met passersby for the first time and thought her idol was beautiful, but her fans had huge opinions.
A few days ago, the looks of Dilraba and Chen Feiyu's new drama "Muxu Ci" were exposed.
Reba’s good looks made passers-by think she was pretty at first glance. Unexpectedly, they clicked on the hot search, which was full of @stylist Huangwei’s posts about changing clothes and hair.
After some browsing, fans’ demands mainly focus on two points: they are dissatisfied with the hairstyle, they should add hair buns, no parting in the middle, no temples covered, and no cheap headwear; the clothing style should be Chinese-style, not Western fantasy.
Even the heroine He Simu’s hairstyle pad and hair bag and hairstyle demonstration pictures were packaged for reference by the crew and studio.
You will find that in recent years, the audience's aesthetic demand for costume drama styles has become higher. I remember that the last time public opinion was still focused on collective complaints about the "funeral style" of Xianxia, but now it has asked film and television drama makeup to rely on Hanfu bloggers All ready.
Don’t underestimate Hanfu bloggers. Piao has written before that the imitation makeup made by some ancient style enthusiasts is more aesthetic than the costumes in film and television dramas.
bStation@General Division is not a sweet girl
, based on the "Chaoyuan Picture" mural of the Yuan Dynasty, we made electric mother imitation makeup
The aesthetic needs of ancient costumes have iterated so far, it is time for us to update the popular clothing stylists.
Let’s first talk about the two people who currently have the most work in costume dramas: Huang Wei and Yi Xiaoya.
may not be recognized by their names, but they must have seen their works. Huang Wei has become the most popular costume styling director since her debut with extremely luxurious and exaggerated looks in "Tiny Times", to the Song Yun in "Meng Hua Lu", and the "Dunhuang style" gimmick in "Long Moon Burning Light".
Another one, Yi Xiaoya, debuted late but gained rapid momentum. She became famous in "Order of the Samurai God", became famous in "Canglan Jue", and made a stunning appearance in "Seven O'clock Auspiciousness". Later, she was given a lot of work and started to copy. Paste mode, "Fox Fairy Little Matchmaker", "White Moon Brahma Star" and other various matching shirts.
Yi Xiaoya’s personal style is very outstanding. You can’t tell who the stylist is from other makeup styles, but you can tell at a glance with Yi Xiaoya. The overall style of
is contrary to the haggard "funeral style". It focuses on a flowery style and is especially good at the quirky non-mainstream girly style.
contrasting color dopamine and gradient macarons carry the bells and whistles to the end.
comes in a variety of colors, and I like prints and tie-dyes. In short, there is no blank space, and it will grab your attention in all directions.
"Seven Auspicious Occasions" is bad, but it does not affect the appearance of the circle. There are more than a dozen hairpin flowers on the head, plus exquisite hairpin rings and steps. How can it not be considered an illegal construction when running.
In addition to the illegal architectural style of headwear, Yi Xiaoya also likes to add protective fence devices to her clothes, which makes the male protagonist of "Canglan Jue" more evil and adds handsomeness to the second male lead. Wang Hedi Zhang Linghe became famous after this drama Noise, makeup plays an important role.
Yi Xiaoya has a strange appearance and many ingenious ideas, which makes her very suitable for fantasy, fairy tales, fantasy and other surreal themes.
Guo Xiaoting's appearance in "Canglan Jue" is poignant. She wears a light purple Zhuang Sheng Xiaomeng suit, paired with a fluttering hairstyle and headdress, and an imprisoned oiran is releasing butterflies, giving her a sense of fate.
Just like when there are more customers, we start to make pre-made dishes, the stylist's orders surge, and he also starts to make licensed products.
"Fox Demon Little Matchmaker Yuehong Chapter" is filled with flowers all over the screen, making people feel as tired as Tushan Honghong.
even copied themselves. They came up with three sets of similar makeup and wore them on different Xiaohua in different dramas, giving them a chance to compare their beauty.
