The first part " In the Mood for Love "
I like Miss Su and Mr. Zhou walking side by side under the dim night light. Miss Su is wearing a cheongsam, with a graceful figure and high heels. Mr. Zhou is not as tall as her, but the two of them are They match each other unexpectedly, as if we want to walk together into the dark night where no light can be seen. The emotional expression of Wong Kar-wai's film is both forbearing and profound. Along with countless empty scenes and progressive emotions, a man and woman who think they are sober also fall in love. He asked, if there was an extra ticket, would you go with me? She wanted to, but she didn't. That silent phone call might be her regret. Maybe relationships need to have unworldly moments and secrets, so they will be missed especially after they are lost. If they were really together, would it really be beautiful?
The second part " sweet "
This film will not lose its own charm even after countless explanations. In Hong Kong, two mainlanders are strangers in a foreign land. Even if Maggie Cheung speaks authentic Cantonese, she cannot hide her identity as an outsider and has no relatives. At this time, the person accompanying her is the most important person. close. The same is true for dawn . The mainlanders are incompatible and it is rare to have someone who can speak Mandarin. Even plastic Mandarin can give people warmth. This kind of warmth grows casually. In the end, they all gave up everything for it. , their mutual infatuation has not faded away even if the years fly by. The title of the film is "Sweetness", but many times in the play it is very bitter. Only by experiencing it can we know how to cherish and grasp the little sweetness.
The third movie "Green Snake"
Tsui Hark's movie "Green Snake" depicts an indescribable beauty and creates a boundless fatal temptation. The two peerless beauties Bai and Qing, with their snake-like waists, radiant brows, affectionate smiles, innocent coquettishness, and ecstatic charm, are enough to awe people and confuse all sentient beings. Humans have hypocrisy and greed, demons have love, hatred and hatred, and Buddhas have evil thoughts and lusts. The whole film is a struggle between human nature, demon nature and Buddha nature. The climax of the final dramatic conflict focused on the sword that Green Snake stabbed at Xu Xian, "You should go with your sister." It suddenly became clear that when Green Snake faced Xu Xian, who had become a monk, the two lines of tears she shed were for White Snake. . It turns out that this is not a war between two women. The status of this film in my heart has suddenly been upgraded.
The fourth film " Days of Being Wild "
was in a film shortage some time ago, but in view of the short duration and the consideration of classicness, this film was selected. Wong Kar-Wai's style is still very strong in it, so much so that even without knowing who the director is, the family is sure of the unknown by looking at the lines before and after "one minute". To be honest, when the movie ended, I couldn't have a good grasp of the content, just like " Ashes of Time " or even " The Grandmaster ". My family had some understanding, and that was unfortunate. A childhood needs a lifetime to heal, but a happy childhood can heal a lifetime. Xu Zai in the film belongs to the former. He is wild and unable to stay. Once he learns the truth he has been pursuing, he will not die soon. This is quite interesting. Like a fable.
The fifth part " New Dragon Inn "
The motivations of the good and the bad guys in this film are very convincing: Dongchang wants to seize power, and uses his loyal descendants to lure the male protagonist to want to remove them; the male protagonist is loyal and courageous, and joins hands with friends in the world to rescue them. After Zhongliang; in addition, other forces also have sufficient motives for their respective actions. All parties gathered at the New Longmen Inn, one party raised the issue, the other resolved it. When tensions were at stake, a third party intervened. In addition, the film removed inappropriate jokes, making the film's rhythm tight from beginning to end, without any sense of drama. There is also the editing. The quick editing of Mo Yan just entering the inn and fighting off the bandits is amazing. This film does not have the editing errors of the two " Swordsman " films. Finally, there is the actor's performance. Brigitte Lin and Tony Leung are excellent, and Maggie Cheung's performance is even more perfect. The second generation of new martial arts is at its peak, no one else!
Which of the five movies in which Maggie Cheung devoted herself to art have you seen? Coding is not easy. Welcome to follow, like, and leave a message for discussion!
