Before you know it, the holiday is over. How are you doing?
Various Lunar New Year films Let a hundred flowers bloom and compete in beauty, which has long been the biggest highlight of the Spring Festival every year. I don’t know which show everyone has watched this year, and what are the most impressive scenes?
In addition to "Hot" written by Yang two days ago, there is also a lot of discussion about the new movie "Article 20" directed by emo. From the previous "artistic guarantee" to the less-than-stellar box office results now (even more popular than "Spring Mountain School"), director Yimou's signature seems to be less bright.
Among the early girls, including last year’s Yaoqin girl, almost all of the new ones who were discovered were ruthless, beautiful or innocent that did not match their age.
And this year's heroines Ma Li and Zhao Liying reflect the core of New Year's films from the side:
In 1993, "The East Comes the West"
Whether it is the "everything goes too far, everything is crazy" in early Hong Kong films, or in recent years, The bold attempts of entertainment, Lunar New Year movies all have their own unique charm, and the female characters in them are easier to shine than before, and they are also unique.
Today we will talk about the legendary Lunar New Year film aesthetic , as well as its classic female group portraits.
is a hit with the coming of spring, and has been a hit for 40 years.
New Year's film is a movie released during New Year's Day and Spring Festival.
mostly caters to the general psychological needs of the audience to seek happiness and relaxation during the holidays, especially the Spring Festival. Its style is destined to be generally relaxed and humorous, highly ornamental and entertaining .
Its aesthetic style also follows its evolution process, with strong era characteristics :
Xiangjiang water warmth, indulgence and sensuality. "Lunar New Year films" originated from Hong Kong, which was at its peak in the 1980s.
Hong Kong Entertainment, known as the "Hollywood of the East", has both the competition for fame and wealth and the real warmth of human relationships. At the end of each year, some familiar stars will spontaneously get together and film a few lively movies without any payment. This hilarious and joyful film is dedicated to the audience.
In the glitzy world of the earliest Hong Kong-style New Year films, beauty was laughter in the banknotes and joy in the world..
The resplendent, bright red and purple colors can scorch the eyes of the audience. With curly hair in leather jackets and busty red skirts, handsome men and beautiful women show off their charms openly and without any scruples.
Fast-paced, vulgar style, and a refreshing ending, Hong Kong-style New Year's Eve is like a colorful heavy-flavored candy, which is the most direct and explosive sensory stimulation.
In 1997, "Party A and Party B" was released, the first Chinese New Year film in the mainland film industry to be a big hit.
's influence is so far-reaching that it directly created the "Lunar New Year stall" for domestic entertainment. The famous line at the end, "1997 has passed and I miss it very much" will forever be recorded in the history of Chinese film.
Feng Shi's New Year's Eve , which once led the film industry, has fresh tones and meaningful plots. It usually combines love and comedy, humor and philosophy.
Just like the peanuts that go with wine on the table, the first taste is just to pass the time, chew it a little and the fragrance will linger on your lips and teeth. His favorite male protagonist, Uncle Ge, has a funny appearance and charming conversation, which forms a wonderfully conflicting and harmonious beauty with his favorite , the sassy and fashionable sexy Dasa Mi .
The relationship between lovers is also youthful and innocent. The story of an ordinary and simple little person coupled with the plot and psychology that is "pulled directly from real life", Feng's New Year's Eve makes people smile knowingly, taking advantage of people's empathy to create beauty and warmth.
After the 10s of the 21st century, the era of national entertainment has arrived, and countless so-called grassroots people who have thoroughly understood the national character of the Internet have stood out and skyrocketed.
The aesthetics of the Lunar New Year films of this period can be said to have drawn from the best of others. Combining the characteristics of the above two, it not only fully satisfied the sensory stimulation of the audience, but also drew on real life and was full of human fireworks.
's content themes and expression forms are also richer and more varied. Whether it is the particle ink animation of "Deep Sea" or the bold imagination of "The Wandering Earth", youth, popularity, and passion are the eternal themes.
