In recent days, the continuous red carpet events at home and abroad have increasingly exposed the fact that when art and aesthetics are all online, it is about taste and the high level of American business online.
is gorgeous with elements piled up, and it still has ornamental value when the texture is online. "Fashion cosmo" November issue Zhao Lusi
But in most cases, it will tend to be abstract and bitter the harder you work, or even expressions of low-level taste.
Today, when the boundaries of "commercialization of art vs. artisticization of commodities" are becoming increasingly blurred, it is necessary to talk about the high-end sense/high-end attributes of aesthetics.
Borrow the point of view of a professor from the Department of Architecture of Tsinghua University: High-end aesthetics is to use high-end materials to imitate low-end materials. When placed in the aesthetic system,
is closely related to high-end sense + high-end aesthetics.
Why in most cases, using high-level materials to interpret low-level materials is a matter of taste? Is imitation the opposite a joke?
This argument is how to bring a better positive impact to the public and shape the public in the trilogy of quality of life-entertainment behavior-personal style. Something about my sense of luxury?
From the blind worship of high-end aesthetics to the dialectical recognition of its more comprehensive and inclusive nature, why do we always need high-end aesthetics?
1
From native face to native aesthetics
Before, we always talked about how the characteristics of the native face determine the direction of personal style.
Even though they are both snake-type beauties, the beauty of Yujie style Aump with a long, narrow and mature structure is obviously different from the human-machine style Ryu Jimin with a short top, wide bottom and quick-tuck structure.
Looking at from a deeper and higher level, the native aesthetic also determines the result of making good use of this face + the ability to explore the upper limit of beauty.
Just like Yoo Jimin’s snake-type traits are increasingly replaced by rabbit-type and ferret-type characteristics, the development and changes of beauty are also different.
At this time, "using high-level materials to interpret low-level materials" for us is to apply a mature and aesthetic style to each aesthetic carrier according to local conditions. The deviation in the presentation result is the deviation in the rationality of this topic.
This rationality consists of two parts. The first is the comparison of that conforms to the public’s perception of high-end and group style beauty.
Just like a beautiful woman wearing plain clothes, the more plain she is, the more beautiful she is. Use the solid beauty of returning to nature to interpret the relaxed and effortless high-end.
or simplicity in the styling system is beauty. Just like the old money style, which uses expensive and high-quality materials to show a simple and elegant style, the ideas are also imitated, but the effect is difficult to replicate.
Regardless of the original face or the original style, they all prove that extreme beauty can also be a kind of sharp, transparent and high-end, and can be distinguished from simple beauty.
In addition to contrasting the major categories, the rational presentation of high-end aesthetics is also reflected in the restraint of personal style and beauty, which is also a kind of manipulation.
is like taking the quiet and deep part from Meng Ziyi’s bright and innocent appearance, and gained a good style presentation on this red carpet.
The key to her steady counterattack in word-of-mouth is to use high-end aesthetic ideas to make up for the lack of low-end Internet-sense faces. The face is still the same, but the aesthetic atmosphere has been upgraded.
including Ju Jingyi The red carpet of Scream Night in 2020 is to change the thin and sweet face The characteristics are gradually upgraded to a rich and thick texture in the style.
is now returning to plain beauty, imitating the beauty of great beauties on the basis of upgraded faces. used to use high-level styles to assist low-level faces, but now it uses high-level faces as material to interpret low-level styles.
There is no disparagement here. It is essentially an expression of aesthetic decline. After all, the so-called light and relaxed sense of luxury comes from the confidence that just a little bit of exposure is enough.
Native face ↔ Native style The easily overlooked but very important issue in the mutual influence is: most people’s htm Without imposing additional growth pressure, l2's native aesthetics will be basically defined in the adolescence-light maturity period (for example, 15-25 years old but there will be fluctuations) when the rational thinking is not mature enough.
that after adulthood and entering society, these two nodes will produce many struggling and tangled retaliatory aesthetic behaviors.
Even celebrities cannot escape this point. If they lack a firm personal style, they will go through a period of presentation where expensive and high-end are equated.
If you want to get rid of this kind of coercion, you need a comprehensive understanding of restoration. Realize that high-end aesthetics should continue to penetrate into personal life, rather than forcing us to touch on tiptoe all the time.
2
From compensatory aesthetics to aesthetic freshness
With the development of the times, the Millennials and second-generation groups starting from Generation Z have gradually broken away from the shackles of compensatory aesthetics and have early embarked on the path of instant growth + unlocking aesthetic freshness.
