The Year of the Dragon is approaching, and the topic of "Spring Festival Gala" has once again become the focus of heated discussions among netizens.
We can vaguely feel that the current direction of the trend has changed a lot.
Since the first Spring Festival Gala in 1983, this special "New Year's Eve dinner" that has accompanied us Chinese people has gone through ups and downs for 40 years.
40 years ago, Chinese people gathered in front of the TV to watch the Spring Festival Gala.
The TV screen is black and white, but the programs inside are colorful.
20 years ago, the Spring Festival Gala reached its peak and completely conquered the hearts of the Chinese people.
We all watched the Spring Festival Gala together and chatted while watching. It has become a new ritual for the family to reunite during the New Year.
10 years ago, as the older generation of comedians retired, the Spring Festival Gala began to face the crisis of being "unsightly".
At that time, most people still regarded it as a New Year's Eve BGM, focusing on an atmosphere to accompany it.
However, in the past few years, many people have not only been too lazy to watch the Spring Festival Gala, they have even lost the interest to complain about the Spring Festival Gala.
’s short video contains several Spring Festival Gala dance highlights, which seems to be the greatest support for the Spring Festival Gala.
Even, in some small circles, the distorted buzzword "Are you still watching the Spring Festival Gala" has appeared.
Everyone is asking, what happened to the Spring Festival Gala that once dominated the world?
Today, Brother Pi might as well use the topic of "Year of the Dragon Spring Festival Gala" to talk about the Spring Festival Gala with everyone, and then see how to arrange this year's Spring Festival Gala to make it beautiful.
01,
The beautiful nature of the past "Spring Festival Gala".
You may have complained about the Spring Festival Gala countless times, but as long as you close your eyes, countless classic scenes will still pop up in your mind.
Chen Peisi and Zhu Shimao's sketch "Eating Noodles", Feng Gong and Niu Qun's "Idea Company".
Zhao Lirong's voice and smile, the "Iron Triangle" composed of Zhao Benshan, Fan Wei and Gao Xiumin, "Meet 98" sung by Faye Wong and Na Ying...
Memories of the Spring Festival Gala are flooding in, and these classics will last forever.
But if we put aside the filter of memories and re-examine that era, we will find some clues.
The Spring Festival Gala was born in 1983, which happened to be the early stage of reform and opening up.
China has always been in a state of cultural imprisonment and is in urgent need of an all-round release.
In the 1994 Spring Festival Gala, director Huang Yihe took the risk to let Chen Peisi and Zhu Shimao perform "Eating Noodles". The program
was first previewed in the cafeteria of the State Sports General Administration, and the audience burst into laughter.
As a result, the people in the Spring Festival Gala preparation team were in trouble.
Is it appropriate to make everyone so happy at the Spring Festival Gala?
It is difficult for viewers now to understand the concerns at that time, but after more than ten years of tension at that time, relaxing and laughing became a very luxurious thing.
Until the "News Network" had finished broadcasting on New Year's Eve, everyone was still hesitant to let Chen Peisi and Zhu Shimao attend the Spring Festival Gala.
In the end, director Huang Yihe made the final decision: Come on, I will take the responsibility if anything happens!
That night, "Eating Noodles" caused a sensation across the country when it was broadcast. This program is also considered to be the first program of sketches.
Behind Chen Peisi making the audience laugh, it is a relief that people in this country have been tense for more than ten years.
When preparing for the third Spring Festival Gala in 1985, director Huang Yihe thought that the previous two Spring Festival Galas were held in small venues in indoor studios, so this time it would be a big one.
He directly moved the Spring Festival Gala to the Workers' Stadium, but at that time, the entire country had no experience in holding large-scale evening parties outdoors.
The 1985 Spring Festival Gala was held in the cold winter wind of Beijing.
The actors were shivering from the cold, and the audience was frightened. It is conceivable that the broadcast effect was a mess.
Afterwards, CCTV apologized to the audience through "News Network", and director Huang Yihe also bluntly said that he "didn't want to live anymore."
Huang Yihe’s speech also tells us that in that era, hosting the Spring Festival Gala successfully was a hard task. Under such high pressure, the Spring Festival Gala must be beautiful.
From these two aspects, it is not difficult for us to find out.
