The fifth film "Ju Dou"
The subgenre label of this film should be added with "horror". Every scene is so depressing that one can hardly breathe. Even Ju Dou's pleas for help, cries, and accusations are... Controlling the decibels tells. The reason for Ju Dou's behavior may not be the physiological needs on the surface but the most basic survival needs. He wants to live, but he encounters a buyer who is incompetent but has a bad temper. Tian Qing, who is tied up in everything, is shunned by tradition and public opinion. Tianbai, who was coerced into his hatred. After learning to walk, Tian Bai's eyes are so scary every time he appears. Perhaps only DNA identification can change the four people's minds that Tian Bai is the buyer's son and not Tian Qing's... In short, I have to admit that this is A grossly misunderstood film.
The fourth part " Qiu Ju's Lawsuit "
To be honest, this movie made me feel the complexity of human nature and the impermanence of life. The film is set in rural areas and provides an in-depth analysis of the subtle relationship between law and society. At the same time, the film successfully created the image of the perseverant Qiu Ju. Director Zhang Yimou used a unique technique to integrate legal themes into the story. The overall interest of the movie lies in watching how Qiu Ju went from village to township, from township to county, and from county to city, "discussing the truth" layer by layer. In addition, the film not only has profound social significance, but also shows excellent artistic expression. The audience responded enthusiastically and spoke highly of the film. In short, there is no doubt about Zhang Yimou's proficiency in shooting rural themes, so the film is a masterpiece worth watching, with both artistic and ideological qualities.
The third movie " Red Sorghum "
is a classic movie showing Chinese rural life and family emotions. Through strong colors and vivid images, the director successfully constructed a rural world full of vitality. The red sorghum in the film symbolizes the exuberance and tenacity of life, while family values and local sentiment are deeply rooted in the hearts of each character. The superb performances of the actors made me deeply feel the inner conflicts and struggles of the characters. The film has both achievements and shortcomings in shaping characters and presenting historical features, but overall, its unique film style and superb artistic value are unforgettable. Mo Yan's script, Zhang Yimou's color, and Jiang Wen's temperament perfectly blended into a pot of wine, leaving a strong mark on Chinese cinema.
The second part "Raise the Red Lantern "
is as hypnotic and comfortable as Dream of the Red Chamber. The embodiment of "turning people into ghosts". It can be said to be the mother book of later stories about palace fights and house fights. The several close-ups of Gong Li in the film are extremely close-up, and each time they appear, they are one step closer to the abyss of alienation. The roof covered with auspicious snow, the high wall that cannot be seen from the outside world, the symmetrical red lanterns, the sound of hammering feet, the sound of opera singing, the sound of sighs, the eldest wife's "What a sin", the second wife's smile hiding a knife, the third wife's costume mask, and the spit of the wild goose. , as for the fourth wife, her father’s flute has been burned, and she only has a white dress and a black skirt student uniform that she didn’t wear when she was just married... When she saw "Someone has been looking forward to beating their feet for a long time," she accompanied the sudden music. , the whole person is getting goosebumps.
The first " Alive"
"Alive" is a work full of philosophy and shocking to the soul, and will surely become a classic in the history of Chinese films. Through the fate of Fugui, an ordinary person, this movie allows the audience to feel the impermanence and cruelty of life, and also makes us reflect on our understanding of life and value. Although I may have preconceptions to better understand the joys and sorrows of the cruel era in the novel and stage play, and the film's slight beautification made me less moved, there are also impressive scenes. Fengxia's bleeding is ironic, and the second one is Chun Sheng's desperate situation and his family's family, Zhen and Fu. Gui looked at his retreating back and shouted: "You owe our family a life, live a good life." In short, it is the art of an old movie. You have to be immersed in it and watch it slowly without fast forwarding.
Which of the five works in which Gong Li sacrificed the most for art have you read? Coding is not easy. Welcome to follow, like, and leave a message for discussion.
