Jiang Wen thought that he could design his own styling just like when he was rehearsing a drama in school, so he kept giving advice to the makeup artist.
As a result, people returned to him with an allegorical saying: "The oil shuttle is whitish, and you are lacking in refinement."
means that if you use fat to refine oil, the fat is still white, and you have to continue to refine it. To practice at the same time, northern dialect, meaning to fight.
is also a very pursued actor.
It can be said that from the very beginning, the actor Jiang Wen has a strong self, with a perfectionist axis, and he has been on the line with his favorite movie art.
This kind of "kong" is related to myself, the makeup artist, and the director. After
played "The Last Queen", Jiang Wen received a very important role in his life-"My Grandpa" in
Zhang Yimou's debut novel "Red Sorghum".
Jiang Wen is the "difficult" actor in "The Last Queen" and the actor who quarreled with Zhang Yimou from start to finish in "Red Sorghum". At that time, the national teacher of
was not a national teacher. The performance of "The Old Well" finally got a chance to be a director. Of course, he was a young master who was full of blood and wanted to make a big deal. When
met Jiang Wen, he met the quarreling eyes, and he also met the right person. At that time, the two of
didn't talk much, nor did their creativity and desire for control collide. In the end, they created a rough and wild Yu Zhanao who dared to love and hate, exuding primitive vitality.
Zhang Yimou also said: "If there was no Jiang Wen's performance, this drama would not have that kind of free and wild energy." After
, Jiang Wen also starred in the movie "Spring Tao" by my country's third-generation director Ling Zifeng, playing with Chun Tao ( Liu Xiaoqing) The cohabiting man Liu Xianggao also won the Hundred Flowers Award for Best Actor again for this role. At that time, the Hundred Flowers Award of
has not forgotten Premier Zhou’s "Hundred Flowers, A Hundred Schools of Thought", it has not merged with Golden Rooster, and there are no winners like Li Yifeng and Angelababy.
Sister Tiao's favorite is Jiang Wen in "Ben Ming Year"-a prisoner of
, Li Huiquan.
"Ben Ming Year" is a Golden Bear Award masterpiece directed by Xie Fei, adapted from Liu Heng's novel "Black Snow".
Jiang Wen plays Li Huiquan, a young man from the bottom of Beijing.
entered the cell amid the rebellion of youth and the impulse of his brother's loyalty. After he was released from prison, he faced the market-oriented economy in the early 1990s.
He is incompatible with society, unable to find the direction and value of life, full of sense of nothingness and rootlessness, quite like Martin Scorsese's "taxi driver"a feeling of.
is also a young man who is out of touch with society, the same lonely and confused, but one becomes cynical and hates society, but in the end he becomes a social hero absurdly and ironically in violent aesthetics; the other is sad and oppressive, struggling with hopelessness, freehand Slowly towards the end of life in the long shot of.
Jiang Wen in "Borning Year" has endless desolation and loss.
He has a cool scumbag, as well as a child-like simplicity and directness. At the age of 24, he shyly yearns for love, but after all he can't fight the worldly and copper odor around him.
Family, friends, love, and even life are far away from him. The success of the role of
Li Huiquan is also inseparable from Jiang Wen's "pointing and drawing". When
was filming, Jiang Wen was still the actor who had a lot of things.
He is very good at playing, is good at understanding the state of the role, and often takes the initiative to design some scenes.
In "Borning Year", there is a very classic detail-elastic women's underwear.
Jiang Wen felt that Li Huiquan, who he played in the film, was energetic, and when he stayed in the house, he would unconsciously play with the women's underwear he sold, so he had the action of playing underwear. Director
Xie Fei also said jokingly: "You guys have so many things, sooner or later you will be the director!" The title of
"Ben Ming Year" is also Jiang Wenti.
Director Xie Fei originally wanted to use the name of the original book. The beginning and the end of the script are full of snow, but because of the wrong shooting season, there is no snow scene. At this time, Jiang Wen suggested that it should be called "Borning Year". Xie Fei thinks this name is very good. A sense of destiny, I agreed.
