When the words "Qiong Yao", "death" and "suicide" are connected together, a talented writer has stopped writing, and a gorgeous life has come to an end. No one could have imagined that the person who accompanied us throughout our youth would exit in such a tragic way.
Many people have mixed opinions about Qiong Yao's drama, and they generally criticize Qiong Yao's three views.
does have many lines in her dramas that express the view of "only love comes first", such as "What you lost was your legs, but what he lost was love" in "Yilian Youmeng".
Another example is "I am not the only man in the world who can be moved by two women" in "Love is Deep and Rainy". There are many more lines like this, but if you think that Aunt Qiong Yao only has Love, that would be really wrong.
Everyone is criticizing the three views of Qiong Yao's dramas, but no one remembers that her works also gave us the power to break away from the confinement of the world.
At that time, many people were questioning why Qiong Yao's drama was so popular despite its incorrect views? This is indeed a bit unbelievable in today's era, but in that era, the "liberation" conveyed in her works was a life-saving solution.
In her works, most women are free, and love is the carrier through which she expresses liberation.
In that self-proclaimed era, the dark clouds of patriarchal imperial power had just dispersed, and women were still influenced by the three obediences and four virtues, with almost no independent thoughts and determination to emancipate.
But Qiong Yao woke up very early. She wanted to use her pen as a weapon to tell girls at that time to have the courage to pursue what they want, to love boldly, to chase passionately, and to live their own lives. .
In her writing, women have broad skies and free souls. In "Huan Zhuge Ge", after Ziwei and Xiao Yanzi became sworn sworn friends, when she heard Jin Suo call her "Miss", Xiao Yanzi said directly: "I can't become a phoenix even if I fly on a branch. A little swallow is just a little swallow."
This kind of thing Being free and self-identified has made Xiao Yanzi the "idol" of many people. No one wants to be imprisoned under one sky all the time. Even ladies want to grow wings of freedom.
And Ziwei will also directly confront her emperor Ama and complain about her mother. She criticized the patriarchy with the sentence "You rejected her personality because you are not worthy of her."
In Qiong Yao's writings, love is nothing worth surrendering to. Everyone's personality is equally precious, and one must have the courage to resist even under the oppression of power. In "Love Is Deep and Rainy", when her father said that she was most like him, Yiping responded directly: "I don't want to be the second you."
In her writing, Yiping is stubborn and aloof, fragile and sensitive, her love is pure and hot, she always knows what she wants, even if she faces Qin Wuye's suppression, she will directly refuse, she He has his own principles and his own personality.
She will not become the second Lu Zhenhua, because she is just herself, just Lu Yiping.
Throughout her works, there are indeed many explosive lines and opinions that make us feel uncomfortable today, but the freedom and liberation she expressed also lit up the sky of many girls.
As for why she takes love as the entry point, this may have something to do with the era of blind marriage and mute marriage.
The idea of marriage first and then love in the novel was like a strange dream at that time. Qiong Yao may want to express more than just love. Those plots of "hitting a big wall for love" are a bit absurd, but what is wrapped in that "true love" is a kind of love. Resistance to the confinement of ethics.
Most of the women of that era were like Yan Ji in "Crescent Moon Princess" and Haozhen's mother in "Plum Blossom Brand". They had nothing but the shell of a lady and the identity of the original wife. They had no way out to resist.
The "true love" created by Qiong Yao is usually the control group of the original wife. Through this comparison, two different lives are created.
Aunt Qiongyao wants to use a love that does not care about the secular world to tell those who are bound by ethics that if they do not resist, they will be abandoned. If they do not resist, they will never have the courage to run away.
Qiong Yao's works were a revelation of women's awakening back then, but they are somewhat shocking now.
Nowadays, many people combine Qiong Yao's own experience with novels, and her love story of "taking three jobs for love" is even used as an arrow to criticize her works, becoming ironclad evidence that her three views on her works are incorrect.
But this is somewhat caused by double standards of sexual morality. Could it be that the criticism of her works is not due to our God’s perspective?
Today’s society is too free. Everyone is free to love, and we are all pursuing it. The liberation revealed in Qiong Yao’s works has become a matter of course.
But even so, we cannot ignore the energy that Qiong Yao’s writing has given to the rise of many girls, and how many people her writing has accompanied through their prime youth.
Aunt Qiong Yao’s Little Swallow has become the spiritual idol of that generation, and even though she has left this world, her works still remain in this world for her. Her works are never dross, but fine chaff.
Today’s women have long risen up under the oppression of male power. The freedom advocated by Aunt Qiong Yao has long since arrived. Today, she has passed away, but the green mountains are still there.
Writing this, I want to say: Thank you Aunt Qiong Yao, no matter what, she will always be a youthful memory that our generation cannot erase.
