The film "Liberation · Final Rescue" with Han Sanping as the chief planner, Li Shaohong as the director and chief director, and Chang Xiaoyang as the director will be released on December 29. The story develops on the eve of the battle of Pingjin, the liberation of Tianjin. The Chinese People’s Liberation Army’s great battle to liberate Tianjin was an important part of the Ping-Tianjin Campaign and the most important urban fortification battle in the Liberation War. It had important historical effects and influences in many ways and wrote a glorious chapter in the history of the Liberation War.
In order to show the rare large-scale urban street fighting in the history of our army, "Liberation · Final Rescue" pursues excellence, and has spent a lot of money using "immersive" shooting style throughout all aspects. The "arrangement" production special collection was released not long ago, intuitive behind the scenes The environment truly reproduced that thrilling battle.
and in order to restore the city of Tianjin that year, the director took great pains to set up the scene. The overall scene is very elegant, and the investment in the big battle has opened the eyes of many fans. From more than 20,000 cast and crew members, more than 90 day and night shooting cycles, to more than 20,000 pieces of costumes from the Republic of China, more than 100,000 pieces of period props, and more than 40 real guns. The most jaw-dropping thing is that a tank drove directly into the studio. The
movie directly turned the set into a battlefield, and it was already on a grand scale visible to the naked eye. It elegantly restored the ruins of the war at the time and perfectly created the atmosphere of Tianjin before the war.
Of course, in addition to the big scene, the layout of other spaces also allows the audience to feel the "sense of age" at a glance, the real "immersive" scene, which is the true portrayal of the legendary "return to pre-liberation overnight".
In such an environment, actors also "enter into play" extremely quickly. I was immersed in the performance and gained a lot of "combat medals". Zhou Yiwei and Zhong Hanliang were filming the scene of evading the tank. They either "broke the brakes" and bumped into themselves at the scene, or slam their heads on the safety mat, using extreme force; Zhong Chuxi also dived and fell again and again to seek truth; Guo Qilin was even shooting the roof In the blasting scene, facing the flying stone and soil, causing the bridge of the nose to be injured...
In addition, on the set, the photographer was immersed in the environment of bullet blasting to capture wonderful and clear pictures; the staff were immersed in various cannon fodder over and over again to perfect Battlefield scenes; the group performers are also very dedicated to immerse themselves in the atmosphere of war in that era. Director Chang Xiaoyang said: “In such a big environment, everyone’s desire to survive is very strong, and entering this state is the most important.”
's excellent shooting environment and the professional attitude of the actors make the audience feel very substituting. At the same time, people are even more looking forward to "Liberation · Final Rescue", which will be released on December 29.
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