First, rather than saying that the past Spring Festival Gala was good-looking, it is better to say that in the early days of reform and opening up, the literary and art circles had accumulated nearly 20 years of inventory and needed a window to release it.
At that time, it was not just the Spring Festival Gala, but also movies, literature, TV series and other art forms.
This is the renaissance brought about by years of imprisonment, which cannot be copied.
The literary and art circles use 20 years of inventory to transfuse blood into the Spring Festival Gala once a year. The final work that
presents to the audience must be the best of the best. It’s hard to think whether it will look good or not.
Secondly, in the past, Chinese people lived in a long-term depressed atmosphere, and laughing out loud has become a necessity of the times.
However, it is impossible for the above to publish a document telling everyone that happiness is guilt-free, so just laugh out loud.
Then, the Spring Festival Gala serves as a bellwether, telling everyone that a new era has arrived.
Therefore, in the past, it was not that the Spring Festival Gala was good-looking and everyone laughed. It was people who needed to laugh that made the Spring Festival Gala good-looking.
02,
The turning point of the "Second Phase"
Spring Festival Gala was earlier than what we actually saw.
On the Spring Festival Gala stage, Jiang Kun once left a classic such as "Dream in the Tiger's Mouth". Behind it was the screenwriter Liang Zuo, and such great masters participated in the creation together.
Later Liang Zuo passed away, and the quality of Jiang Kun's works gradually declined.
Chen Peisi and Zhu Shimao, the pioneers of the Spring Festival Gala sketches, are true masters of comedy.
They later tried various new types of comedy, such as the fusion of magic and sketches, but the results were mediocre.
Feng Gong and Niu Qun are also golden partners in the Spring Festival Gala, and have collaborated on many classic satirical sketches.
But after 2000, Niu Qun became the county magistrate.
Feng Gong later collaborated with Guo Donglin for a short period of time, and later began to bring in new people. Although the quality of
's works has declined, the phrase "I miss you so much" still sounds very kind.
Zhao Lirong passed away in 2000. The queen of sketches has since fallen, and Zhao Benshan has taken over this responsibility.
Zhao Benshan is recognized as the king of sketches. He has appeared in the Spring Festival Gala 21 times and won the first prize 15 times. He is the highest mountain and the longest river.
It is no exaggeration to say that when Zhao Benshan was at his peak, people all over the country were watching the Spring Festival Gala and waiting for him to appear. As soon as he performed, the sound of firecrackers all over China was muted.
But even at his peak, Zhao was showing signs of fatigue. The most typical example of
is the trilogy of trafficking in human beings.
This series made everyone laugh so hard that their stomachs ached.
However, this kind of skit takes a liar as the protagonist and allows the liar to succeed. Now, netizens label it as having bad views.
Of course, the biggest drawback is the setting of the punchline.
Zhao Benshan uses a lot of rhyming tongue twisters and some brain teasers, such as "a monkey riding on a tree" as a punchline.
This kind of laughter is independent of the plot. In Chen Peisi's words, it is "extraordinary".
When the main plot cannot provide jokes, the easiest way is to "add extraneous details".
In sharp contrast is Chen Peisi's "Protagonist and Supporting Role". All the jokes in
serve the main plot. The jokes generated by structural design are high-end jokes.
You see, even Zhao Benshan, the number one performer in the Spring Festival Gala, frequently uses clever tricks to amuse the audience. The decline of the Spring Festival Gala actually started 20 years ago.
2009's "Not Short of Money" is considered to be Zhao Benshan's final pinnacle work, but there are also many opportunistic parts in this sketch.
"This can happen." "This really doesn't happen!"
This joke is generated through plot conflicts, and it is an advanced joke.
"As soon as you open and close your eyes, this life has passed."
This joke is a joke caused by "extraordinary circumstances".
The plot structure of "Not Short of Money" is loose, and it relies more on piecing together things to make the audience laugh. The laugh effect is excellent, but it is already at the end of its strength.
, Zhao Benshan’s sketches show two contradictory lines.
While he was attending the local Spring Festival Gala, his sketches were still very funny, and Uncle Benshan could completely let go. Sometimes he would laugh out loud during the performance, and the audience would be even happier watching it.
On the other hand, he was still on the CCTV Spring Festival Gala, but the quality of his sketches was greatly reduced, and he became more and more cramped.