When the words "Qiong Yao", "death" and "suicide" are connected together, a talented writer has stopped writing, and a gorgeous life has come to an end. No one could have imagined that the person who accompanied us throughout our youth would exit in such a tragic way.
Many people have mixed opinions about Qiong Yao's drama, and they generally criticize Qiong Yao's three views.
does have many lines in her dramas that express the view of "only love comes first", such as "What you lost was your legs, but what he lost was love" in "Yilian Youmeng".
Another example is "I am not the only man in the world who can be moved by two women" in "Love is Deep and Rainy". There are many more lines like this, but if you think that Aunt Qiong Yao only has Love, that would be really wrong.
Everyone is criticizing the three views of Qiong Yao's dramas, but no one remembers that her works also gave us the power to break away from the confinement of the world.
At that time, many people were questioning why Qiong Yao's drama was so popular despite its incorrect views? This is indeed a bit unbelievable in today's era, but in that era, the "liberation" conveyed in her works was a life-saving solution.
In her works, most women are free, and love is the carrier through which she expresses liberation.
In that self-proclaimed era, the dark clouds of patriarchal imperial power had just dispersed, and women were still influenced by the three obediences and four virtues, with almost no independent thoughts and determination to emancipate.
But Qiong Yao woke up very early. She wanted to use her pen as a weapon to tell girls at that time to have the courage to pursue what they want, to love boldly, to chase passionately, and to live their own lives. .
In her writing, women have broad skies and free souls. In "Huan Zhuge Ge", after Ziwei and Xiao Yanzi became sworn sworn friends, when she heard Jin Suo call her "Miss", Xiao Yanzi said directly: "I can't become a phoenix even if I fly on a branch. A little swallow is just a little swallow."
This kind of thing Being free and self-identified has made Xiao Yanzi the "idol" of many people. No one wants to be imprisoned under one sky all the time. Even ladies want to grow wings of freedom.
And Ziwei will also directly confront her emperor Ama and complain about her mother. She criticized the patriarchy with the sentence "You rejected her personality because you are not worthy of her."
In Qiong Yao's writings, love is nothing worth surrendering to. Everyone's personality is equally precious, and one must have the courage to resist even under the oppression of power. In "Love Is Deep and Rainy", when her father said that she was most like him, Yiping responded directly: "I don't want to be the second you."
In her writing, Yiping is stubborn and aloof, fragile and sensitive, her love is pure and hot, she always knows what she wants, even if she faces Qin Wuye's suppression, she will directly refuse, she He has his own principles and his own personality.
She will not become the second Lu Zhenhua, because she is just herself, just Lu Yiping.
Throughout her works, there are indeed many explosive lines and opinions that make us feel uncomfortable today, but the freedom and liberation she expressed also lit up the sky of many girls.
As for why she takes love as the entry point, this may have something to do with the era of blind marriage and mute marriage.
The idea of marriage first and then love in the novel was like a strange dream at that time. Qiong Yao may want to express more than just love. Those plots of "hitting a big wall for love" are a bit absurd, but what is wrapped in that "true love" is a kind of love. Resistance to the confinement of ethics.
Most of the women of that era were like Yan Ji in "Crescent Moon Princess" and Haozhen's mother in "Plum Blossom Brand". They had nothing but the shell of a lady and the identity of the original wife. They had no way out to resist.
The "true love" created by Qiong Yao is usually the control group of the original wife. Through this comparison, two different lives are created.
Aunt Qiongyao wants to use a love that does not care about the secular world to tell those who are bound by ethics that if they do not resist, they will be abandoned. If they do not resist, they will never have the courage to run away.
Qiong Yao's works were a revelation of women's awakening back then, but they are somewhat shocking now.
Nowadays, many people combine Qiong Yao's own experience with novels, and her love story of "taking three jobs for love" is even used as an arrow to criticize her works, becoming ironclad evidence that her three views on her works are incorrect.
But this is somewhat caused by double standards of sexual morality. Could it be that the criticism of her works is not due to our God’s perspective?
Today’s society is too free. Everyone is free to love, and we are all pursuing it. The liberation revealed in Qiong Yao’s works has become a matter of course.
But even so, we cannot ignore the energy that Qiong Yao’s writing has given to the rise of many girls, and how many people her writing has accompanied through their prime youth.
Aunt Qiong Yao’s Little Swallow has become the spiritual idol of that generation, and even though she has left this world, her works still remain in this world for her. Her works are never dross, but fine chaff.
Today’s women have long risen up under the oppression of male power. The freedom advocated by Aunt Qiong Yao has long since arrived. Today, she has passed away, but the green mountains are still there.
Writing this, I want to say: Thank you Aunt Qiong Yao, no matter what, she will always be a youthful memory that our generation cannot erase.
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