Jimu News Chief Reporter Zhang Cong
The beauty of "Flowers" is inseparable from the three heroines - if Ms. Wang is better because of her beauty, and Li Li is more mysterious, then how is Reiko, the proprietress of "Night Tokyo", in the hearts of the audience? color?
If Reiko before the "Earring Incident" gave the audience the impression of being a philistine and shrewd, then after the "Earring Incident", in the story of Reiko's resumption of work, she revealed another side of her righteousness, enthusiasm and renewed ambition. .
In the play, Miss Wang is closely connected with the song "Unrepentant", and Reiko is integrated with the theme song of "Tokyo Love Story".
Regarding this role, Ma Yili said in an interview that Lingzi has something that shines in Shanghai women. "She is able to bend and stretch, and she also pays attention to friendship."
Talking about feelings:
Lingzi must love Abao deeply
In Ma Yili's heart, Lingzi must She loves Ah Bao deeply, "I think no one can be emotionally sober in the world. Reiko loves Ah Bao. I am very clear that Reiko loves Ah Bao deeply."
This kind of love is shown in the early stages of the series. For Lingzi to make money unscrupulously to confirm her status in Abao's heart, it is also reflected in the fact that after the "earring incident", Lingzi was able to get out in time when it became clear that Abao was not in love with her.
This kind of emotional expression may seem difficult to understand, but Ma Yili has her own interpretation: There is a "decency" that Shanghainese value between Lingzi and Mr. Bao. "This kind of dignity is reflected in the sense of distance and security. The relationship between Lingzi and Abao is open and relaxed, and there are back and forth. Lingzi will cooperate with Abao's dignity, and Abao will fulfill Lingzi's dignity. It's a sense of order."
In Ma Yili's view, the break caused by the "earring incident" also led to the awakening of Lingzi's self-awareness, and she began to understand that only by not depending on men can she gain true respect. "She left Night Tokyo to go to Japan, and then she (Reiko) returned to Shanghai with a decisive attitude, truly living as a boss lady and not as the woman behind Mr. Bao."
Talking about acting:
Reiko scolded Mr. Bao more and more. The more I care about
In the play, Lingzi and Mr. Bao often quarrel, and the comedic quarrel scenes make Wong Kar-wai watch them with relish. "The director likes to watch us quarreling on the set, and will add fuel to the fire and ask us to add some funny things."
In Ma Yili's view, Lingzi's quarrel with Abao is actually a way to express concern, "Shanghai woman That's it, they are like "little talkers" and don't like to say nice things. Some people have misunderstandings about Shanghai women, thinking that we love to be whiny and pretentious. In fact, this is not the case. Sometimes we don't speak well, but use curses instead. To express it in a form, the harder you scold, the more you actually care."
Qin Wen, the screenwriter of "Flowers", has previously collaborated with Ma Yili in "The First Half of My Life", and the communication between the two is very smooth, "Teacher Qin Wen She understands womenâs language and sense of language very well, and quarreling and cursing are also contexts we are very familiar with.â Ma Yili mentioned that, therefore, even if she only gets the script when she goes to the scene for makeup every day, she can still follow the lines quickly and be responsible for the entire process. The "scolded" Hu Ge will also join in to create together.
Talking about the director:
Wong Kar-wai is a delicate and warm-hearted person
In Ma Yiliâs opinion, Wong Kar-wai is a very delicate and warm-hearted person. She gets hungry easily when the work intensity is high, and she likes to eat small desserts to satisfy her hunger, so Wong Kar-Wai will ask the staff to prepare small desserts on the set. When not filming, Ma Yili is habitually a little hunchback, and Wong Kar-wai will always remind her "Don't hunch." Keep your chest up." The warmth of director
also made Ma Yili work harder to shape the character - in order to get a good shot of a look, she filmed from 11 pm to about 2 am, repeatedly wearing high heels and climbing on a stool to change the light bulb. Thirty-four.
Although the filming was very hard, Ma Yili couldn't hide her excitement when the final film was released, saying that Wong Kar-wai had captured her most beautiful look."He is a director who loves actors very much. He will constantly get to know the actors through the working process and discover the beautiful points in the actors, even the points that other directors have never seen. Then he will ask the screenwriter teacher to modify the script and give it to the actors. More display space."
Ma Yili said with a smile that Wong Kar-wai often said on the set, "If you don't act well, I'll cut it for you." So the whole crew tried their best to perform every scene well. "Everyone should be able to see the changes in our faces over time, not in terms of whether there are wrinkles, but in the changes in the eyes - the eyes three years ago were very confused, but the eyes three years later are mature, which is in line with the process of life."
(The picture is the public release material of "Fanhua")
(Source: Jimu News)