I don’t know when the Peach Blossom Fairy and the Butterfly Fairy in the debut work “Samurai God Order” will be made with eye-catching makeup based on the characteristics of the characters.
Yi Xiaoya just copy and paste when there are many orders, Huang Wei has two faces: rich and poor. How to divide
into the rich version and the poor version?
I remember that last year "Long Moon Ember" was aired immediately followed by "Protect the Heart". The style of both films was Huang Wei, but it felt like she had moved from a mansion to a commoner.
After all, Huang Wei has been focusing on fashion styling for decades, and has also been the editor-in-chief of "Vogue" Taiwan. Even if the budget is insufficient, she can still maintain a basic aesthetic. The shape is not ugly, but the materials used are very cheap. For the rich, the armor's scales were made to look like real things, but for the poor, the fur collar was stuffed into the neck like plastic foam.
The "Mu Xu Ci" mentioned at the beginning looks like a moneyless version of Huang Wei, and the male protagonist Chen Feiyu 's clothes look like a low-end version worn by Chen Xiao. They are also bulging and have no sense of drape when worn.
No wonder there is such a huge gap between Ba’s fans. Compared with the hairstyle and headgear of Chen Duling, the female co-star in “Chang Yue Jing Ming”, Reba’s does seem to be easier and cheaper.
Furthermore, the expectations for Huang Wei are too high. After all, the upper limit of the rich version of Huang Wei is not low.
When doing costume styling for "Tiny Times", Huang Wei had to satisfy Guo Jingming's needs, no matter how exaggerated or tricky.
There is a scene where Gu Li needs to drag a very exaggerated long skirt to do something domineering and menacing. After entering the venue, he has to dance an Argentine tango with Gu Yuan, so the skirt must be able to Being unloaded and unable to find such ready-made clothes in reality, Huang Wei had to find a way to satisfy herself.
There is only one BV red dress on Yang Mi in the world, and it can also be borrowed by Huang Wei.
When it comes to "Shepherd's Clouds on the Sea", the red bird witch's skirt uses more than a thousand meters of material and is spread on the ground with a diameter of nearly five meters. It is indeed visually stunning when it appears in the play.
If Yi Xiaoya’s quirky style is suitable for Xiaohua, Huang Wei’s grand and luxurious style is suitable for the Mesozoic generation and is also in line with mainstream fashion aesthetics.
"The Story of Mu Yun on the Sea" Zhang Junning , Wen Yongshan 's appearance makes people forget about vulgarity. Who doesn't believe that Yin Rong is the most beautiful woman in Kyushu when she appears? In the past, Janice Man mostly played femme fatales, with a thin and symbolic image. In this drama, Panxi's appearance externalizes her inner energy. It is the only unforgettable image of Janice Man besides Li Ningyu in "The Wind".
There is also Li Qin’s look of a subjugated princess that becomes more miserable and more beautiful in "The Legend of Chu Qiao". No wonder Huang Wei is the stylist that pollen most wants to work with. The peak of Hua Dan’s appearance in domestic entertainment has been presented many times under her hands.
Of course, no matter how exquisite the styling is, it depends on whether the actors can perform it well. The trench in "Long Moon Ember" is visible to the naked eye, but the styling does not improve 白鹿 too much, but it is the second female lead, Chen Duling. Lots of blessings.
Huang Wei makes few mistakes, but she is criticized for the serious westernization of ancient costumes. I like Western tailoring, and there are many European elements in clothing such as sleeve slits, organza, sequins, feather dusters, and Byzantine cloaks.
Huang Wei is not unable to make floor-length ancient costumes. "Menghualu" converts the colors of Song Dynasty porcelain into clothing colors. The embroidery method on the clothes imitates the cracks on Song Dynasty porcelain. In order to restore the pockets on clothes in Song Dynasty paintings, she has to find a way Make breakthroughs in tailoring.
