In the eyes of Yang Mi, who has already learned lines and acting skills, excellent and superb acting skills are all exposed. It requires mobilizing the maximum strength of the five senses, and it is best to twist them into a peony. In
's new drama "Harbin 1944", Yang Mi changes her acting skills from the past, and her facial features twist like a bold move. Just look at how strongly her mouth twists, and you will know how much effort Yang Mi put into this performance. Orange.
Yang Mi was interviewed earlier and admitted that she hired a line teacher to guide her in this drama. She also said that this acting was a process of breaking up and reorganizing.
I don’t know if Yang Mi has seriously studied variety shows similar to "The Birth of an Actor", or if in the eyes of the industry, the audience can quickly think that the way to improve their acting skills is to open up and close up.
In previous actor variety shows, most actors would adopt a very exposed acting method. If the expression is weak and the camera cannot zoom in, then the grinning teeth will be easily noticed. There are several representatives of this model of
, such as Han Xue. Every performance is very hard. Of course, it cannot be said that it is not good, but if you watch it too much, you will feel that the effort to please is greater than the effort.
In the early years of the entertainment industry, there was actually a very typical representative, Yang Zi. Her crying scene was very exciting. At that time, the entertainment industry was still immersed in the stage where some people were using eye drops, so Yang Zi's crying scene was once considered to be explosive.
In the recent "Cheng Huan Ji", some of Yang Zi's crying scenes were still the same, but she received more negative reviews than before. The audience felt that her expressions in all the crying scenes were the same no matter how many times she acted.
It’s still the same problem. I can’t say it’s not vivid. I can only say that the actor’s inertia will hinder people’s progress to some extent. Explosion mode acting itself is a trick to ignore the character’s amplified emotions. Today's film and television dramas rely more on the fragmented model to spread, so acting emotions is more important than acting characters.
Yang Mi was criticized by Li Shaohong in the early days for acting with no brains. She cried like wow wow wow and laughed like hahaha. In fact, it also embodies the core shortcomings of Yang Mi's acting skills in disguise, acting with the simplest emotions.
This kind of crying scenes were not even very touching in the early years. At the same time, Yang Zi cried in crying mode, but at this time, Yang Mi still cried in frowning mode. She only needed to frown and curl her lips to complete the crying action.
When I was little, there was a comparison between the four sisters. Of course, the worst one was the facially paralyzed Guo Biting, followed by Yang Mi, without any infectious elements on her face.
Yang Mi's acting skills have been criticized for several years. During the Jiaxing period, all work was handled by the company. Yang Mi relied on this emotion to copy and paste indifferently at work, while calling it "filtering emotions". Let me tell you, it's not My performance is not touching, but I have outlived my emotions in my life.
This kind of publicity that mixes characters and life can indeed scare many people in the early stage. Unfortunately, as the audience's demands become higher and higher, Yang Mi's approach is no longer accepted.
In today's entertainment industry, emotional acting in explosive mode has been criticized, and the audience is looking forward to the performance of real characters.
Hao Lei once imitated this kind of emotion: Li Chun played a scheming villain in "Ruyi's Royal Love in the Palace". In order to save trouble, she used the most emotional performance to exaggerate and show the scheming that everyone recognized.
Is the character Ling Fei in the play like this? If you watch this clip alone, you will feel that Li Chun's performance is very facial, and Ling Fei is just an ordinary villain.
But we have to admit that in today's current situation where short dramas and Douyin are popular, if actors pay more attention to emotional opening and closing, then the promotion of the drama will be more likely to go wrong.
So it is natural to understand why Yang Mi acted like this. In the past, her emotions were not contagious, so now in order to show her progress in acting, she is adding more intensity.
For example, in a simple anger scene, Yang Mi is now trying her best to open her eyes with anger.
This was how it was in the past few years. With this comparison, hey, it seems that Our Big Secret has indeed improved in his acting skills? At least I'm willing to work on my emotions.
It would be okay if there were occasional scenes like this in the drama. When I first saw this injury scene, Yang Mi did a good job, and the pain and so on were quite in place.
But in this drama, there are such scenes everywhere, which makes people feel excessive, a bit like the actors in a skit.
includes, but is not limited to, the character's viciousness. She enlarges her eyes fiercely, and interprets "what does a person look like when she acts viciously" word by word.
But what fails Yang Mi is that her ability to interpret extreme emotions has deteriorated a bit now.
A very tight face, every wrinkle tells the story of this time's intentions.
Unfortunately, what the audience witnessed, in addition to the display of boring characters, was also Yang Mi's increasingly aging appearance.
Now that Yang Mi has not reached 40, I am a little worried that she will follow Cai Ming's old path. But I feel that this trend exists now.
But the character Guan Xue in the play does seem to be tailor-made for her. She is ruthless, authoritative, and at the same time a woman with a very clear purpose. This is very similar to Yang Mi in life. Unfortunately, Yang Mi did not describe this character at all. Come to think of it, the performance was quite a failure.
As for the one, the ruthlessness is always on the face. Yang Zi has eliminated the grave-crying acting skills now, but Yang Mi uses them instead.
Also in "Cheng Huan", Yang Zi can at least restrain herself from crying.
Let’s just say, beat people viciously, do you have to do this? What's the difference between those actors in skits who slap them at every turn?
Second, Yang Mi’s lines are really bad. In several episodes currently aired, she can’t hear her words clearly at all. How can such Guan Xue have the charm of the character? (There are a lot of people saying that Yang Mi’s lines are explosive. I doubt they have watched the show at all).
If it doesn't work, Yang Mi should learn from Wang Ou. Although he is very reluctant, Wang Ou's performance of the same type of role is simply perfect.
A beautiful female villain, can you recognize her face at first glance?
Wang Ou's viciousness is reflected in her facial features, like a poisonous snake that spits out messages. You can't predict when she will launch a fatal attack.
Yang Mi is so vicious that she is afraid that others will not see what she is doing.
Comments about Yang Mi and Wang Ou on hot searches also overturned. Yang Mi fans tried to use the moral high ground of mistress to destroy Wang Ou's career, but this time the masses retorted, and what belongs to God belongs to God, and what belongs to the law belongs to the law.
This is the consequence of not being modest and standing still. Yang Mi said that she would break herself into pieces and reorganize, but she doesn't see any hope at the moment. What she presented was still the old-fashioned three-blade axe.
I think it’s not that Yang Mi doesn’t want to act well, but that she doesn’t know how to break up and reorganize. In the fast-paced, fragmented mode era, once she really wants to seriously consider the role, the topic will disappear for a long time. Unfortunately, this is fatal to the business "Yang Mi".
Of course, it is also possible that people's fixed patterns are really difficult to change. For an adult over 30 years old, it is difficult for you to change the three views that she has adhered to for decades.