This also shows that the creative standards of the Spring Festival Gala are constantly tightening, and even Zhao Benshan is increasingly unable to control such a stage.
In the 2021 Spring Festival Gala skit "My Deskmate", he joked to himself:
"Pull him down, forget about him, I don't like to see him the most. He comes out every year, he is quite big-faced."
The result is true to his words. .
In 2012, Zhao Benshan encountered difficulties in producing his work.
First, "The First Snow" was killed, and the urgent replacement "Blind Date 2" also received poor response during several rehearsals.
Subsequently, Benshan Media announced that Zhao Benshan had withdrawn from this CCTV Spring Festival Gala due to his physical inability to support it.
In 2013, Zhao Benshan once again missed the CCTV Spring Festival Gala.
All viewers know it tacitly -
Zhao Benshan's CCTV Spring Festival Gala era is completely a thing of the past.
In 2014, Shen Teng and Ma Li's "To Help or Not to Help" was considered to be the last glory of the sketch era. In fact, this sketch was also directed by Zhao Benshan. Many people lamented that there was no successor to Zhao Benshan.
It is a pity that the movie "Charlotte" was a box office hit. Shen Teng did not want to be the next Zhao Benshan, but wanted to be the next Stephen Chow, so his career focus was also on movies.
The decline of the Spring Festival Gala is certainly sad.
But after rational analysis, we can find that it is just a product of a special period and has returned to the essence of a large-scale party. Although
is not as beautiful, it still has its highlights.
03,
The Spring Festival Gala really aroused widespread public discussion in 2016. There are two iconic events in
.
first thing.
It was the Spring Festival Gala of the Year of the Monkey, and everyone unanimously called on children under the age of six to attend the Spring Festival Gala and play the role of Sun Wukong again.
Finally, six-year-old children appeared at the Liaoning Spring Festival Gala, and the "Golden Monkeys in Spring" aroused the feelings of a generation.
The second thing.
In February 2016, Yan Su passed away, the old man who wrote "Dare to Ask Where Is the Way".
Although the old man is old and has a high position, he is very down-to-earth, has a young mentality, and his writing style is very light.
We can often see him chatting and laughing at the judges' table in "Avenue of Stars". He has a general idea of the trends that young people like.
Yan Su is the chief planner and chief reviewer of the Spring Festival Gala and other important evening parties every year.
With people like them, the Spring Festival Gala can often find a balance between the main theme and family fun. Although the overall style will be mediocre, there are many highlights.
With the departure of a group of old artists such as Yan Su, the Spring Festival Gala has also completed its renewal.
The newcomers try their best to attract the younger generation and integrate new things, but they mostly adopt conservative strategies in terms of program content.
So, after 2016, the Spring Festival Gala began to become familiar and strange at the same time. The sketch performance of
in recent years is the epitome of this change.
For example: a couple quarreled over a trending video and finally reconciled.
Another example: A couple met for divorce, but ended up reminiscing about old things in a photo studio and finally reconciled.
When Zhang Kaili nakedly said that "singles are dogs", when Jia Ling staged fights between mother-in-law and daughter-in-law year after year, when different people couldn't rush home to eat dumplings for some strange reasons.
What the audience felt was not a moment of relaxation, but a buzzing noise like flies.