Costume dramas have had Western elements for a long time, and Huang Wei is not the only one who likes to use them. Westernized styles can also be accepted in non-grounded fantasy and fantasy, if used on a large scale in fairy tales or ancient costumes that can be dated. , it is open to discussion, and we will talk about this later.
If Huang Wei satisfies every wealthy client equally, another Ai Wen harms every Yanba equally.
This is Reba's white hair + thick black eyebrows + mop button style in "The Legend of Anle";
This is the white cornrows style in Wang Hedi's "Yu Long";
This is Yang Chaoyue and Deng Wei in "Chong Purple".
Knowing that "Based on Love" was also produced by the Aiwen team, it's understandable...
Ai Wen has many modern styles, and he was nominated for ancient costumes. It is really because of the ups and downs in styles, and he is also unique in domestic entertainment. After so many mistakes, he wanted to avenge his shame with "Zhen Yao"...
has one thing to say, this If the style can be broadcast, it may indeed allow Ai Wen to make a comeback.
Fang Sizhe, who is good at down-to-earth ancient costumes ("One Thought of Guanshan", "Dafeng Watcher", "Lotus Tower", etc.) , the style of the upcoming dramas is even more exciting.
"Midnight Return" was released in the Tang Dynasty. In addition to the usual luxury, the costumes are supported by Tian Xiwei's face, and they also have bold contrasting colors, making them a little smarter and more colorful.
interjected a piece of news. There will be a lot of Tang Dynasty dramas next year. There will be four Tang Dynasty dramas and three of them will have female protagonists doing business. In addition to "Midnight Return", there will also be "Guose Youth", which runs a flower shop, starring Yang Zi and Chen Tongxun ("Celebrating More Than Years", "Traveling with Phoenix", "Sauvignon Blanc", etc.) style, feels more retro.
The "Shu Brocade Family" is in the brocade business, and the style is Huang Wei, which shows that the funds are average;
The "Pearl Curtain and Jade Curtain" is in the jewelry business, and the style is Han Guangren is good at men's clothing ("The Order of Mountains and Rivers", "Langya List", etc. ), looks slightly modern in the trailer.
The four Tang operas, four florets and four styles, will inevitably not be compared at that time. What is certain is that the costumes have ancient charm and the actors' interpretations are good, they will stand out.
Costume dramas have been developing for so many years, and the styles have long been involved. They must not only be beautiful, but also be beautiful and distinctive. In recent years, the restoration of Hanfu has been particularly promoted. Those who have these points will be able to get out of the industry in early filming.
Like the "Bent Back" that was introduced in the Wei and Jin Dynasties, there is also Fang Sizhe's style, and "The Lady" starring Chen Duling has a clear style, which is exquisite and elegant among the costumes of the Tang and Han Dynasties.
has talked about the current situation of ancient costume modeling for such a long time. If we go back to the beginning, we can probably understand what Reba fans are making.
Reba not only lacks stunning ancient costume styles, but Xiaohua is already on the road to restoring ancient charm. She is still wearing the Western style copied and pasted by Huang Wei. Passersby think it looks good, maybe it’s just because of Reba’s good looks.
According to fans, according to the description of the original "Lamp in the Day" "Wearing a rust-red three-layered clothes with a curved train, embroidered with flowing cloud patterns and honeysuckle patterns on the clothes, and a white jade pendant hanging from the waist", the remake should be set in the Warring States period. .
ultimately wants Huang Wei to build an oriental aesthetic system like "Meng Hua Lu" and "Long Moon Ember", and make a Hanfu style popular.
Fans of the picture of Reba wearing a Warring States robe are praising her.
is limited by industrial production lines with insufficient funds and time. It is expected that most of the fans' expectations will be disappointed.
The fictional setting of fairy tales and fantasy dramas is a double-edged sword for art and moral creation. Since
does not have an exact historical background, it saves the most laborious and material resources-consuming research and restoration steps.
In the past, he was always praised for his service. A large part of the reason was because of his hard work.