Flowers are blooming and fire is cooking oil. Looking back at the 40th anniversary of the Lunar New Year, the development and changes in aesthetics are also a feast for the eyes of the audience.
A gathering of heroes, peerless splendor in an old dream
In the past forty years, our country and our country have been replaced by a new generation. The women in the New Year films also change their appearance while retaining their common characteristics.
From the comparison of their typical images in the past, we can get a glimpse of this changes and commonalities:
In the 1985 "Heavenly Official's Blessing", Wang Zuxian played the heroine Nalan Qiongyao, who was a talented and independent-minded lady. , dissatisfied with entering the palace and blindly marrying a concubine, she secretly traveled to the south of the Yangtze River, and unexpectedly became happy enemies with the emperor who also sneaked out without knowing each other. After the two finally got married, they never forgot their past and went to the south of the Yangtze River again...
The ancestor in the film is tall and beautiful, and his men's clothing is also chic and uninhibited. They play tricks on each other and make fun of each other, and they look like goddesses who are elegant and generous even when they don't care about their image.
and the emperor played by Er Dongsheng are soulmates, rooted in mutual understanding, freedom and equality at the soul level. After
knew his true identity, he was still neither humble nor arrogant. He deliberately left the capital to meet each other without saying goodbye. He played the identity joke into a couple's fun, and he was also the dominant party in the relationship.
From "Let the Bullets Fly" to "Private Customization", domestic entertainment New Year heroines in the 10s were usually professional women who were at the forefront of the times, and were keen to show women's true living conditions and gender concerns.
Whether they are held on the altar or regarded as devils, the images of these women are all beautiful, sassy, foreign-style, modern, in their prime of youth, look sharp-tongued, smart and playful.
Cold and bright
The female images created by the new generation of literary and artistic creators who come out from the public are more progressive.
The two green and white snakes who "I will always be with you" in "The Origin of the White Snake"; Li Huanying, who goes back to the past and strives to make her beloved mother happy, the female image in the New Year film is becoming more and more solidarity, mutual help and self-consistency good.
We can see that no matter how time changes, they all have this in common:
No matter what era they are in or out of the film, women themselves are more bold and confident than usual, a symbol of fashionable independence .
Yue Meiyan, played by Asa in "The Great Sage", bravely pursued love when she was a foolish ugly girl, but was rejected by Tang Sanzang, who did not know that she had a deep love for her. After regaining her true form, she was able to let go calmly. Belated affection:
is the most simple and true, the most emotional and passionate.
If you want to chase love, chase it immediately; if you want to take risks, take risks at all costs. The women in the New Year movies are just like the carnival Spring Festival itself, purely following their own desires.
Like Liu Yue'e in Cecilia Cheung in "The Lion Roars", she has an almost willful sense of control and sovereignty over everything she owns:
The Embarrassing Effect , also called the blunder effect, the thumb-up effect, refers to talent Of course, mediocre people will not be admired by others, and people who are completely flawless may not be lovable either.
The most likable characters are shrewd people with small flaws . This phenomenon is also called the fooling effect.
The goddesses in the Lunar New Year film are contrary to their usual image of glamorous and otherworldly flowers. Their uncharacteristically exaggerated performances and their willingness to use appropriate pranks and funny plots to act weird and ugly have brought them closer to the audience. Psychological distance.
"Fairy descends to earth", innocent and funny yet playful and smart.
Old Dream Three Thousand Miles Away, these beauties are like the traditional Chinese Zhouyi culture, following the times and leading the trend. Change, exuberance, change and joy are like the firecrackers of the Spring Festival, igniting the new year.
Start the New Year
New Year's Eve films have always been popular. In addition to the theme itself catering to people's tastes and being lighthearted and cheerful, the many beauties in the film are also pleasing to the eye.
From a practical perspective, we can also refer to their looks in the film to easily get good luck in the new year!
. Makeup
Uncle Oxygen found that the makeup of female stars in Lunar New Year films is mostly based on Hong Kong-style all-inclusive eyeliner, and the thickness and angle are adjusted by blending to create a "lifting" eye wave charm.
