is selected as the most successful screen character in China in the first half of 2019, Su Daqiang, shaped by Ni Dahong, will definitely be on the list. Even after the end of the TV series, Ni Dahong's popularity remained high and he won the "Best Actor" award at the Shanghai TV Festival. But for everyone's attention, he didn't think he had changed. "It's nothing more than completing another good character image."
As for why he returned to the stage after "Da Hong", Ni Dahong's answer was that he wanted to avoid the limelight of the role of Su Daqiang.
shy old drama bones
Ni Dahong seems to be fascinated by the shaping of the character image, which is completely different from the path of many celebrities today. Therefore, everyone's impression of Ni Dahong is also a role. He could be Yan Song in "Daming Dynasty 1566", Xie Peidong in "No War in Peking", Sima Yi in the new "Three Kingdoms", and of course Su Daqiang in "Everything Is Good".
Recently, Ni Dahong, as the lead actor, appeared on the scene of the main creation sharing meeting of the drama "Requiem". For fans who like his acting, this is a rare opportunity to meet Ni Dahong. In fact, apart from acting and receiving awards, Ni Dahong rarely shows up in public. It is even more rare to see him talking about himself and acting. The image of
is different from the old drama bones in film and television dramas. On the podium, Ni Dahong looked nervous and uneasy, like a shy child. Whenever the guest host Shi Hang raised a question, Ni Dahong looked around first, then picked up the microphone, a little timidly, intermittently, or even stumbled to express his thoughts.
Actually, Ni Dahong himself said that he "usually is a person who talks very little". "I don't know how I can make my own meaning very clear, so I am not used to it."
pays attention to the character itself
Ni Dahong is really "big red", starting from the TV series "All Very Good" that is broadcast this year. This TV series focusing on family life in contemporary China portrays a family with an incompetent father and a controlling mother.
Ni Dahong plays the selfish, indifferent, incompetent, and cowardly father in the play. Such an uncommon father image in previous dramas was rendered three-dimensionally and vividly by Ni Dahong, and even aroused the audience's anger towards this character. Regarding the characters, Ni Dahong said that he would imagine the real characters in the play. The audience saw Su Daqiang's "work", but Ni Dahong thought he was making noise.
He also talked about his imagination of this character: "I think of this character like this: I make a fuss, I make, and my children can come back to me, no matter where you are, you are also in America. I want to come back. I think this is what an old man would like to see.” As for the performance, in Ni Dahong's own words, it is to pay attention to the character itself, not to deliberately act out how Su Daqiang "made".
For example, the phrase "I want to drink hand-ground coffee" is actually Ni Dahong's improvisation at the scene. Later, this line became a label for the character Su Daqiang, and it was even made into emoticons by netizens.
failed the exam many times.
Because of his low-key appearance, Ni Dahong is more difficult to become famous than others. He himself said that when he was admitted to the Chinese opera, he was admitted many times. "Because I have a crooked neck, and I always shrug my shoulders. I don't feel so upright and my voice is not so loud. I was not very optimistic about doing this at the time. But I really liked it and my family was very supportive. I was going to take the exam. , The family will give me 10 yuan, 15 yuan. Then I go to the examLearning, the result of course is to be rejected again and again. "
In 1982, Ni Dahong was ready to challenge the drama for the last time. At that time, the family had contacted him to work, "If I can't pass the exam, I will return to Harbin Cable Factory to be a worker." As a result, in this year, Ni Dahong was selected. He later recalled that he thought that he might be recruited according to comedians, probably because the teacher felt that he needed such an image as a match.
Ni Dahong, who entered the Chinese opera, wanted to act and became the class monitor, so he often gave it to the students in the dormitories. Turn on the water. As a result, students from other departments really recognized me as a school worker, "didn't treat me as a student." At that time, Ni Dahong, who was "a little worried", also played the role of elders. "It started as a father. Then there was Grandpa, or someone older than Grandpa, lying in bed speechless. "
Performances other than "Facial Palsy"
However, such a role does not limit Ni Dahong's acting skills. The drama "Life and Death" became a key step in Ni Dahong's popularity. In 1999, in the drama "Life and Death" directed by Tian Qinxin, 39 The year-old Ni Dahong starred in "Two Miles and a Half", an ordinary farmer who is resigned and indifferent.
is similar to Su Daqiang, but is also a not very flattering and even annoying role. After Ni Dahong combed the script, he removed the exaggeration in the performance. His movements and tone, “A person who is extremely numb, his emotions shouldn’t have so many ups and downs.” Later, an article described Ni Dahong’s second half of the game-he bowed his waist as soon as he appeared, walked procrastinated, and his eyelids drooped. It was too slow as if time was still on him; but with a single mouth, the lines showed tension and twisting. The next year, Ni Dahong won the Plum Blossom Award and the Wenhua Award in one fell swoop with "Two Miles and a Half".
Years later, Ni Dahong starred in the TV series "Daming Dynasty 1566" as Yan Song, which is another classic image. "Yan Song was in his 80s when he appeared on the stage, and I was 47 when I played him. "
Ni Dahong once recalled a detail when he played Yan Song-"Yan Song enters the palace at night, and people in their 80s go to see the emperor. There will be a round stool and a brazier under the round stool in winter. In this scene, I went there without sitting on a stool, first bent over and slowly lay there to see if there was a brazier. If it does, it's not a big deal. If the brazier is gone, it's a big deal. As soon as the brazier was gone, Yan Song immediately knelt down and took off his hat on a chair.”
Although Ni Dahong’s performances are often referred to as “facial paralysis performances” by netizens, these are not the “facial paralysis”. Abundant body language. "I think good body language will match your performance. Accurate body language can bring out the stipulated situations and relationships between your people here and now, and the amount of information is still very large. "Said Ni Dahong.
thinks that the stage is the temple
. In the upcoming drama "Requiem", Ni Dahong plays a mean old craftsman in the coffin shop. But in the play, this role will be transformed by the death of his wife. ——From indifference to his wife to nostalgia for his wife. In the previous rehearsal open to the media, the reporter noticed that Ni Dahong is still a "facial paralysis" performance style, and the changes in the character's mood are more shown through subtle changes in expression and tone.
Ni Dahong said that when rehearsing the play, he found the feeling of rehearsing drama when he was in school or when he just graduated. He described it as a feeling of "in the rehearsal arena, in order not to affect the creation, you dare not move." "But this feeling is hard to see now, and with mobile phones these thingsBecause of human influence, it is sometimes difficult for actors to bring them into that environment. "
" Director Yair first announced when he arrived: first, the phone must be muted; second, if the rehearsal starts at two o'clock, I hope the actors will arrive at half past one. Ni Dahong said, this kind of regulation allowed him to find "a lot of things that we shouldn't have lost." "If you get there early, you can think about your role in advance, and then you will really enter the performance with a feeling." Hurry into the rehearsal hall and start performing immediately, when you have nothing. "
Ni Dahong said: "This is what I want to pursue." "But immediately he denied it again: "It's not what I want to pursue, I think this is what I should have. "As for why he returned to the drama stage after "Da Hong", Ni Dahong's answer was that he wanted to avoid the limelight of the role of Su Daqiang. "Su Daqiang has dragged everyone here, so what can hold Su Daqiang? I don't know, I think I still go back to play a drama. "
at the "Requiem" sharing session, he gave another reason: "I am also a drama actor, I like the stage, I think the stage is a temple. ”