Chen Tongxun, who has done modeling for "Pleiades of the Sky", "The Legend of Zhen Huan" and "The Legend of the Demon Cat", the amount of labor involved in each product is visible to the naked eye.
From "Sky" to "Zhen Huan", a flag leader is reluctant to use it just once.
And the most difficult thing is not the creation, but the more the materials are read, the smaller the creative space becomes, and all aesthetics must be based on the pile of old papers.
is even more of the work of the state-owned studios of the last century. The historical consultants are all top experts from the Palace Museum. The beauty of each set of flags is jaw-dropping and made my mouth water.
"The Empress Dowager of Two Palaces" produced by Changchun Film Studio
That's it.
What’s even more amazing is that they had to invite descendants of the Aisin Gioro family who actually lived in the Forbidden City to stamp and authenticate it.
And when the historical background is removed, the artist's creativity is completely released.
"New Shushan Swordsman" with a fantasy martial arts theme, the style is directly inspired by the flying immortals in Dunhuang murals. Brigitte Lin has a setting that best matches her face.
However, the "Westernized" design mentioned frequently in the previous article has also opened a hole and is gradually heading towards a breach.
For example, the above teacher Chen Tongxun who created the aesthetic peak of "The Legend of Zhen Huan" quickly created the visual wonders in "Acquaintance with the King", "Douluo Dalu" and even "Turandot" after letting go of the shackles...
fans I can actually understand your appeal.
After all, this is the most economical and effortless way for most actors in domestic entertainment to improve today.
There is no need to insist on any level of performance. It essentially serves the role of styling, so what’s wrong with asking for more refined styling?
If you see too many ugly things, you will really see the shading in your eyes.
For the audience, rolling up the Tao of Confucianism is always an eye-catching and informative thing.
It’s just that many beautiful films were produced many years ago. It’s not clear that no matter how beautiful the appearance is, it still needs plot and characters to support it as flesh and blood.
Poor as the crew of "Wulin Gaiden", unparalleled inner wear + Sai Diaochan's outer wear = Juan'er, does anyone dislike it?
An actor can only be saved by a stylist. It can be regarded as a comedy with domestic entertainment characteristics. met passersby for the first time and thought her idol was beautiful, but her fans had huge opinions. A few days ago, the looks of Dilraba and Chen Feiyu's new drama "Muxu Ci" were exposed. Reba’s good looks made passers-by think she was pretty at first glance. Unexpectedly, they clicked on the hot search, which was full of @stylist Huangwei’s posts about changing clothes and hair. After some browsing, fans’ demands mainly focus on two points: they are dissatisfied with the hairstyle, they should add hair buns, no parting in the middle, no temples covered, and no cheap headwear; the clothing style should be Chinese-style, not Western fantasy. Even the heroine He Simu’s hairstyle pad and hair bag and hairstyle demonstration pictures were packaged for reference by the crew and studio. You will find that in recent years, the audience's aesthetic demand for costume drama styles has become higher. I remember that the last time public opinion was still focused on collective complaints about the "funeral style" of Xianxia, but now it has asked film and television drama makeup to rely on Hanfu bloggers All ready. Don’t underestimate Hanfu bloggers. Piao has written before that the imitation makeup made by some ancient style enthusiasts is more aesthetic than the costumes in film and television dramas. bStation@General Division is not a sweet girl , based on the "Chaoyuan Picture" mural of the Yuan Dynasty, we made electric mother imitation makeup The aesthetic needs of ancient costumes have iterated so far, it is time for us to update the popular clothing stylists. Let’s first talk about the two people who currently have the most work in costume dramas: Huang Wei and Yi Xiaoya. may not be recognized by their names, but they must have seen their works. Huang Wei has become the most popular costume styling director since her debut with extremely luxurious and exaggerated looks in "Tiny Times", to the Song Yun in "Meng Hua Lu", and the "Dunhuang style" gimmick in "Long Moon Burning