The formula of opening jingle + making bad internet jokes in the middle + forcibly creating a misunderstanding + making up without any accident + exporting values + making dumplings together has become a sketch creation template. The Year of the Dragon is approaching, and the topic of "Spring Festival Gala" has once again become the focus of heated discussions among netizens. We can vaguely feel that the current direction of the trend has changed a lot. Since the first Spring Festival Gala in 1983, this special "New Year's Eve dinner" that has accompanied us Chinese people has gone through ups and downs for 40 years. 40 years ago, Chinese people gathered in front of the TV to watch the Spring Festival Gala. The TV screen is black and white, but the programs inside are colorful. 20 years ago, the Spring Festival Gala reached its peak and completely conquered the hearts of the Chinese people. We all watched the Spring Festival Gala together and chatted while watching. It has become a new ritual for the family to reunite during the New Year. 10 years ago, as the older generation of comedians retired, the Spring Festival Gala began to face the crisis of being "unsightly". At that time, most people still regarded it as a New Year's Eve BGM, focusing on an atmosphere to accompany it. However, in the past few years, many people have not only been too lazy to watch the Spring Festival Gala, they have even lost the interest to complain about the Spring Festival Gala. ’s short video contains several Spring Festival Gala dance highlights, which seems to be the greatest support for the Spring Festival Gala. Even, in some small circles, the distorted buzzword "Are you still watching the Spring Festival Gala" has appeared. Everyone is asking, what happened to the Spring Festival Gala that once dominated the world? Today, Brother Pi might as well use the topic of "Year of the Dragon Spring Festival Gala" to talk about the Spring Festival Gala with everyone, and then see how to arrange this year's Spring Festival Gala to make it beautiful. 01, The beautiful nature of the past "Spring Festival Gala". You may have complained about the Spring Festival Gala countless times, but as long as you close your eyes, countless classic scenes will still pop up in your mind. Chen Peisi and Zhu Shimao's sketch "Eating Noodles", Feng Gong and Niu Qun's "Idea Company". Zhao Lirong's voice and smile, the "Iron Triangle" composed of Zhao Benshan, Fan Wei and Gao Xiumin, "Meet 98" sung by Faye Wong and Na Ying... Memories of the Spring Festival Gala are flooding in, and these classics will last forever. But if we put aside the filter of memories and re-examine that era, we will find some clues. The Spring Festival Gala was born in 1983, which happened to be the early stage of reform and opening up. China has always been in a state of cultural imprisonment and is in urgent need of an all-round release. In the 1994 Spring Festival Gala, director Huang Yihe took the risk to let Chen Peisi and Zhu Shimao perform "Eating Noodles". The program was first previewed in the cafeteria of the State Sports General Administration, and the audience burst into laughter. As a result, the people in the Spring Festival Gala preparation team were in trouble. Is it appropriate to make everyone so happy at the Spring Festival Gala? It is difficult for viewers now to understand the concerns at that time, but after more than ten years of tension at that time, relaxing and laughing became a very luxurious thing. Until the "News Network" had finished broadcasting on New Year's Eve, everyone was still hesitant to let Chen Peisi and Zhu Shimao attend the Spring Festival Gala. In the end, director Huang Yihe made the final decision: Come on, I will take the responsibility if anything happens! That night, "Eating Noodles" caused a sensation across the country when it was broadcast. This program is also considered to be the first program of sketches. Behind Chen Peisi making the audience laugh, it is a relief that people in this country have been tense for more than ten years. When preparing for the third Spring Festival Gala in 1985, director Huang Yihe thought that the previous two Spring Festival Galas were held in small venues in indoor studios, so this time it would be a big one. He directly moved the Spring Festival Gala to the Workers' Stadium, but at that time, the entire country had no experience in holding large-scale evening parties outdoors. The 1985 Spring Festival Gala was held in the cold winter wind of Beijing. The actors were shivering from the cold, and the audience was frightened. It is conceivable that the broadcast effect was a mess. Afterwards, CCTV apologized to the audience through "News Network", and director Huang Yihe also bluntly said that he "didn't want to live anymore." Huang Yihe’s speech also tells us that in that era, hosting the Spring Festival Gala successfully was a hard task. Under such high pressure, the Spring Festival Gala must be beautiful. From these two aspects, it is not difficult for us to find out. First, rather than saying that the past Spring Festival Gala was good-looking, it is better to say that in the early days of reform and opening up, the literary and art circles had accumulated nearly 20 years of inventory and needed a window to release it. At that time, it was not just the Spring Festival Gala, but also movies, literature, TV series and other art forms. This is the renaissance brought about by years of imprisonment, which cannot be copied. The literary and art circles use 20 years of inventory to transfuse blood into the Spring Festival Gala once a year. The final work that presents to the audience must be the best of the best. It’s hard to think whether it will look good or not. Secondly, in the past, Chinese people lived in a long-term depressed atmosphere, and laughing out loud has become a necessity of the times. However, it is impossible for the above to publish a document telling everyone that happiness is guilt-free, so just laugh out loud. Then, the Spring Festival Gala serves as a bellwether, telling everyone that a new era has arrived. Therefore, in the past, it was not that the Spring Festival Gala was good-looking and everyone laughed. It was people who needed to laugh that made the Spring Festival Gala good-looking. 02, The turning point of the "Second Phase" Spring Festival Gala was earlier than what we actually saw. On the Spring Festival Gala stage, Jiang Kun once left a classic such as "Dream in the Tiger's Mouth". Behind it was the screenwriter Liang Zuo, and such great masters participated in the creation together. Later Liang Zuo passed away, and the quality of Jiang Kun's works gradually declined. Chen Peisi and Zhu Shimao, the pioneers of the Spring Festival Gala sketches, are true masters of comedy. They later tried various new types of comedy, such as the fusion of magic and sketches, but the results were mediocre.
