"Voices into the Opera - China Central Radio and Television's First Peking Opera Fans Conference" launched by the China Central Radio and Television Station's Literary Program Center has been on the rise since its launch on September 8 and its broadcast on November 15. As of 8:00 on November 16, the cumulative exposure of topics, videos, and articles across the entire network has exceeded 465 million, of which nearly 2.6 million people watched the CCTV live broadcast on the day it was broadcast.
""The Fans Conference" has built a high-quality communication platform for the majority of Peking Opera lovers, making the audience who love opera cheer." As Chen Yongquan, Secretary of the Party Group of the Chinese Drama Association and Vice Chairman of the Association, said, "This opera variety show is a platform for opera. dissemination and promotion of It has opened up a new path, which is a vivid demonstration of the immortal charm of opera art, and will certainly effectively promote the prosperity and development of opera art in the new era. "
"Fan Fans Conference" gives Peking Opera new vitality through an innovative variety show model: the program will be "Peking Opera + Competition". Combining "performance + interaction" to create a unique cultural variety show. A competition mechanism was introduced, with 48 fans vying for 20 classic Peking Opera roles. The final winner will perform on the same stage as Peking Opera masters. This "battle for roles" not only enhances the enjoyment of the program, but also creates a tense competition atmosphere. In the first episode of the program, six fans competed for their favorite roles: Wang Yun and Wang Baochuan in "The Red-maned Horse", Xu Yanzhao in "Second Entering the Palace", Yang Yanhui in "Si Lang Visits His Mother and Meet His Mother", Bai Suzhen in "The Legend of White Snake ", and the matchmaker in " Matchmaker ", etc. This kind of role competition setting not only tests the skills of the fans, but also allows the audience to feel the fans' love and persistence for Peking Opera.
The program is also very innovative in its interactive design. A "public jury" composed of fans scores the performers on site, creating an friendly and fair interactive atmosphere. The audience is no longer just a spectator of the opera, but deeply participates in the program through "immersive scoring" and establishes emotional resonance with the performers. In addition, the mutual evaluation mechanism and "extraordinary decision-making power" among the fans give them the right to speak in the judgment, making Peking Opera no longer just a one-way cultural output, but providing the audience with a deeply interactive emotional experience.
This Fans Conference can be said to be "a great event" in terms of atmosphere creation. "Family Gathering" adds a life-like warmth to the show. The audience can not only enjoy the performances of Peking Opera, but also experience the daily life of Peking Opera through the life stories of the fans. This kind of "human touch" expression brings Peking Opera closer to contemporary life. By presenting group portraits of "fans" from all walks of life, it vividly demonstrates the diverse features of Peking Opera in different professional backgrounds. From subway drivers and sanitation workers to college students and professional painters, they took to the stage with their love for Peking Opera. They gave Peking Opera new vitality with their respective identities and experiences, transcending the boundaries of age and occupation, showing the broad impact of Peking Opera on life. Penetration. In particular, young people from universities such as Peking University and Tsinghua University also participated. Different age groups and rich backgrounds gave the program a fresh perspective.
In the program, the Peking Opera stories of the fans contain the warmth of life. Liu Weixuan from Shaanxi organized her family and neighbors to sing Peking Opera together, and even her young daughter was influenced by it. She started studying in middle school; Fu Hongxia from Xinxiang, Henan, took her family to support her performances all the way, and even used a gas tank to cook on the road. The company of her family made her passion for Peking opera full of family affection; Wang Tao from Dalian integrated legal education propaganda into Peking opera, using The performance popularizes anti-fraud knowledge to the elderly in the community, giving Peking Opera a new social function. For some families, Peking Opera is an emotional bond. Yu Wenxin from of Lanzhou Petrochemical Vocational and Technical University not only teaches Peking Opera in the classroom, but also met his life partner because of Peking Opera.
In terms of stage design, the creative team has worked hard to adopt a 360-degree circular stage, which looks like a blooming flower when viewed from the camera, symbolizing that every fan can bloom on this stage and make their dreams come true. The main visual of the stage cleverly integrates the water sleeve elements of Peking Opera, is simple and elegant, and achieves the "clever collision" of ancient charm and modern aesthetics in every detail. This design not only brings visual enjoyment, but also is an innovative example of the "mix and match" of traditional culture and modern art.
"Peking Fans Conference" not only focuses on domestic audiences, but also allows more overseas audiences to come into contact with "living" Peking Opera through platforms such as cgtn, becoming a promoter of Peking Opera "out of the circle".