Light". Another one, Yi Xiaoya, debuted late but gained rapid momentum. She became famous in "Order of the Samurai God", became famous in "Canglan Jue", and made a stunning appearance in "Seven O'clock Auspiciousness". Later, she was given a lot of work and started to copy. Paste mode, "Fox Fairy Little Matchmaker", "White Moon Brahma Star" and other various matching shirts. Yi Xiaoya’s personal style is very outstanding. You can’t tell who the stylist is from other makeup styles, but you can tell at a glance with Yi Xiaoya. The overall style of is contrary to the haggard "funeral style". It focuses on a flowery style and is especially good at the quirky non-mainstream girly style. contrasting color dopamine and gradient macarons carry the bells and whistles to the end. comes in a variety of colors, and I like prints and tie-dyes. In short, there is no blank space, and it will grab your attention in all directions. "Seven Auspicious Occasions" is bad, but it does not affect the appearance of the circle. There are more than a dozen hairpin flowers on the head, plus exquisite hairpin rings and steps. How can it not be considered an illegal construction when running. In addition to the illegal architectural style of headwear, Yi Xiaoya also likes to add protective fence devices to her clothes, which makes the male protagonist of "Canglan Jue" more evil and adds handsomeness to the second male lead. Wang Hedi Zhang Linghe became famous after this drama Noise, makeup plays an important role. Yi Xiaoya has a strange appearance and many ingenious ideas, which makes her very suitable for fantasy, fairy tales, fantasy and other surreal themes. Guo Xiaoting's appearance in "Canglan Jue" is poignant. She wears a light purple Zhuang Sheng Xiaomeng suit, paired with a fluttering hairstyle and headdress, and an imprisoned oiran is releasing butterflies, giving her a sense of fate. Just like when there are more customers, we start to make pre-made dishes, the stylist's orders surge, and he also starts to make licensed products. "Fox Demon Little Matchmaker Yuehong Chapter" is filled with flowers all over the screen, making people feel as tired as Tushan Honghong. even copied themselves. They came up with three sets of similar makeup and wore them on different Xiaohua in different dramas, giving them a chance to compare their beauty. I don’t know when the Peach Blossom Fairy and the Butterfly Fairy in the debut work “Samurai God Order” will be made with eye-catching makeup based on the characteristics of the characters. Yi Xiaoya just copy and paste when there are many orders, Huang Wei has two faces: rich and poor. How to divide into the rich version and the poor version? I remember that last year "Long Moon Ember" was aired immediately followed by "Protect the Heart". The style of both films was Huang Wei, but it felt like she had moved from a mansion to a commoner. After all, Huang Wei has been focusing on fashion styling for decades, and has also been the editor-in-chief of "Vogue" Taiwan. Even if the budget is insufficient, she can still maintain a basic aesthetic. The shape is not ugly, but the materials used are very cheap. For the rich, the armor's scales were made to look like real things, but for the poor, the fur collar was stuffed into the neck like plastic foam. The "Mu Xu Ci" mentioned at the beginning looks like a moneyless version of Huang Wei, and the male protagonist Chen Feiyu 's clothes look like a low-end version worn by Chen Xiao. They are also bulging and have no sense of drape when worn. No wonder there is such a huge gap between Ba’s fans. Compared with the hairstyle and headgear of Chen Duling, the female co-star in “Chang Yue Jing Ming”, Reba’s does seem to be easier and cheaper. Furthermore, the expectations for Huang Wei are too high. After all, the upper limit of the rich version of Huang Wei is not low. When doing costume styling for "Tiny Times", Huang Wei had to satisfy Guo Jingming's needs, no matter how exaggerated or tricky. There is a scene where Gu Li needs to drag a very exaggerated long skirt to do something domineering and menacing. After entering the venue, he has to dance an Argentine tango with Gu Yuan, so the skirt must be able to Being unloaded and unable to find such ready-made clothes in reality, Huang Wei had to find a way to satisfy herself. There is only one BV red dress on Yang Mi in the world, and it can also be borrowed by Huang Wei. When it comes to "Shepherd's Clouds on the Sea", the red bird witch's