Editor | Zhiyu
A reporter asked Chen Peisi: "When Director Havin invited you to the Spring Festival Gala, weren't you a little tempted?" Chen Peisi replied without thinking: "No!" The reporter asked: "For the audience, you Haven't you ever been tempted?" Chen Peisi still did not change his words, and even said: "That crime is not for human beings."
40 years ago, Chen Peisi held an empty bowl and slurped noodles, which made audiences across the country remember him. Since then, Later, "Protagonist and Supporting Role" stabilized his status as the king of Spring Festival Gala sketches. However, since 1999, he has disappeared from the Spring Festival Gala stage.
What on earth did the Spring Festival Gala make him so angry about? This can be seen from Zhao Benshan’s words.
"You see their review is like this. The audience is laughing, but they have serious faces. Think about it, they can't be happy, they are nervous, they are afraid of not looking good, and they don't understand after all!"
Zhao Benshan’s few words revealed the ugly truth about the language aspect of the Spring Festival Gala in recent years.
The language programs of the Spring Festival Gala have always been strictly censored. After all, this is a program for a national audience. Any mistakes will cause an uproar, so it is understandable that the censorship team does this. But even so, they extremely respect artistic creation and are very Interfere less with content.
In 1984, on the eve of the Spring Festival Gala, Chen Peisi and Zhu Shimao were feeling extremely uneasy backstage. At this time, director Huang Yihehe and others said: "No leader nodded or shook his head, but I decided to let you go. If anything happens, I will be responsible."
No one expected that one attempt would lead to the first place on the Spring Festival Gala stage. A sketch "Eating Noodles".
In this atmosphere, the 27 years from 1984 to 2011 highlighted many excellent works, such as "Trafficking", "Lazy Man Dating", "Yesterday, Today and Tomorrow" and so on.
However, after 2012, many works became less and less popular. That year, the Spring Festival Gala program team required that the programs should have educational significance.
The directors of language programs reviewed are all laymen. They have no idea what baggage is and how to act so that the audience will laugh! Zhao Benshan once worked on a line for several months and even coughed up blood, but the line was still killed.
Guo Degang said: "I have only been to the Spring Festival Gala once, but this time it made me physically and mentally exhausted." At that time, faced with the scrutiny of laymen, Guo Degang was speechless, "He doesn't know anything, why should I listen to him?" ?"
And under this censorship system, what are the current language programs like?
Either carry forward the main theme and sublimate it from the perspective of the small characters, so we have all the members "making dumplings".
Either it must be sensational and make people look like they want to cry, but life is already so difficult, why do we still need to make people cry during the New Year?
But is this program really good to watch? Are programs such as "First Meeting in the Photo Studio", "Can It Be the Same", and "Cold Colors" really good to watch?