, but the groups before them in the early 1990s, 80s-70s and even the 60s are all in the stage of "re-raising themselves" after cognitive awakening.
witnessed by the audience is most people’s correction period of compensatory aesthetics. It cannot be said to be high-end in the popular sense. It focuses on aesthetic psychological healing that makes up for what is missing.
is like middle-aged and elderly people who love big flowers and sexy colors. In addition to the physiological mechanism that determines that this age group prefers luxurious and gorgeous colors, it is also in line with their behavioral logic of compensating for the lack of aesthetic education in adolescence + being obliterated by standard aesthetics that eliminates all creativity.
The millennial style that is currently popular after its comeback is supplemented by the excellence witnessed by the predecessors of Generation Z + the imbalance of experience, and by the descendants of Generation Z A glimpse of the leopard in the tube + a timely addition.
So the textures of the various-core aesthetic expressions of the same retro resurgence are also different. For example, , which was originally the ultimate female core charm, but was transformed into a chimera by childish aesthetics, balletcore .
Special Under the interpretation of the girl group's aesthetic, it is proved that the high-end aesthetic imitated by low-end materials lacks some atmosphere that can be used for big scenes.
At the same time, we cannot deny the success of this kind of artistic product, so the sense of high-end is also a trade-off.
When the aesthetic presentation moves from formalist beauty to pragmatism style, the gender-blurring rustic outdoor style gorpcore becomes more and more popular.
focuses on a casual and stylish style that can be worn on the go, except for serious and luxurious occasions such as dinner parties.
When the main style characteristics gradually tilt from the neutral origin to the masculine core, tough guy retro dad style dadcore steadily rises.
It can be seen that in the emerging core aesthetic system, the more practical style is more suitable for the public to explore the possibility of high-end.
This does not mean that the gorgeous and complicated style is not advanced. After all, the birth of many characters and interests is presented through attempts.
The accompanying popular ecology may not be able to talk about the consensus of the mainstream public on the sense of high-end, but it still conforms to the aesthetic logic of using high-end materials to interpret low-end materials - giving birth to an aesthetic freshness.
High-end aesthetics is to constantly create freshness, even flower work, that is recognized by the subjective public + objective art.
3
From intentionally portraying advanced to multiple understanding of advanced
Looking at various expressions from an aesthetic perspective, high-end sense ≠ high-end aesthetics. The former is a necessary and insufficient condition for the latter.
A very simple example: Jade Cabbage. Its appearance proves that there is a less bland and pyrotechnic taste. Ambition is high-level, but the presentation may not necessarily be a high-level sense that everyone can understand and benefit from.
On the other hand, using low-level materials to interpret high-end materials is stretched and cramped.
After all, the texture of truly high-end materials is a dimension that is difficult to replicate only by relying on the high-end formula + aesthetic atmosphere.
The process of continuous tentative integration and erasure of boundaries between the two explains why new aesthetic words appear every once in a while.
is a clear classification and clever integration of style aesthetics and various core aesthetics.
is a strong derivation of the same color system of color aesthetics, and even the auxiliary contrast of complementary colors.
Finally, color and style create a new beauty look. Although the popularity of being promoted by algorithms is accompanied by controversy, these processes of reasonably touching high-level materials with ordinary material qualifications are indeed good and bad, pros and cons in terms of aesthetic education.
This kind of controversy is the nourishment that promotes aesthetic thinking to a higher level.
After all, People’s pursuit of a sense of luxury will never be less and will never stop, because aesthetics is top-down and requires contrast. It is more meaningful if can face up to the current status of various popular ecology and cultivate the courage to question authority-think and verify-summarize and revise.
Therefore, even if idol aesthetics are popular and are a good way for the public to reproduce their styles, we must also realize that their presentation of high-end aesthetics is very limited, or the expression of high-end aesthetics is often relatively one-sided.
This is not love The problem with beans is just because most of the time, as aesthetic carriers, they are forced to Using low-level materials to express high-level aesthetics is inherently difficult and contrary to Tiangang.
So Eri Uchinaga, who breaks away from the explosion-proof oil-pouring make-up, can look so beautiful and structured. The essence is to create a high-end look that is not in line with her status.
Regardless of observing fashion or following fashion, the further you go, the more you will find that the commercialization of art vs. the artisticization of goods in today's aesthetic ecology has weakened the barriers to high-end sense.
each represent different aesthetic themes and have different definitions of high-end.
As ordinary people, when we touch high-end taste, we insist on two things: either we strive to present the high-end quality that has long been the default in public aesthetics.
For example, use the money you spend to buy five sweatshirts to exchange for a coat whose texture is still visible to the naked eye from ten meters away.
Either continue to cultivate and cultivate the connotation in the track of self-persistence. The presentation of the former needs to meet the standards of secular beauty, while the latter does not require public approval.
No matter which one, it is the nurturing soil that continuously breeds aesthetic freshness after compensatory aesthetics.