Feng Gong and Niu Qun are also golden partners in the Spring Festival Gala, and have collaborated on many classic satirical sketches.
But after 2000, Niu Qun became the county magistrate.
Feng Gong later collaborated with Guo Donglin for a short period of time, and later began to bring in new people. Although the quality of
's works has declined, the phrase "I miss you so much" still sounds very kind.
Zhao Lirong passed away in 2000. The queen of sketches has since fallen, and Zhao Benshan has taken over this responsibility.
Zhao Benshan is recognized as the king of sketches. He has appeared in the Spring Festival Gala 21 times and won the first prize 15 times. He is the highest mountain and the longest river.
It is no exaggeration to say that when Zhao Benshan was at his peak, people all over the country were watching the Spring Festival Gala and waiting for him to appear. As soon as he performed, the sound of firecrackers all over China was muted.
But even at his peak, Zhao was showing signs of fatigue. The most typical example of
is the trilogy of trafficking in human beings.
This series made everyone laugh so hard that their stomachs ached.
However, this kind of skit takes a liar as the protagonist and allows the liar to succeed. Now, netizens label it as having bad views.
Of course, the biggest drawback is the setting of the punchline.
Zhao Benshan uses a lot of rhyming tongue twisters and some brain teasers, such as "a monkey riding on a tree" as a punchline.
This kind of laughter is independent of the plot. In Chen Peisi's words, it is "extraordinary".
When the main plot cannot provide jokes, the easiest way is to "add extraneous details".
In sharp contrast is Chen Peisi's "Protagonist and Supporting Role". All the jokes in
serve the main plot. The jokes generated by structural design are high-end jokes.
You see, even Zhao Benshan, the number one performer in the Spring Festival Gala, frequently uses clever tricks to amuse the audience. The decline of the Spring Festival Gala actually started 20 years ago.
2009's "Not Short of Money" is considered to be Zhao Benshan's final pinnacle work, but there are also many opportunistic parts in this sketch.
"This can happen." "This really doesn't happen!"
This joke is generated through plot conflicts, and it is an advanced joke.
"As soon as you open and close your eyes, this life has passed."
This joke is a joke caused by "extraordinary circumstances".
The plot structure of "Not Short of Money" is loose, and it relies more on piecing together things to make the audience laugh. The laugh effect is excellent, but it is already at the end of its strength.
, Zhao Benshan’s sketches show two contradictory lines.
While he was attending the local Spring Festival Gala, his sketches were still very funny, and Uncle Benshan could completely let go. Sometimes he would laugh out loud during the performance, and the audience would be even happier watching it.
On the other hand, he was still on the CCTV Spring Festival Gala, but the quality of his sketches was greatly reduced, and he became more and more cramped.
This also shows that the creative standards of the Spring Festival Gala are constantly tightening, and even Zhao Benshan is increasingly unable to control such a stage.
In the 2021 Spring Festival Gala skit "My Deskmate", he joked to himself:
"Pull him down, forget about him, I don't like to see him the most. He comes out every year, he is quite big-faced."
The result is true to his words. .
In 2012, Zhao Benshan encountered difficulties in producing his work.
First, "The First Snow" was killed, and the urgent replacement "Blind Date 2" also received poor response during several rehearsals.
Subsequently, Benshan Media announced that Zhao Benshan had withdrawn from this CCTV Spring Festival Gala due to his physical inability to support it.
In 2013, Zhao Benshan once again missed the CCTV Spring Festival Gala.
All viewers know it tacitly -
Zhao Benshan's CCTV Spring Festival Gala era is completely a thing of the past.
In 2014, Shen Teng and Ma Li's "To Help or Not to Help" was considered to be the last glory of the sketch era. In fact, this sketch was also directed by Zhao Benshan. Many people lamented that there was no successor to Zhao Benshan.
