During this period, various turmoils in the mainland music scene regarding Yun Duo and his master Daolang continued to ferment, triggering widespread discussions. Yun Duo, a former grassroots singer, quickly became popular with songs such as "Love Song of the West Sea" and "

During this period of time, various turmoils in the mainland music scene regarding Yun Duo and his master Daolang continued to ferment, triggering extensive discussions.

Yunduo, this former grassroots singer, under the careful cultivation of his master Daolang, quickly became popular with songs such as "Love Song of the West Sea" and "Love Is You and Me" and became a well-known singer to the public.

However, it was revealed some time ago that Daolang's management company wanted to take back the copyright of four Yunduo songs. This move caused an uproar in the outside world and has been hotly debated to this day.

In this turmoil, a character that cannot be ignored is the musician Chen Wei. Chen Wei is famous for "bombarding" Daolang on the short video platform. He frequently made various negative comments about Daolang in the live broadcast room, and even got involved in Daolang's copyright decision, accusing it of being too small. .

Chen Wei, a musician who is not a front-line musician in the music industry, has gained extremely high attention by frequently "hacking" Daolang. His live broadcast room is often filled with criticism and ridicule of Daolang.

From "the new song is Internet garbage" to "the voice has seriously deteriorated" to "the concert is just to make money", Chen Wei's words can be described as sharp and merciless. This time, he took aim at Daolang's withdrawal of the copyright of Yunduo songs, claiming that this was a sign that Daolang was narrow-minded and only had money in his eyes.

According to Chen Wei, he believes that Yun Duo's fame is inseparable from the songs she sang, especially "Love Song of the West Sea" and "My Loulan". In his opinion, these songs of Daolang were made famous by Yunduo, and after the singer terminates the contract with the record company, the record company usually generously gives the song copyright to the singer so that they can continue to sing in the live broadcast room or perform commercial performances.

Therefore, Chen Wei questioned Daolang’s practice of taking back the song copyright many years after Yunduo left Ah Ya La Sui, believing that this was not in line with industry practice and was unfair to Yunduo.

Obviously it's not that simple. In the entertainment industry, copyright issues have always been complex and sensitive. The contract signed between the artist and the agency or record company often has a clear agreement on the ownership of the copyright of the song.

If the contract stipulates that the copyright belongs to the company, then the artist may indeed not be able to continue to use these songs after the contract is terminated, unless he obtains permission or authorization from the original company.

In addition, according to the relevant provisions of the Copyright Law, the copyright of lyrics and music is usually owned by the songwriter, while the rights of the sound producer belong to the record company or brokerage company that recorded the song. Therefore, whether an artist can continue to sing songs of the original company after the contract is terminated is not as simple as Chen Wei said.

Take Yun Duo as an example. Although she was a signed singer with Ah Ya La Suo and sang many popular songs, the copyright ownership of these songs is not something she can personally decide.

According to the provisions of the contract and law, Daolang or Aya Lasuo Company have full rights to take back the copyright of these songs after the contract is terminated. If Yun Duo wants to continue singing these songs, he must obtain authorization from Daolang or the company.

It is worth noting that Chen Wei’s criticism of Daolang is not based on factual and legal analysis, but more based on personal subjective assumptions and moral kidnapping.He tried to discredit Daolang's image by inciting public sentiment, thereby achieving the purpose of gaining traffic and increasing his personal popularity.

This approach not only lacks professional ethics, but also damages the fairness and justice of the music industry.

In short, Daolang's recovery of the copyright of Yunduo's songs is not as simple as Chen Wei said. In this turmoil, we should maintain a rational and objective attitude, respect the provisions of contracts and laws, and at the same time, we should be wary of those who try to gain attention by using traffic.

After all, real musicians should rely on their works to speak for themselves, rather than slandering others to enhance their status.