In short, talking about the sense of luxury in today’s popular public opinion is not an act of provoking aesthetic opposition, but the only way to break this stubbornness and upgrade aesthetic thinking.
also hopes that we can all find a beautiful state of peace in our hearts. In recent days, the continuous red carpet events at home and abroad have increasingly exposed the fact that when art and aesthetics are all online, it is about taste and the high level of American business online. is gorgeous with elements piled up, and it still has ornamental value when the texture is online. But in most cases, it will be Moving toward abstraction that becomes more poignant the harder you try, and even expressions of vulgar taste. Today, when the boundaries of "commercialization of art vs. artisticization of commodities" are becoming increasingly blurred, it is necessary to talk about the high-end sense/high-end attributes of aesthetics. Borrow the point of view of a professor from the Department of Architecture of Tsinghua University: High-end aesthetics is to use high-end materials to imitate low-end materials. When placed in the aesthetic system, is closely related to high-end sense + high-end aesthetics. Why in most cases, using high-level materials to interpret low-level materials is a matter of taste? Is imitation the opposite a joke? This argument is how to bring a better positive impact to the public and shape the public in the trilogy of quality of life-entertainment behavior-personal style. Something about my sense of luxury? From the blind worship of high-end aesthetics to the dialectical recognition of its more comprehensive and inclusive nature, why do we always need high-end aesthetics? 1 From native face to native aesthetics Before, we always talked about how the characteristics of the native face determine the direction of personal style. Even though they are both snake-type beauties, the beauty of Yujie style Aump with a long, narrow and mature structure is obviously different from the human-machine style Ryu Jimin with a short top, wide bottom and quick-tuck structure. Looking at from a deeper and higher level, the native aesthetic also determines the result of making good use of this face + the ability to explore the upper limit of beauty. Just like Yoo Jimin’s snake-type traits are increasingly replaced by rabbit-type and ferret-type characteristics, the development and changes of beauty are also different. At this time, "using high-level materials to interpret low-level materials" for us is to apply a mature and aesthetic style to each aesthetic carrier according to local conditions. The deviation in the presentation result is the deviation in the rationality of this topic. This rationality consists of two parts. The first is the comparison of that conforms to the public’s perception of high-end and group style beauty. Just like a beautiful woman wearing plain clothes, the more plain she is, the more beautiful she is. Use the solid beauty of returning to nature to interpret the relaxed and effortless high-end. or simplicity in the styling system is beauty. Just like the old money style, which uses expensive and high-quality materials to show a simple and elegant style, the ideas are also imitated, but the effect is difficult to replicate. Regardless of the original face or the original style, they all prove that extreme beauty can also be a kind of sharp, transparent and high-end, and can be distinguished from simple beauty. In addition to contrasting the major categories, the rational presentation of high-end aesthetics is also reflected in the restraint of personal style and beauty, which is also a kind of manipulation. is like taking the quiet and deep part from Meng Ziyi’s bright and innocent appearance, and gained a good style presentation on this red carpet. The key to her steady counterattack in word-of-mouth is to use high-end aesthetic ideas to make up for the lack of low-end Internet-sense faces. The face is still the same, but the aesthetic atmosphere has been upgraded. including Ju Jingyi The red carpet of Scream Night in 2020 is to change the thin and sweet face The characteristics are gradually upgraded to a rich and thick texture in the style. is now returning to plain beauty, imitating the beauty of great beauties on the basis of upgraded faces. used to use high-level styles to assist low-level faces, but now it uses high-level faces as material to interpret low-level styles. There is no disparagement here. It is essentially an expression of aesthetic decline. After all, the so-called light and relaxed sense of luxury comes from the confidence that just a little bit of exposure is enough. native face ↔ native style The easily overlooked but very important issue in the mutual influence is: most people's native aesthetics without additional application Under the premise of growth pressure, it will basically be determined to be in the adolescence-light maturity stage (for example, 15-25 years old but there will be fluctuations) when the rational thinking is not mature enough. that after adulthood and entering society, these two nodes will produce many struggling and tangled retaliatory aesthetic behaviors. Even celebrities cannot escape this point. If they lack a firm personal style, they will go through a period of presentation where expensive and high-end are equated. T wants to get rid of this kind of throbbing, it requires a comprehensive repair cognition. Realize that high-end aesthetics should continue to penetrate into personal life, rather than forcing us to touch on tiptoe all the time. 2 From compensatory aesthetics to aesthetic freshness With the development of the times, the Millennials and second-generation groups starting from Generation Z have gradually broken away from the shackles of compensatory aesthetics and have early embarked on the path of instant growth + unlocking aesthetic freshness. , but the groups before them in the early 1990s, 80s-70s and even the 60s are all in the stage of "re-raising themselves" after cognitive awakening. witnessed by the audience is most people’s correction period of compensatory aesthetics. It cannot be said to be high-end in the popular sense. It focuses on aesthetic psychological healing that