skirt uses more than a thousand meters of material and is spread on the ground with a diameter of nearly five meters. It is indeed visually stunning when it appears in the play. If Yi Xiaoya’s quirky style is suitable for Xiaohua, Huang Wei’s grand and luxurious style is suitable for the Mesozoic generation and is also in line with mainstream fashion aesthetics. "The Story of Mu Yun on the Sea" Zhang Junning , Wen Yongshan 's appearance makes people forget about vulgarity. Who doesn't believe that Yin Rong is the most beautiful woman in Kyushu when she appears? In the past, Janice Man mostly played femme fatales, with a thin and symbolic image. In this drama, Panxi's appearance externalizes her inner energy. It is the only unforgettable image of Janice Man besides Li Ningyu in "The Wind". There is also Li Qin’s look of a subjugated princess that becomes more miserable and more beautiful in "The Legend of Chu Qiao". No wonder Huang Wei is the stylist that pollen most wants to work with. The peak of Hua Dan’s appearance in domestic entertainment has been presented many times under her hands. Of course, no matter how exquisite the styling is, it depends on whether the actors can perform it well. The trench in "Long Moon Ember" is visible to the naked eye, but the styling does not improve 白鹿 too much, but it is the second female lead, Chen Duling. Lots of blessings. Huang Wei makes few mistakes, but she is criticized for the serious westernization of ancient costumes. I like Western tailoring, and there are many European elements in clothing such as sleeve slits, organza, sequins, feather dusters, and Byzantine cloaks. Huang Wei is not unable to make floor-length ancient costumes. "Menghualu" converts the colors of Song Dynasty porcelain into clothing colors. The embroidery method on the clothes imitates the cracks on Song Dynasty porcelain. In order to restore the pockets on clothes in Song Dynasty paintings, she has to find a way Make breakthroughs in tailoring. Costume dramas have had Western elements for a long time, and Huang Wei is not the only one who likes to use them. Westernized styles can also be accepted in non-grounded fantasy and fantasy, if used on a large scale in fairy tales or ancient costumes that can be dated. , it is open to discussion, and we will talk about this later. If Huang Wei satisfies every wealthy client equally, another Ai Wen harms every Yanba equally. This is Reba's white hair + thick black eyebrows + mop button style in "The Legend of Anle"; This is the white cornrows style in Wang Hedi's "Yu Long"; This is Yang Chaoyue and Deng Wei in "Chong Purple". Knowing that "Based on Love" was also produced by the Aiwen team, it's understandable... Ai Wen has many modern styles, and he was nominated for ancient costumes. It is really because of the ups and downs in styles, and he is also unique in domestic entertainment. After so many mistakes, he wanted to avenge his shame with "Zhen Yao"... has one thing to say, this If the style can be broadcast, it may indeed allow Ai Wen to make a comeback. Fang Sizhe, who is good at down-to-earth ancient costumes ("One Thought of Guanshan", "Dafeng Watcher", "Lotus Tower", etc.) , the style of the upcoming dramas is even more exciting. "Midnight Return" was released in the Tang Dynasty. In addition to the usual luxury, the costumes are supported by Tian Xiwei's face, and they also have bold contrasting colors, making them a little smarter and more colorful. interjected a piece of news. There will be a lot of Tang Dynasty dramas next year. There will be four Tang Dynasty dramas and three of them will have female protagonists doing business. In addition to "Midnight Return", there will also be "Guose Youth", which runs a flower shop, starring Yang Zi and Chen Tongxun ("Celebrating More Than Years", "Traveling with Phoenix", "Sauvignon Blanc", etc.) style, feels more retro. The "Shu Brocade Family" is in the brocade business, and the style is Huang Wei, which shows that the funds are average; The "Pearl Curtain and Jade Curtain" is in the jewelry business, and the style is Han Guangren is good at men's clothing ("The Order of Mountains and Rivers", "Langya List", etc. ), looks slightly modern in the trailer. The four Tang operas, four florets and four styles, will inevitably not be compared at that time. What is certain is that the costumes have ancient charm and the actors' interpretations are good, they will stand out. Costume dramas have been developing for so many years, and the