Jiang Wen played the role of a local peasant, and also a scornful urban youth; he played the most pathetic emperor, and he also played a powerful and humble eunuch.
In Tian Zhuangzhuang's "The Great Eunuch Li Lianying", Jiang Wen once again partnered with Liu Xiaoqing and starred in the famous historical eunuch Li Lianying.
, one of China's most genteel actors, performed the most servile backbone of China in the late Qing Dynasty.
is different from those "transgender" father-in-laws who speak shrilly and fluttering orchid fingers in ancient costume films. Jiang Wen's Li Lianying has a hoarse voice and a manly manner. He is infinitely favored, but humble and sensitive. That husky Tangshan dialect is also unique.
His sorrowful waiting for Cixi's gray hair in his later years is a bit incomprehensible, but the deep-seated servility and humbleness that Jiang Wen performed can make people cry. Although
doesn't think this film is so good, Jiang Wen's performance is really hard to forget.
mentioned Jiang Wen's performance, "If you have something to say," I have to say.
This film of Zhang Yimou, which is so unremarkable, is impressive.
Jiang Wen plays a stupefied young man who is obsessed with the slogan of "An Hong, I Love You" for his girlfriend to save his life.
He who sells little people's books, for the sake of his girlfriend and to fight for his breath, had to carry a kitchen knife into a bloody fight, and finally forced the literati to use the knife, madly hack people, and be absurd.
In addition to the third and fourth generation directors of the older generation, and the fifth generation director who is famous internationally, Jiang Wen's performance continues in the work of the sixth generation director.
We can also see Jiang Wen in Zhang Yuan's "Green Tea" and Lu Chuan's "Looking for a Gun".
"Green Tea" is a transformational work by the pioneer and rebellious Zhang Yuan.
is with Zhang Yuan, and Jiang Wen is still an active actor-
"He is a man with many ideas. He often likes to come up with some ideas and put forward some ideas. He is very clever, very serious, and also likes to be horny. Sometimes even better. I'm still positive. He will spend a lot of energy to discuss the details with you constantly. He often asks you why."
"Looking for a Gun" is Lu Chuan's Virgo. It uses avant-garde stream of consciousness to describe a policeman in a small town in Guizhou. The suspenseful story of losing the gun.
Jiang Wen plays the role of Ma Shan in the film, vividly interpreting Ma Shan’s crazy behavior of throwing a gun, looking for a gun, and dying for a gun, and his neurotic mental state.
The persistent and neurotic Ma Shan, under the fierce editing and Jiang Wen's outstanding performance, made the audience have a deep sense of substitution.
From it, what we saw was another Jiang Wen.
"In front of Jiang Wen, I am like a receptionist for an interview." This is a very interesting summary of Lu Chuan's memories of working with Jiang Wen.
Jiang Wen is the lead actor and producer of the film.
It is said that during the filming process, Jiang Wen's arbitrariness made Lu Chuan unbearable. He also called the product person Wang Zhongjun to cry and the media once described the cooperation as "bullying".
"Bullying" will inevitably make a big fuss. Film creation always needs collision, especially when I meet actor Jiang Wen.
has cooperated with many famous directors, and has repeatedly used the "stingling" axis to erase different sparks from many directors. Jiang Wen, an actor, and Jiang Wen as a director, both regard movies as a sacred career, and he also has a perfectionist love and pursuit of film art. Of course, he also has that spooky artistic sensitivity and unruly personality. .
Whether it is director Jiang Wen or actor Jiang Wen, from beginning to end, he has a great enthusiasm and perseverance for the film.
55-year-old Jiang Wen made a hormonal look. Whether he likes it or disappointed, we will continue to look forward to his next movie anyway. The copyright of
belongs to the movie headline (ID: movieiii). Reprinting requires authorization
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