Their eyebrows are often very vibrant and natural thick eyebrows. By rendering out the density and hairiness, they are both feminine and festive .
The makeup of the vivid women in the New Year films is actually quite flamboyant, with bright colors, and they do not deliberately pursue today's "transparency".
In Zhang Min's version of "Heaven Slaying the Dragon", she wears red eyeshadow to deeply smudge her eye sockets, and her eyebrows are more curved than usual, which is completely different from her usual plain and cold eyebrows.
. Expression and body management
The smile of the woman in the New Year film may be the face that most meets the national aesthetic, is stretched, and is the most beaming that you can see throughout the year.
When they laugh, their eyebrows and eyelids are lifted up forcefully, and the distance between their eyebrows and eyes, which were close together, is instantly widened. The eyes are only bent but the upper eyelids are not pressed down. This kind of smile is more like a happy event or a surprise. laugh.
If you relax your eyebrows, press your upper eyelids slightly and smile relaxedly, your face may become more beautiful, more natural, and more elegant, but it will lose the joy and surprise that attracts audiences.
You can compare Maggie Cheung's laughter in "Happy Events at Home" with her usual laughter. In "Happy Events at Home", she actually raised her eyebrows slightly when she smiled, but she didn't deliberately glare. There is a kind of innocence The appeal of .
This kind of "laughing aunt" style 's free and open feeling is really pleasing.
What is the most important thing during the Chinese New Year? jingqishen !
Uncle Oxygen believes that tall, plump girls have convex and concave figures that echo everywhere, and have a sense of rhythm that is a kind of spirit;
has no rhythm, no charm and poor body coordination, which brings a sense of clumsiness and comedy. , also has a kind of amiability and cuteness.
The most important thing is to be open-minded. replaces fragmentary small actions with with overall big actions. During the Chinese New Year, the most important thing is to have fun. In the famous scene of Anita Yuen playing ball in "The Rich Man", the overall use of body movements is very coordinated and elegant.
is more impressive than her daily quirky little tricks:
. The
dress is more restrained than the daily color matching of the TV series. Except for the floral shirt, the rest is almost one or two large color blocks with different combinations:
In New Year films, especially the heroines on the big screen, the colors of their clothes are exaggerated and avant-garde, the high-concentration colors collide with each other, and the high-grayscale colors are coordinated with each other.
They like to use soft and warm contrasting colors to express excitement, but rarely use bright colors like red and black.
The shape is full of human fireworks.
Typical, Manyu in "Happy Events at Home", white turtleneck bottoming sweater + blue-green plaid shirt + bean green suspender skirt with cross sweater chain:
There is also a black turtleneck bottoming sweater + brown Wool suit jacket + black trousers with a wide brown belt + silver metal watch:
Have you seen that in New Year movies, even the goddess who always looks cool and cool likes to use warm colors , and she also likes the ones with a strong sense of daily life turtleneck bottoming shirt .
Textured, heavy, and even fabrics that will form obvious staggered shadows on the surface of the fabric, contrasting color sweaters, and plaid shirts.
Overlapping overlapping overlapping. Compared with the simplicity of daily life, the essence of New Year films is to create a sense of layering.
The style is too sassy and charming, but it is difficult to blend into the family-friendly atmosphere of the Spring Festival.
For example, it’s hard for you to believe that Michelle Reis, dressed so formally, so well-mannered, and such a big sister like Wanfang, is here to wish you a happy New Year:
Of course, even if you are wrapped up tightly, you can’t really give up your body expression!
Like this picture of Honggu, she has her coat open to reveal her pinched waistline:
Looking at it today, we like and miss New Year’s films, essentially because the women in them are becoming more and more progressive, happier and happier. Lai Yue represents the expectation of a better life that "tomorrow will be better".
htmlAt the turn of the century, there were always rumors about the end of the world circulating in the streets.But even then, people still had the expectation of "waiting for the Chinese New Year to watch New Year movies." The New Year film means a kind of warm sustenance and is a very modern adult fairy tale.