It is a pity that the movie "Charlotte" was a box office hit. Shen Teng did not want to be the next Zhao Benshan, but wanted to be the next Stephen Chow, so his career focus was also on movies.
The decline of the Spring Festival Gala is certainly sad.
But after rational analysis, we can find that it is just a product of a special period and has returned to the essence of a large-scale party. Although
is not as beautiful, it still has its highlights.
03,
The Spring Festival Gala really aroused widespread public discussion in 2016. There are two iconic events in
.
first thing.
It was the Spring Festival Gala of the Year of the Monkey, and everyone unanimously called on children under the age of six to attend the Spring Festival Gala and play the role of Sun Wukong again.
Finally, six-year-old children appeared at the Liaoning Spring Festival Gala, and the "Golden Monkeys in Spring" aroused the feelings of a generation.
The second thing.
In February 2016, Yan Su passed away, the old man who wrote "Dare to Ask Where Is the Way".
Although the old man is old and has a high position, he is very down-to-earth, has a young mentality, and his writing style is very light.
We can often see him chatting and laughing at the judges' table in "Avenue of Stars". He has a general idea of the trends that young people like.
Yan Su is the chief planner and chief reviewer of the Spring Festival Gala and other important evening parties every year.
With people like them, the Spring Festival Gala can often find a balance between the main theme and family fun. Although the overall style will be mediocre, there are many highlights.
With the departure of a group of old artists such as Yan Su, the Spring Festival Gala has also completed its renewal.
The newcomers try their best to attract the younger generation and integrate new things, but they mostly adopt conservative strategies in terms of program content.
So, after 2016, the Spring Festival Gala began to become familiar and strange at the same time. The sketch performance of
in recent years is the epitome of this change.
For example: a couple quarreled over a trending video and finally reconciled.
Another example: A couple met for divorce, but ended up reminiscing about old things in a photo studio and finally reconciled.
When Zhang Kaili nakedly said that "singles are dogs", when Jia Ling staged fights between mother-in-law and daughter-in-law year after year, when different people couldn't rush home to eat dumplings for some strange reasons.
What the audience felt was not a moment of relaxation, but a buzzing noise like flies.
The formula of opening jingle + making bad internet jokes in the middle + forcibly creating a misunderstanding + making up without any accident + exporting values + making dumplings together has become a sketch creation template.
I think back then, the Spring Festival Gala was a buzzword-making machine, but now, the Spring Festival Gala has become a jukebox for Internet memes.
This huge gap is surprising.
Brother Pi boldly predicted that this year’s Spring Festival Gala would see memes like “Zundu Fake Toot”. I can even imagine what Cai Ming looked like when he said this joke.
04,
What are you watching in today’s “Spring Festival Gala”? How to arrange the Spring Festival Gala of the Year of the Dragon so that the whole house is full of joy? 3 suggestions
After briefly sorting out the development of the Spring Festival Gala, it is not difficult to prescribe a prescription for the current Spring Festival Gala.
The first thing we have to do is not to think about how to arrange the Spring Festival Gala beautifully, but to loosen the strings of the Spring Festival Gala.
In the past, people lacked entertainment activities and pinned all their spiritual and cultural pursuits on the annual Spring Festival Gala. The more exciting the Spring Festival Gala, the more it reflected the poverty of spiritual life.
Now everyone has a rich spiritual life. We can wear new clothes every day, go out to restaurants, and watch movies and performances that are a hundred times funnier than the Spring Festival Gala at any time.
Therefore, the Spring Festival Gala is not good to watch, but it is actually a sign of the progress of the times.
After understanding this, we also understand what we are watching when we watch the Spring Festival Gala.
In this era, watching the "Spring Festival Gala" is choosing a kind of companionship.
You have worked hard for a year and dragged your tired body back to your hometown. The Spring Festival Gala is playing on TV, and you instantly find the whole meaning of going home;
On New Year's Eve, your family of four played mahjong all night without looking up the whole time. A glance at the Spring Festival Gala, but laughter and laughter come from the TV from time to time. For a moment, you will feel that it is great to have the Spring Festival Gala;
During the New Year and the holidays, you go to a relative's house, and after a while of greetings, the two sides become speechless. This The TV station was rebroadcasting the Spring Festival Gala, and you suddenly found a common topic and made jokes to get through the embarrassing time; time.
