On the same day, the 26th Shanghai International Film Festival kicked off, and the "Technology + Culture, Business and Tourism" symposium was held at Puxi Financial Plaza Push Art Center. With the support of new display technologies including VR, AR and MR, people not only You can watch movies on smart devices and interact with them.
Audiences use mixed reality MR glasses to watch movies in future theaters. As a leading mr smart device, Apple's vision pro, a facial wearable computer, provides a new visual experience and immersive experience.
vr concert, an innovative combination of DJ and VR, is a movie and a game, the music is on the spot, and the vision has soared into the sky. At the
negotiation meeting, the content side and the equipment side were very friendly.
, as a content developer and director of the Game Design Department of the School of Animation of Beijing Film Academy, Liu Yuejun met David, a representative of the leading mr smart device company, and the two exchanged WeChat messages, hoping to have more interactions in the future.
watched Professor Liu's on-site promotion of the "Cultural Heritage + Myth" series of large-space cultural tourism projects. David said that content and display equipment complement each other and promote each other. Content creativity is always rich, but the products it embodies require a certain iteration cycle, so each product update and iteration may give content creativity more explosive points.
Content supplier Liu Yuejun (left), director of the Game Design Department of the Animation School of Beijing Film Academy, and equipment supplier David (right) met unexpectedly at the Future Cinema and had a very interesting chat.
Whether from the perspective of the game or the perspective of spatial positioning, users can not only see it but also feel it. Now a lot of peripheral technologies have been added, including temperature and smell, and the guest also mentioned the "six senses", which may become the direction of future experience.
This symposium invites the world's important copyright holders, directors, and studio heads of multi-person large space works to promote ongoing or completed multi-person large space work projects, and communicate with business district leaders, curatorial institutions, cultural and tourism-related enterprises, etc. Guests communicated face to face and communicated cooperation intentions.
This is a large space lbe immersive exhibition of Chinese history and culture. "The Hidden Mausoleum of Qin" takes the audience to visit the Mausoleum of Qin Shihuang, allowing the audience to be in the Qin Dynasty more than 2,000 years ago and participate in a grand and grand coronation ceremony of the King of Qin. Audiences can get a close look at the internal structure and historical context of Qin Shihuang's Mausoleum, explore the mysterious underground palace that has never been excavated, and experience flying along the Qin Chi Road, overlooking the Qin Mausoleum and the Great Wall from high altitude.
fc-lite cockpit and full-view VR glasses, the cockpit restores the racing touch at a 1:1 ratio. The audience can truly feel the F3 racing driving posture, superimposing the vision and crab sense, bringing an immersive track driving experience.
With a lighthearted and humorous tone and quirky robots, this is the French director's "Eddie", which brings the stop-motion animation universe into augmented reality. In this innovative experience made of paper robots and creatures, by scanning 14 AR posters, viewers can explore and reflect on ocean issues in modern society.