"Voices into the Opera - China Central Radio and Television's First Peking Opera Fans Conference" launched by the China Central Radio and Television Station's Literary Program Center has been on the rise since its launch on September 8 and its broadcast on November 15. As of 8:00 on November 16, the cumulative exposure of topics, videos, and articles across the entire network has exceeded 465 million, of which nearly 2.6 million people watched the CCTV live broadcast on the day it was broadcast.
""The Fans Conference" has built a high-quality communication platform for the majority of Peking Opera lovers, making the audience who love opera cheer." As Chen Yongquan, Secretary of the Party Group of the Chinese Drama Association and Vice Chairman of the Association, said, "This opera variety show is a platform for opera. dissemination and promotion of It has opened up a new path, which is a vivid demonstration of the immortal charm of opera art, and will certainly effectively promote the prosperity and development of opera art in the new era. "
"Fan Fans Conference" gives Peking Opera new vitality through an innovative variety show model: the program will be "Peking Opera + Competition". Combining "performance + interaction" to create a unique cultural variety show. A competition mechanism was introduced, with 48 fans vying for 20 classic Peking Opera roles. The final winner will perform on the same stage as Peking Opera masters. This "battle for roles" not only enhances the enjoyment of the program, but also creates a tense competition atmosphere. In the first episode of the program, six fans competed for their favorite roles: Wang Yun and Wang Baochuan in "The Red-maned Horse", Xu Yanzhao in "Second Entering the Palace", Yang Yanhui in "Si Lang Visits His Mother and Meet His Mother", Bai Suzhen in "The Legend of White Snake ", and the matchmaker in " Matchmaker ", etc. This kind of role competition setting not only tests the skills of the fans, but also allows the audience to feel the fans' love and persistence for Peking Opera.
The program is also very innovative in its interactive design. A "public jury" composed of fans scores the performers on site, creating an friendly and fair interactive atmosphere. The audience is no longer just a spectator of the opera, but deeply participates in the program through "immersive scoring" and establishes emotional resonance with the performers. In addition, the mutual evaluation mechanism and "extraordinary decision-making power" among the fans give them the right to speak in the judgment, making Peking Opera no longer just a one-way cultural output, but providing the audience with a deeply interactive emotional experience.
This Fans Conference can be said to be "a great event" in terms of atmosphere creation. "Family Gathering" adds a life-like warmth to the show. The audience can not only enjoy the performances of Peking Opera, but also experience the daily life of Peking Opera through the life stories of the fans. This kind of "human touch" expression brings Peking Opera closer to contemporary life. By presenting group portraits of "fans" from all walks of life, it vividly demonstrates the diverse features of Peking Opera in different professional backgrounds. From subway drivers and sanitation workers to college students and professional painters, they took to the stage with their love for Peking Opera. They gave Peking Opera new vitality with their respective identities and experiences, transcending the boundaries of age and occupation, showing the broad impact of Peking Opera on life. Penetration. In particular, young people from universities such as Peking University and Tsinghua University also participated. Different age groups and rich backgrounds gave the program a fresh perspective.
In the program, the Peking Opera stories of the fans contain the warmth of life. Liu Weixuan from Shaanxi organized her family and neighbors to sing Peking Opera together, and even her young daughter was influenced by it. She started studying in middle school; Fu Hongxia from Xinxiang, Henan, took her family to support her performances all the way, and even used a gas tank to cook on the road. The company of her family made her passion for Peking opera full of family affection; Wang Tao from Dalian integrated legal education propaganda into Peking opera, using The performance popularizes anti-fraud knowledge to the elderly in the community, giving Peking Opera a new social function. For some families, Peking Opera is an emotional bond. Yu Wenxin from of Lanzhou Petrochemical Vocational and Technical University not only teaches Peking Opera in the classroom, but also met his life partner because of Peking Opera.
In terms of stage design, the creative team has worked hard to adopt a 360-degree circular stage, which looks like a blooming flower when viewed from the camera, symbolizing that every fan can bloom on this stage and make their dreams come true. The main visual of the stage cleverly integrates the water sleeve elements of Peking Opera, is simple and elegant, and achieves the "clever collision" of ancient charm and modern aesthetics in every detail. This design not only brings visual enjoyment, but also is an innovative example of the "mix and match" of traditional culture and modern art.
"Peking Fans Conference" not only focuses on domestic audiences, but also allows more overseas audiences to come into contact with "living" Peking Opera through platforms such as cgtn, becoming a promoter of Peking Opera "out of the circle".
text/Beijing Youth Daily reporter Guo Jia
editor/Cui Wei
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