makes up for what is missing. is like middle-aged and elderly people who love big flowers and sexy colors. In addition to the physiological mechanism that determines that this age group prefers luxurious and gorgeous colors, it is also in line with their behavioral logic of compensating for the lack of aesthetic education in adolescence + being obliterated by standard aesthetics that eliminates all creativity. The millennial style that is currently popular after its comeback is supplemented by the excellence witnessed by the predecessors of Generation Z + the imbalance of experience, and by the descendants of Generation Z A glimpse of the leopard in the tube + a timely addition. So the textures of the various-core aesthetic expressions of the same retro resurgence are also different. For example, , which was originally the ultimate female core charm, but was transformed into a chimera by childish aesthetics, balletcore . Special Under the interpretation of the girl group's aesthetic, it is proved that the high-end aesthetic imitated by low-end materials lacks some atmosphere that can be used for big scenes. At the same time, we cannot deny the success of this kind of artistic product, so the sense of high-end is also a trade-off. When the aesthetic presentation moves from formalist beauty to pragmatism style, the gender-blurring rustic outdoor style gorpcore becomes more and more popular. focuses on a casual and stylish style that can be worn on the go, except for serious and luxurious occasions such as dinner parties. When the main style characteristics gradually tilt from the neutral origin to the masculine core, tough guy retro dad style dadcore steadily rises. It can be seen that in the emerging core aesthetic system, the more practical style is more suitable for the public to explore the possibility of high-end. This does not mean that the gorgeous and complicated style is not advanced. After all, the birth of many characters and interests is presented through attempts. The accompanying popular ecology may not be able to talk about the consensus of the mainstream public on the sense of high-end, but it still conforms to the aesthetic logic of using high-end materials to interpret low-end materials - giving birth to an aesthetic freshness. High-end aesthetics is to constantly create freshness, even flower work, that is recognized by the subjective public + objective art. 3 From intentionally portraying advanced to multiple understanding of advanced Looking at various expressions from an aesthetic perspective, high-end sense ≠ high-end aesthetics. The former is a necessary and insufficient condition for the latter. A very simple example: Jade Cabbage. Its appearance proves that there is a less bland and pyrotechnic taste. Ambition is high-level, but the presentation may not necessarily be a high-level sense that everyone can understand and benefit from. On the other hand, using low-level materials to interpret high-end materials is stretched and cramped. After all, the texture of truly high-end materials is a dimension that is difficult to replicate only by relying on the high-end formula + aesthetic atmosphere. The process of continuous tentative integration and erasure of boundaries between the two explains why new aesthetic words appear every once in a while. is a clear classification and clever integration of style aesthetics and various core aesthetics. is a strong derivation of the same color system of color aesthetics, and even the auxiliary contrast of complementary colors. Finally, color and style create a new beauty look. Although the popularity of being promoted by algorithms is accompanied by controversy, these processes of reasonably touching high-level materials with ordinary material qualifications are indeed good and bad, pros and cons in terms of aesthetic education. This kind of controversy is the nourishment that promotes aesthetic thinking to a higher level. After all, People’s pursuit of a sense of luxury will never be less and will never stop, because aesthetics is top-down and requires contrast. It is more meaningful if can face up to the current status of various popular ecology and cultivate the courage to question authority-think and verify-summarize and revise. Therefore, even if idol aesthetics are popular and are a good way for the public to reproduce their styles, we must also realize that their presentation of high-end aesthetics is very limited, or the expression of high-end aesthetics is often relatively one-sided. This is not love The problem with beans is just because most of the time, as aesthetic carriers, they are forced to Using low-level materials to express high-level aesthetics is inherently difficult and contrary to Tiangang. So Eri Uchinaga, who breaks away from the explosion-proof oil-pouring make-up, can look so beautiful and structured. The essence is to create a high-end look that is not in line with her status. Regardless of observing fashion or following fashion, the further you go, the more you will find that the commercialization of art vs. the artisticization of goods in today's aesthetic ecology has weakened the barriers to high-end sense. each represent different aesthetic themes and have different definitions of high-end. As ordinary people, when we touch high-end taste, we insist on two things: either we strive to present the high-end quality that has long been the default in public aesthetics. For example, use the money you spend to buy five sweatshirts to exchange for a coat whose texture is still visible to the naked eye from ten meters away. Either continue to cultivate and cultivate the connotation in the track of self-persistence. The presentation of the former needs to meet the standards of secular beauty, while the latter does not require public approval. No matter which one, it is the nurturing soil that continuously breeds aesthetic freshness after compensatory aesthetics. In short, talking about the sense of luxury in today’s popular public opinion is not an act of provoking aesthetic opposition, but the only way to break this stubbornness and upgrade aesthetic thinking. also hopes that we can all find a beautiful state of peace in our hearts.
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