These are the whole meaning of the Spring Festival Gala, nothing more.
Only after the Spring Festival Gala was loosened, we had the possibility to arrange the Spring Festival Gala beautifully.
If possible, how should we do the Spring Festival Gala? Brother Pi has three suggestions:
One, you don’t have to laugh, but don’t make us cry.
Xiao Shenyang said that the reason why he stopped acting in sketches was that he couldn't stand the "happy beginning and tragic ending".
The creators of the Spring Festival Gala sketches seem to regard "the core of comedy is tragedy" as a golden rule. They don't study the laughter carefully and insist on making the audience cry.
Only when the audience cries, this is a high-level comedy.
This is actually contrary to the joyful atmosphere of the New Year. Everyone has worked hard for a year and finally got together to be happy and happy. Who wants to cry and look sad?
Second, you can be boring, but don’t preach.
As the saying goes, the Spring Festival Gala program team especially likes to educate people, and often includes private information in their sketches, which makes everyone bored.
In fact, Zhao Benshan has told the truth a long time ago:
"That work of yours cannot educate people. We have gone through the process of education 365 days a year. Is it useful for you to educate him just this night? Just make him happy. Happiness is Theme, nothing else."
Now that Zhao Benshan has retired, it is really difficult for you to make everyone laugh at the late comers, so just play the role of your own BGM and honestly create a lively atmosphere. Stop teaching everyone on New Year's Eve. .
Third, you can mix and match, but don’t overwhelm the guest.
The current Spring Festival Gala skits especially like to use some celebrities, with the purpose of narrowing the distance between them and young audiences. The starting point is good, but it is a bit overwhelming.
For example, Ma Dong was the chief director of the Spring Festival Gala sketches before, but later he went out on his own and created the "Annual Comedy Competition". The sketches in the show were a new form of sketches. Many waist actors were also praised by the audience because of this show. see.
However, these actors are so busy with their work that only a few of them can appear on the Spring Festival Gala. It is also difficult for sketches to appear on the Spring Festival Gala stage.
are actually some big-name celebrities who can easily make guest appearances in Spring Festival Gala skits.
What is supposed to come does not come, and what is not supposed to come takes the place and refuses to leave. The difficulty of the Spring Festival Gala will inevitably increase sharply.
In the past, because of performing arts giants such as Ma Ji, Chen Peisi, and Zhao Benshan, we were used to using "laughter" to define the success of the Spring Festival Gala;
Now, when the older generation of artists have gone away, we can let go of our obsessions and give the Spring Festival Gala a feast for the eyes with a hundred flowers blooming. New energy.
There is only more than a month left for the 2024 Spring Festival Gala, and the current audience has been disenchanted with the Spring Festival Gala.
As long as the Spring Festival Gala can grasp the different performance formats, create a festive atmosphere, and tell people's stories in a down-to-earth manner, the final presentation will definitely win the house.
is, the whole journey is more than 4 hours, I would rather stand and watch it all the way through.
This year’s Spring Festival Gala of the Year of the Dragon, is it changing? We will wait and see...
Text/Pippi Film Editorial Department: Yi Li Ji
© Original丨Article Copyright: Pippi Film (ppdianying)
Please do not reproduce in any form without authorization
are actually some big-name celebrities who can easily make guest appearances in Spring Festival Gala skits.
What is supposed to come does not come, and what is not supposed to come takes the place and refuses to leave. The difficulty of the Spring Festival Gala will inevitably increase sharply.
In the past, because of performing arts giants such as Ma Ji, Chen Peisi, and Zhao Benshan, we were used to using "laughter" to define the success of the Spring Festival Gala;
Now, when the older generation of artists have gone away, we can let go of our obsessions and give the Spring Festival Gala a feast for the eyes with a hundred flowers blooming. New energy.
There is only more than a month left for the 2024 Spring Festival Gala, and the current audience has been disenchanted with the Spring Festival Gala.
As long as the Spring Festival Gala can grasp the different performance formats, create a festive atmosphere, and tell people's stories in a down-to-earth manner, the final presentation will definitely win the house.
is, the whole journey is more than 4 hours, I would rather stand and watch it all the way through.
This year’s Spring Festival Gala of the Year of the Dragon, is it changing? We will wait and see...
Text/Pippi Film Editorial Department: Yi Li Ji
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