Fairy Sword Four and Fairy Sword Six fought, but it was Fairy Sword One and Fairy Sword Three that won.
The remake of the classic cannot surpass Zhuyu, and it cannot even satisfy fans of the original work. The two Fairy Sword series works launched at the beginning of the year have their own flaws in terms of reviews.
" prays for the present " collapsed in the later stage, and cheap green screen special effects can be used for live shooting. "Four of Sword and Fairy" magically modified the original work, blending the young chivalry and righteousness with clichéd love elements.
Compared with "Qi Jin Zhao", which dropped the title of Sword and Sword 6 in the title, "Sword and Sword IV", which is definitely a series of Sword and Sword series, attracted more complaints. If it is said that both dramas failed to meet expectations in terms of plot and setting. If so, then it is really regrettable that the latter's styling is not restored enough.
The exciting thing about the original game is the unique style but the makeup that fits the characters, which can be distinguished from ordinary fairy tales.
However, the reputation of "Sword and Sword IV" has been overturned this time. After seeing Ju Jingyi 's semi-permanent appearance, I realized how reasonable Liu Tao 's previous words were.
Han Lingsha, the original model, has refreshing short hair. In the drama version, she wears her hair long and has modern bangs. She has no aura of a female tomb robber.
Han Lingsha is the embodiment of the playful heroine in the hearts of countless games. She is bold and clever, and is the person who carries the burden of The fate of the family, the little thief wandering the world.
has a lot of research on institutions, and also knows a lot about geography and feng shui. He doesn't have too big dreams, but he has a more market-oriented atmosphere. He is naive but also sensible, smart but innocent. In the original work of
, her image is capable and generous, wearing a dark red short skirt and holding a short knife in both hands.
had her hair tied up on both sides, with her extra short hair hanging loosely on her shoulders. She stepped on the ground with long boots, showing off her wind and fire attitude.
The fashion of the original modeling is too advanced, and it is impossible for the drama version to be exactly the same. In fact, fans of the original work understand.
But changing the villainous thief into the appearance of a wealthy lady, letting Han Lingsha wear expensive clothes and standing next to Liu Mengli, not knowing who is the rich lady and who is the martial arts heroine, is a bit too much.
And after Han Lingsha's refreshing short hair turned into a waterfall of dark hair, her different look disappeared.
Compared with her previous on-screen roles, Ju Jingyi, who plays Han Lingsha, is no different this time. She still wears the same luxurious hair accessories, leaving two strands of bangs on both sides of her forehead, using a curling iron to curl up the most flattering face. radian.
No matter what the plot situation is, the bangs are always parted on both sides.
This is true in the real-life costume drama " Jia Nan Chuan ", and it is still the same in "Huarong" with a fantasy background. Ju Jingyi has not changed only the Internet celebrity makeup, but also this modern hairstyle design.
Liu Tao responded to the era of flourishing makeup, sharply pointing out that the new generation has a strong voice, and the assembly line of ancient puppets confused the audience.
In fact, she is not the only one who plays with her characters. The new generation actors have very little creativity in makeup. Yes, there are even matching ones.
For example, in the current filming of "Fox Demon" King Power Chapter and "White Moon Brahma Star", Li Yitong and Bai Lu are wearing the same purple dress, making it even more difficult for the audience to tell the two people who are already similar in appearance.
After an element came out of the circle, various production crews immediately copied it. Since the flashy design style of "Long Moon Ember" became popular, the so-called funeral style has not appeared in the following ancient puppet production crews.
The aesthetic circle is too unified, serving the actors’ photo opportunities, but not the role setting. Everything is actor-centered, which makes the audience suffer from the appearance for a long time.
Just as Liu Tao said, the reason why many classic hairstyles were left behind in their time was because there was no power of technology. All concepts were conceived by styling teachers, and a person would have hundreds of clips stuck on his head. .
Instead of being parted to the side or in the middle as it is now, there are two strands of beard on both sides, blown by the blower.
Having seen the prosperous times, I know how much talent there is in the current market.
I hope that the dedicated professional power will rise soon and make everyone’s eyes shine.
