Who would have thought that this summer vacation would be wrapped up by Chen Sicheng and Wang Baoqiang, a pair of evil CPs.
"She Who Disappeared" produced by Chen Sicheng has already sold 3.2 billion, and "In the Octagonal Cage" directed by Wang Baoqiang has also sold 1.2 billion, punching Marvel and kicking DC. Also far behind.
The key is that there is no gunpowder in this box office war, only touching brotherhood. They exchanged love letters on Weibo and called each other offline.
Wang Baoqiang's movie announcements have always been linked to Chen Sicheng, and Chen Sicheng has also saved a lot of popularity because of Wang Baoqiang. After all, a scumbag is like him, but he is the only one who has given his sincerity to Wang Baoqiang.
The audience licked their lives and died #吃点好吧#, they harvested the box office beautifully;
Let me say that the best is the director of "Soldier Assault", Kang Honglei.
It is said that Chen Sicheng wanted to play Xu Sanduo back then, but Kang Honglei felt that he was more suitable for the sophisticated and tactful role of Chengcai, so Wang Baoqiang played the upright and stubborn Xu Sanduo.
Seventeen years later, the movies made by these two people are just like the personalities of the characters.
Chen Sicheng is still so "smart", pretending to be a feminist and filming a girl help girls movie, which is also full of suspense, novelty, and adaptation of real events. will be cheated by men."
Wang Baoqiang is still so "simply and honest", and the filming is pure. He plays Xiang Tenghui like "middle-aged Xu Sanduo".
Chen Sicheng said that what he pursues is the ultimate sense, while Wang Baoqiang focuses on truthfulness, and the two go to two extremes. It is obvious that Wang Baoqiang's sincerity is more popular, but I didn't expect that Wang Baoqiang even beat Chen Sicheng in all aspects of aesthetics.
Look at the script first.
is different from the "Tang Detective" and "Manslaughter" series. Chen Sicheng's original intention of making "The Disappeared She" was to make an "extreme, single-type movie", but it is still his narcissistic, exaggerated, and contrived style. #毛jian叫得字字珍珍#
There is a prototype "The Case of Pregnant Woman Falling off a Cliff in Thailand", and she also bought the copyright of the former Soviet film, but "The Disappearing She" has nothing to do with them. It is a fusion of various cool spots. Terriers.
The gambler He Fei killed his Bai Fumei wife Li Muzi in a pretense, pretended that she was missing and called the police, and in turn was forced to find out the truth by his wife's best friend Chen Mai in a big drama.
Chen Sicheng just put on a feminist shell, in fact, there is almost no starting from the perspective of women #级级往得很很很#.
We don't know why Li Muzi loves He Fei so much?
I don't know why Wen Yongshan, who played a fake wife, paid such a high price to help Chen Mai, and even voluntarily got burnt with a scar like Li Muzi. The only reason was her last light "I'm sorry, I hate the most He is a scumbag."
And this cigarette butt scald is a real experience that Chen Sicheng was proud of back then;
In fact, Chen Sicheng has already said that the most complicated character in the movie is the role of the scumbag He Fei, gentle, down-and-out, Anxious, crazy... "The actor is very happy to meet this role. If I am not old, I would like to play such a good role myself."
On the other hand, Wang Baoqiang has filmed vulgar and embarrassing "Havoc in Tianzhu", but the word-of-mouth collapsed, people accepted it humbly, respected the film, and personally went to receive the "Most Disappointing Director" of the Golden Broom Award. He vowed to make a good movie.
finally spent a long time choosing this story adapted from a real event, because it is also closely related to his own experience and can best express himself.
Wang Baoqiang in 2017 has just experienced the pain of marriage and has not yet come out of the shadows. He pinned his emotions on the film: "I want to film a down-and-out middle-aged man who leads a group of unruly wild children to make a living and live a personal life."
just created the script for 3 years, changed many screenwriters, adjusted many directions, and finally set the tone of realism. During the period of
, he rejected many jobs, and the only project he was interested in was "Into the Dust and Smoke", which is a pity Wang Baoqiang, who had to be filmed three times and spanned at least three seasons, had already been deeply polishing the story of "In the Octagonal Cage", rejected the invitation.
didn't make any money, so he had to borrow money, and the loan was put in.
It's an opportunistic trick , a desperation, no wonder the public loves the baby even more.
Watch the performance again.
In order to be more extreme, Chen Sicheng continued to bring his exaggerated and greasy style to every actor, "I have been making them more 'living' ".
Many people said that Janice Man acted well. In fact, her performance in Hong Kong popular + contrived was the most impressive. It was really exaggerated.
Do you still remember the scene where she and Ni Ni met for the first time? He pretended to brush his hands and stroked his hair.
This action was personally directed by Chen Sicheng! You really deserve to be a dry-skinned mother! I won’t do too much”, Chen Sicheng said, “I just need the energy of this work”.
and the scene at the beach restaurant, Zhu Yilong was driven crazy by Wen Yongshan, and the two had to test each other in a pretentious way In the stage performance, Wen Yongshan sat on Zhu Yilong's lap while spinning, all directed by Chen Sicheng.
Zhu Yilong's extreme state of madness was also requested by Chen Sicheng.