styles have long been involved. They must not only be beautiful, but also be beautiful and distinctive. In recent years, the restoration of Hanfu has been particularly promoted. Those who have these points will be able to get out of the industry in early filming. Like the "Bent Back" that was introduced in the Wei and Jin Dynasties, there is also Fang Sizhe's style, and "The Lady" starring Chen Duling has a clear style, which is exquisite and elegant among the costumes of the Tang and Han Dynasties. has talked about the current situation of ancient costume modeling for such a long time. If we go back to the beginning, we can probably understand what Reba fans are making. Reba not only lacks stunning ancient costume styles, but Xiaohua is already on the road to restoring ancient charm. She is still wearing the Western style copied and pasted by Huang Wei. Passersby think it looks good, maybe it’s just because of Reba’s good looks. According to fans, according to the description of the original "Lamp in the Day" "Wearing a rust-red three-layered clothes with a curved train, embroidered with flowing cloud patterns and honeysuckle patterns on the clothes, and a white jade pendant hanging from the waist", the remake should be set in the Warring States period. . ultimately wants Huang Wei to build an oriental aesthetic system like "Meng Hua Lu" and "Long Moon Ember", and make a Hanfu style popular. Fans of the picture of Reba wearing a Warring States robe are praising her. is limited by industrial production lines with insufficient funds and time. It is expected that most of the fans' expectations will be disappointed. The fictional setting of fairy tales and fantasy dramas is a double-edged sword for art and moral creation. Since does not have an exact historical background, it saves the most laborious and material resources-consuming research and restoration steps. In the past, he was always praised for his service. A large part of the reason was because of his hard work. Chen Tongxun, who has done modeling for "Pleiades of the Sky", "The Legend of Zhen Huan" and "The Legend of the Demon Cat", the amount of labor involved in each product is visible to the naked eye. From "Sky" to "Zhen Huan", a flag leader is reluctant to use it just once. And the most difficult thing is not the creation, but the more the materials are read, the smaller the creative space becomes, and all aesthetics must be based on the pile of old papers. is even more of the work of the state-owned studios of the last century. The historical consultants are all top experts from the Palace Museum. The beauty of each set of flags is jaw-dropping and made my mouth water. "The Empress Dowager of Two Palaces" produced by Changchun Film Studio That's it. What’s even more amazing is that they had to invite descendants of the Aisin Gioro family who actually lived in the Forbidden City to stamp and authenticate it. And when the historical background is removed, the artist's creativity is completely released. "New Shushan Swordsman" with a fantasy martial arts theme, the style is directly inspired by the flying immortals in Dunhuang murals. Brigitte Lin has a setting that best matches her face. However, the "Westernized" design mentioned frequently in the previous article has also opened a hole and is gradually heading towards a breach. For example, the above teacher Chen Tongxun who created the aesthetic peak of "The Legend of Zhen Huan" quickly created the visual wonders in "Acquaintance with the King", "Douluo Dalu" and even "Turandot" after letting go of the shackles... fans I can actually understand your appeal. After all, this is the most economical and effortless way for most actors in domestic entertainment to improve today. There is no need to insist on any level of performance. It essentially serves the role of styling, so what’s wrong with asking for more refined styling? If you see too many ugly things, you will really see the shading in your eyes. For the audience, rolling up the Tao of Confucianism is always an eye-catching and informative thing. It’s just that many beautiful films were produced many years ago. It’s not clear that no matter how beautiful the appearance is, it still needs plot and characters to support it as flesh and blood. Poor as the crew of "Wulin Gaiden", unparalleled inner wear + Sai Diaochan's outer wear = Juan'er, does anyone dislike it? An actor can only be saved by a stylist. It can be regarded as a comedy with domestic entertainment characteristics.