Become a god? As a comprehensive N-generation, it can still achieve the effect of "conferring the gods", and this year's "Brother Pi" has something special. I originally thought that the steady and progressive performance of Yi Gong in "Beyond the Waves 4" (hereinafter

has become a god?

, as a comprehensive n-generation, can still play the "conferred god" effect. This year's "Brother Pi" has something.

originally thought that the performance of Yi Gong in "Beyond the Waves 4" (hereinafter referred to as "Brother Phi 4") was a surprise.

Unexpectedly, Er Gong and the Conferred God Stage came together in batches.

Let’s take a look at the stages with the highest praise from the audience. The quality is quite high.

Wang Zheng Liang tribe "Cage".

continues the "split" style of singing and roles on the stage of Yi Gong's "Babble".

Each guest has his own "responsibility" to jointly create the dual appeal of vocal music and audiovisual music.

sings with emotion and has strong acting ability. This is the most gripping thing about "Cage". At the end of

, Gao Qingchen jumped, leaving a highlight memory point on the stage.

This is not only an emotional singing and performance stage, but also a complete MV, which is beautiful to listen to, beautiful to watch, and very touching. The only disadvantage of

is that it may be a bit "aesthetic fatigue" for old viewers.

After all, "Phi 4" has a lot of singing and performance stages, and the styles of Wang Zhengliang's tribe's two performance stages are too similar.

Shi Kai tribe " against the current ".

A stage for three men, a drama for a group of people.

The guests in "Upstream" have no shortcomings in their singing skills. Every time they open their mouths, they almost scream in the barrage.

is too clear, too distinctive, and too full of feeling...

is so loud that it burns your heart. This is the biggest advantage of the Shikai tribe.

But it is not the only attraction of the "Upstream" stage.

What surprised the audience even more was the fight scenes completed by the three guests during temporary training and the quality of the stage.

is a gangster melee, with three characters of different personalities taking turns to appear.

or robust and light.

Or calm and free.

or cold and crazy.

There are all kinds of handsome cool guys and thugs in suits who can make the audience happy.

What's even more rare is that the fighting scenes given by the three guests have a real sense of power.

Coupled with the high-quality scenery, looking at the entire "Upstream" stage, it is easy for the audience to dream that the three guests will perform their own style of "City Heroes", and the tension will not be weak.

Of course, the stage of "Upstream" also has its shortcomings.

The live voting on this stage was not ideal, and many viewers in front of the screen did not understand it.

But objectively speaking, this result is not an exaggeration.

"Upstream" has fewer guests and more scenes, and the viewing angle of the live audience is too wide. It is difficult for them to follow the camera and only watch the smooth and silky highlights like the audience in front of the screen. The effect may not be as good as in front of the screen.

You Changjing tribe’s " expresses ".

"Confession" is the song that is the least burdensome to the audience in the first half of Ergong. There is no heavy plot design, the arrangement is catchy and brainwashing, and the stage style is relaxed and contagious.

Some viewers may think that listening to music alone is a bit of a "salvation song", but they have to admit that the stage of "Confession" is not a pale work that the audience will only remember the chorus after watching it once. On the contrary,

has a lot of things integrated into it.

Chinese and Japanese classical musical instruments, guitar charm, dance, and smooth and melodious chorus. This stage not only has many memorable points and eye-catching elements, but also achieves overall coordination and completeness.

The guests also showed their characteristics.

can bring out the charm of the original song from a fast song that is very familiar to the audience, and also play new tricks. It has succeeded.

Li Hacken tribe "Lanting Preface".

National style music is the most popular on the stages of Sister Lang and Brother Pi. It is also the most difficult to control on these stages, because it is easy to maintain the "listening" effect. If you want to present the elements of national style to a "visual" effect that is eye-catching, , but not easy.

Just like "The Orchid Pavilion Preface" chose Hacken Lee and Ryohei Kurosawa to play the Peking Opera concubines, the effects of the guests' training in a few days obviously cannot be compared with decades of real kung fu.

Even if Kurosawa Ryohei's version of Yu Ji's Sword Dance is quite good for a layman, it is still difficult to evaluate for audiences who are familiar with the art of Peking Opera.

However, sometimes, when we pay tribute to art, the form may not be perfect, but the effect can be achieved when the soul is there.

The emotional appeal of Yu Ji's every move in the two versions, enhanced by the Peking Opera soundtrack, can instantly bring the audience into it. Audiences with low tear points even shed tears when Yu Ji is dressing up in the mirror.

is quite outstanding in being able to create such an effect with Chinese style elements that require basic skills. The bold challenge of the stage also makes it stand out. This is a music and story that will make the audience watch it again and again.

x-men stage " The King and the Beggar ".

If we talk about the "conferred gods" on the above stages, there are still various controversies that attract different eyes.

Then the stage of "The King and the Beggar" can be regarded as the stage where the two people are destined to become gods.

The audience recognized it and was directly promoted to the hot search.

The strongest part of this stage is that the four guests Xu Haiqiao, Wang Zhengliang, Hu Xia, Huang Xiao all showed their strengths.

Strong vocals include Hu Xia and Wang Zhengliang.

Needless to say, the duet between two powerful singers can be imagined by the audience.

Their requirements for music are high standards that even the program team dare not raise.

One black and one white, king and beggar, manipulating and manipulated roles, there is only one word: sounds good!

Qiang Dancing, including Xu Haiqiao and Huang Xiao.

In the scene where Xu Haiqiao (the king) forcibly restrains Huang Xiao (the beggar), the audience cannot see the character's eyes clearly due to the angle, but they can figure out a story just from the side.

The screams at the scene were also the loudest.

A good performance and the tension of the actors' movements can create the ultimate atmosphere.

Of course, I would also like to praise Xu Haiqiao as someone who has acted in brotherly romance dramas and understands "yandere" very well.

Professional dancer Huang Xiao uses dance to give the character a soul.

Because of his character positioning and story design, he is also the most eye-catching guest in the entire "The King and the Beggar". The moment the "Beggar" flies into the sky is the well-deserved highlight of the stage.

In the future popularity stage voting, "The King and the Beggar" will definitely lock in an award in advance.

In addition to the above five stages that the audience named "Feng Shen", the stages of "Bridge of Tears", "Soul Singer", "Growing Up with a Weight of 10,000 Jin" and "Disco" are actually works that cannot be faulted, and each has its own merits advocate.

Chapter 7 I like "disco" of the Diplodocus Tribe very much, it is full of dragon flavor.

The characteristics of Diplodocus may make some viewers feel that it is not "high-end" enough, but the stage with the characteristics of Diplodocus can always make people remember it deeply and make them willing to dance along with his music.

can make music suitable for both refined and popular tastes. Isn’t it a down-to-earth and advanced version?

However, the Ergong stage has many gods and is of high quality, but there is also a hidden danger.

There are too many singing and performance stages.

Although each stage tried its best to create its own personality and did not make the singing and performance stages too homogeneous, the two consecutive performances were mainly about singing and performance. In the long run, it will be more difficult to create something new.

What's more, the audience's favorite singing and dancing, the program crew or the guests seem to be avoiding it.

can understand that this orientation is to take care of the uneven singing and dancing levels of the guests, and the challenge is too difficult, but isn't it just to overcome obstacles? I hope that future performances will allow the audience to see more of the charm of overcoming obstacles.