Originally, Zhu Yilong was worried that complex roles + strong drama would become very complicated Catch the horse, but Chen Sicheng told him, don't care about acting "over".
"You will see some extreme social events every day. Life is always more over the top and more absurd than drama. What matters is how you use the show to control the runaway. "#感感这会会成为actors responding to the exaggerated formula of performances#
Chen Sicheng doesn't even let the group perform;
But obviously, Chen Sicheng's guidance stays on the most superficial expressions and movements, rather than guiding the actors to produce Natural reaction, so the whole film is a MV-style performance that is oily and done.
For Wang Baoqiang, he pursued simplicity and original ecology from the beginning of casting. Those children took him a long time, from one mountain to the other to the west I found it on the top of the mountain.
What he wants is truth, and he can’t see that the children’s performance is a performance. The innocent eyes of the children in the original ecology are indeed very impactful on the big screen.
Wang Baoqiang is an encouraging education for children ;
For older children, what is required is a real feeling.
When filming the first scene, Shi Pengyuan was so nervous that his legs shook, Wang Baoqiang asked him to let go of the burden, and he didn't need to be very good at acting, and turned himself into Su Wood is fine.
A few years ago, Wang Baoqiang joked that when he was on the set, he was most afraid of Chen Sicheng teaching him to act: I told him "don't teach me how to act", because I knew I was better than him.
Hong Kong is true, Wang Baoqiang in "The Octagonal Cage" is much more comfortable than the winking and bluffing appearance required by Chen Sicheng in "Tang Detective".
precipitated the story on Tenghui's face;
finished the script and acting skills, It can be said that Chen Sicheng has done a lot of work on the sense of form, of course, in all aspects of persuasiveness, art, photography, etc. The overall atmosphere and aesthetic style of the
movie were determined by Chen Sicheng, and the ratio of art and light on the scene was adjusted by Chen Sicheng Yes, the two directors are tool people!
How extreme is his form? For example, in the tidbits, he got angry at the prop group and asked that blood not stay from the side of Wen Yongshan's forehead, it must be in the middle.
The first time is obviously more natural, the second time the blood is as thick as thickened;
But Chen Sicheng regards his work on the form as the attitude of the creator, "every framing, every light source , The use of each color has an attitude, this is called a movie, and it is necessary to promote the story on the unity of aesthetics with thinking, instead of just shooting."
So we saw too much audio-visual language, relying on Exaggerated sound effects, abused BGM, and ostentatious shots to arouse emotions.
Wang Baoqiang is good at this point, unlike Chen Sicheng who directs various types of work arbitrarily, maybe he knows that he is an "layman" and doesn't understand that well, so he has found a reliable production team, will respect everyone's opinions, and leave professional matters to professionals people control. For
photography, I found Luo Pan who directed "I'm Not Pan Jinlian" and "Old Paoer". In this film
, photography plays a big role. The appropriate use of light, shadow and color tone greatly improves the texture, and the emotions between people are buried in the lens.
Many pictures are very beautiful, you don’t need lines, you can understand;
There is also a montage shot in the middle, Wang Baoqiang is sitting in the car, and a group of singers keep changing their faces on the road, the light and shadow hit Wang Baoqiang’s face, It also implies that he is about to make a different choice.
"In the Octagonal Cage" is more than one rank higher in aesthetics than "The Disappearing She".
especially the ending.
Chen Sicheng added a love egg of a couple walking hand in hand on the beach, sparing no effort to expose their vulgarity, and the last fighting match of "In the Octagonal Cage" turned into a black and white picture, and only after Su Mu won did it turn into color.
Wang Baoqiang said that fighting on behalf of them was their way out, which illuminated them.
But I think, maybe the one who competed in the cage is only carrying the pressure of survival and the hope of his family, so it is black and white. In front of
, Wang Baoqiang did a lot of anti-inspirational treatment. In the end, he won't feel burning when he wins, only cruel.
"Have you ever hit the water? Hold that stone in your hand. No matter how hard you shake it, the stone will sink in the end. This is my fate."
Wang Baoqiang is no longer the incomplete 26 in Chen Sicheng's mouth The simplicity of the letters not only surpasses the aesthetics, but also finds a more advanced expression.
Wang Baoqiang is just like the line in the movie "Live like weeds, be indomitable", in fact, he has long had the obsession to make movies, and he has a heart to do some literature and art.
"Being a director is far from making money as an actor. I let go of those opportunities to make money to do this because it has a different meaning and is a thing that can better reflect my own value."
Filming "Havoc in Tianzhu" Before, he had the intention to steal his lessons—he learned thoughtful character design from Chen Kaige, learned how to solve troubles when filming abroad from Xu Zheng, and learned how to tell a story with a reversal from Chen Sicheng. The failure of
may be because he wanted to stuff too many things for the first time, but he did not give up and continued to learn.
In 2018, I was still reading the director's related books on the show, saying that I didn't understand many things, so I soaked in them for a long time to understand.
Now, he has finally put in his further understanding of movies over the years, full of Xu Sanduo's stubbornness; You and Chen Sicheng are not in the same way.
Forget about being friends, in terms of career, I sincerely advise you to be online!
