On September 10, the TV series "Mortal Song" aired to its 22nd episode. As more plot content is released, these plots have repeatedly confirmed the basic judgment of the TV series that I have made about this TV series: a suspended drama, a bloody drama, a random drama, and the "t

As the plot of "Mortal Song" passes halfway, three groups of men and women are all facing problems in the workplace and family. After presenting these hand-made problems, the "what to do" answers given by the screenwriter basically lack the basic reality of life. Moreover, I don’t know if you have noticed that in solving “what to do” in “Mortal Song”, the characters are asked to “go down” and then discover a better life. You might as well take a look at how the characters "go down".

Shen Lei had a problem, and then started a "downward" life mode. He quit working as a civil servant in Beijing and went to a countryside, where he rented a house and farmed land to raise geese. Then, in "Mortal Song", the screenwriter and director started to talk nonsense, saying that Shen Lei discovered himself, was happy, and was happy. Why do screenwriters and directors think that farming in the countryside will make them happy?

This is actually because the screenwriters and directors are too rich, or have too much creative awareness, and they lack the basic ability to realistically describe life. As long as the screenwriters and directors have real experience in rural life, instead of the "so close, so beautiful, go to Hebei on weekends" farmhouse tourism model, then the screenwriters and directors will definitely know that farming and raising geese in the countryside cannot be discovered Self-consciousness cannot achieve the so-called happiness. The audience knows who they are who write about the countryside as farmhouse entertainment.

Obviously, the plot of Shen Lei going "downward" to seek happiness is a random fabrication and the screenwriter and director do not understand the real countryside. This is actually the reason why there are no poor people in domestic dramas - because some screenwriters and directors do not understand the lives of real poor people. They think that going to the countryside is just a farmhouse.

The same wrong creative approach also appears in the "downward" aspect of the heroine. The heroine first went to the company of her former subordinate. After her former subordinate resigned, she no longer wanted to work. Then, the heroine went to the company of her old classmate. After some friction, the heroine resigned again. In "Mortal Song", the heroine starts her own mode of being a confinement nanny. For screenwriters and directors, confinement nanny has become a relatively well-paying profession, and it seems to be the rise of the heroine's new career.

However, as long as the screenwriters and directors really collect stories on the spot and take a closer look at this profession, they will find that "Mortal Song" is such a random fabrication. The confinement nanny profession is really not as good as the white-collar profession with a salary of 6,000 yuan. I feel that the reason why this TV series was created in this way is that the screenwriter and director do not understand the real life of the poor. Maybe the screenwriter and director have hired nannies in their families, and they think that nannies are easy. Maybe nannies are the only poor people many rich people have access to.

In the TV series "Mortal Song", it is said that the monthly salary of confinement sisters exceeds 10,000 yuan, that the supply of confinement sisters exceeds the demand, and that confinement sisters are increasingly attracted to white-collar workers in the workplace. These words, like those who "go home and earn more than a million a year by farming," are pure nonsense. When we take a closer look at this profession and professional work requirements, we will find that screenwriters and directors are once again suspended and do not understand real life again.

First of all, the current supply of confinement nanny practitioners exceeds demand. The number of newborns every year has dropped below 10 million, and is likely to continue to decline. At the same time, like the male and female protagonists, they used to hire nannies. Later, the female protagonists also became nannies themselves. Families with declining spending power like the male and female protagonists appeared in greater numbers. Therefore, the number of employers of confinement nanny will decrease even more. More and more people want to be confinement nanny, but more and more people cannot afford to hire confinement nanny. As a profession, monthly salary can only continue to fall.

Secondly, the monthly salary of a confinement nanny is over 10,000 yuan, which is a monthly salary of over 10,000 yuan without the protection of five insurances and one fund.Take the heroine in "Mortal Song" as an example. She works as an administrative clerk in a private company and her salary is 6,000. However, these 6,000 are net income, after the company pays five insurances and one housing fund for her. As for the monthly salary of a confinement nanny, it is not the case. Although this money can be obtained directly, the heroine who has paid for the five insurances and one fund for so many years will definitely pay the next five insurances and one fund herself. This is a big expense. Therefore, the actual salary received by the heroine may not be much.

Again, the vast majority of confinement nanny need to stay at home, and even provide 24-hour service. Others work 8 hours a day, but the confinement nanny works 24 hours a day. The confinement nanny may seem to have a high income, but in fact, the average hourly wage is very low, and she is a real cheap labor force. The heroine's job as a confinement nanny means that she can't be home at least for meals. She has children of her own, what about her daughter? The mother is away from home for a long time. Although the children live in Beijing, what is the difference from the left-behind children? This is obviously something that the "rich" screenwriters and directors have not thought about. They simply think that the job of nanny and confinement nanny at home is so good and relaxing - this is still the typical perspective and thinking mode of the rich.

Even confinement nanny like the heroine will face more dangerous sexual harassment in the workplace. In the corporate workplace, the heroine's working environment is still a public place with cameras. Even so, the heroine still encounters sexual harassment in the workplace. And once the heroine works as a confinement nanny, there is even a possibility of being sexually harassed in other people's homes. Why do many confinement nanny, who are all in their fifties or sixties, just use "older age" to avoid sexual harassment? This is a helpless move.

If you know about the Filipino maid market in Hong Kong, you will find that in fact, the services provided by nannies and confinement nannies in this market are not just the services we think of in the ordinary sense, but there are also other services, including everyone. The kind of service you want. Once the screenwriters and directors truly understand the true situation of the confinement nanny market, they will not make up such nonsense.

In "Mortal Song", there is a strange phenomenon. The screenwriter and director naturally feel that it is good to go down. I feel that the reason why they have this kind of understanding is because they are wealthy people, and they do not understand the lives of poor people. This group of people, like the ladies and nobles in "Parasite" Men who are married women only take advantage of poor people during their married life. Based on this, I think the TV series "Mortal Song" is unrealistic, lusts after the poor, and lacks the ability to depict real life. Such TV series are a shame to the creators. Again, when creators leave the lives of ordinary workers, they can only talk about things out of thin air and make up random things. This is the greatest shame for creators.(Text/Ma Qingyun)