Beijing News (Reporter Liu Zhen) The large-scale drama "Going North" adapted from the work of the same name by the famous writer Xu Zechen, who won the 10th Mao Dun Literature Award, will follow its premiere in Hangzhou Station and will go all the way north from November 22 to 24. I came to the National Theater of China on the same day to meet the Beijing audience. It is reported that tickets for this round of performances will be sold online at 10:00 a.m. on October 30.
Poster for the large-scale drama "Going North".
The play is directed by the Zhejiang Provincial Department of Culture, Radio, Television and Tourism, the Propaganda Department of the Hangzhou Municipal Committee of the Communist Party of China, and the Hangzhou Culture Radio and Television Group. Produced by the Propaganda Department of the Communist Party of China, co-produced by Xinhuanet, and co-produced by the Experimental Theater Troupe of the Central Academy of Drama, Hangzhou Drama Art Center, and Hangzhou Ink Box Culture Technology Co., Ltd. As the first large-scale drama in Hangzhou with the Grand Canal as the background, "Going North" brings together national first-level screenwriter Xie Tao, young scholar Xie Zi'ang, national first-level director Li Bonan and other powerful creatives. It will be held at the Hangzhou Grand Theater on September 27th and 28th. A shocking premiere, with enthusiastic response and numerous praises. This "Going North" performance uses the work to connect Beijing and Hangzhou and connect the beginning and end of the canal, giving "Going North" a deeper and more complete meaning in terms of geopolitics, cultural connotation and spiritual symbolism.
The large-scale drama "Going North" uses the narrative clue of "interweaving ancient and modern times" to tell the story of human life at both ends of the canal: Italian Paolo Dimarco (Little Polo) and his party set out from Hangzhou and went north along the Beijing-Hangzhou Grand Canal, ending at the northern end of the canal. Tongzhou is the end point, and river transport, national destiny and people's destiny are intertwined during the journey. A hundred years later, the descendants of these canal passengers still closely connect their life experiences with the fate of the Grand Canal. History and contemporary times are juxtaposed over a hundred years, and the once-lost water has once again glowed with new glory.
The large-scale drama "Going North" uses the narrative clue of "interweaving ancient and modern times" to tell the story of the human world stretching at both ends of the canal.
This canal epic spanning a century echoes the performance trajectory of "Going North" today. Beijing is not only the destination and cause and effect of the canal journey in the play, but also the "tracing source" that the large-scale drama "Going North" must pass through. land. After meeting the first batch of audiences at the end of September, the crew of "Going North" continued to absorb expert opinions and audience feedback, continue to polish the work, and strive to present a more full and smooth performance in Beijing in November.
Director Li Bonan once said during the creation process of the drama "Going North", "This play should have the temperament of a big river, endless flow, and endless life. Through the dimension of the verb 'Going North', you can feel this The rise and fall of a river will always carry the inner strength of our nation. "In the eyes of the creator, "North" has never been a simple geographical concept, but a far-reaching trend that embodies the national spirit.
Stills from the drama "Going North".
On the stage of the drama "Going North", the audience will see the iconic features of many important towns along the canal and feel the cultural charm of the canal basin that continues to this day: the agility of Hangzhou, the beauty of Yangzhou, the simplicity of Huai'an, etc. , the Guangyue Tower located in Liaocheng carries the true memories of the past and present generations. When the passenger ship arrives in Tongzhou, the solemnity, solemnity and magnificent emotions of the whole play have also reached their peak. This relies on the in-depth exploration of the theme of the original novel by the creators of the "Going North" stage play. Xie Pingyao strives to accompany the inseparable canal, intervene in the vast world trends, and at the same time stick to the fire of traditional Chinese culture. This sense of political responsibility and patriotic sentiment stemming from the original heart of intellectuals was keenly captured and retained by the creators. The creator's grand narrative mind is embedded in his generous self-statement that "the fate of the canal is the same as the fate of the country."
Beijing News (Reporter Liu Zhen) The large-scale drama "Going North" adapted from the work of the same name by the famous writer Xu Zechen, who won the 10th Mao Dun Literature Award, will follow its premiere in Hangzhou Station and will go all the way north from November 22 to 24. I came to the National Theater of China on the same day to meet the Beijing audience. It is reported that tickets for this round of performances will be sold online at 10:00 a.m. on October 30.
Poster for the large-scale drama "Going North".
The play is directed by the Zhejiang Provincial Department of Culture, Radio, Television and Tourism, the Propaganda Department of the Hangzhou Municipal Committee of the Communist Party of China, and the Hangzhou Culture Radio and Television Group. Produced by the Propaganda Department of the Communist Party of China, co-produced by Xinhuanet, and co-produced by the Experimental Theater Troupe of the Central Academy of Drama, Hangzhou Drama Art Center, and Hangzhou Ink Box Culture Technology Co., Ltd. As the first large-scale drama in Hangzhou with the Grand Canal as the background, "Going North" brings together national first-level screenwriter Xie Tao, young scholar Xie Zi'ang, national first-level director Li Bonan and other powerful creatives. It will be held at the Hangzhou Grand Theater on September 27th and 28th. A shocking premiere, with enthusiastic response and numerous praises. This "Going North" performance uses the work to connect Beijing and Hangzhou and connect the beginning and end of the canal, giving "Going North" a deeper and more complete meaning in terms of geopolitics, cultural connotation and spiritual symbolism.
The large-scale drama "Going North" uses the narrative clue of "interweaving ancient and modern times" to tell the story of human life at both ends of the canal: Italian Paolo Dimarco (Little Polo) and his party set out from Hangzhou and went north along the Beijing-Hangzhou Grand Canal, ending at the northern end of the canal. Tongzhou is the end point, and river transport, national destiny and people's destiny are intertwined during the journey. A hundred years later, the descendants of these canal passengers still closely connect their life experiences with the fate of the Grand Canal. History and contemporary times are juxtaposed over a hundred years, and the once-lost water has once again glowed with new glory.
The large-scale drama "Going North" uses the narrative clue of "interweaving ancient and modern times" to tell the story of the human world stretching at both ends of the canal.
This canal epic spanning a century echoes the performance trajectory of "Going North" today. Beijing is not only the destination and cause and effect of the canal journey in the play, but also the "tracing source" that the large-scale drama "Going North" must pass through. land. After meeting the first batch of audiences at the end of September, the crew of "Going North" continued to absorb expert opinions and audience feedback, continue to polish the work, and strive to present a more full and smooth performance in Beijing in November.
Director Li Bonan once said during the creation process of the drama "Going North", "This play should have the temperament of a big river, endless flow, and endless life. Through the dimension of the verb 'Going North', you can feel this The rise and fall of a river will always carry the inner strength of our nation. "In the eyes of the creator, "North" has never been a simple geographical concept, but a far-reaching trend that embodies the national spirit.
Stills from the drama "Going North".
On the stage of the drama "Going North", the audience will see the iconic features of many important towns along the canal and feel the cultural charm of the canal basin that continues to this day: the agility of Hangzhou, the beauty of Yangzhou, the simplicity of Huai'an, etc. , the Guangyue Tower located in Liaocheng carries the true memories of the past and present generations. When the passenger ship arrives in Tongzhou, the solemnity, solemnity and magnificent emotions of the whole play have also reached their peak. This relies on the in-depth exploration of the theme of the original novel by the creators of the "Going North" stage play. Xie Pingyao strives to accompany the inseparable canal, intervene in the vast world trends, and at the same time stick to the fire of traditional Chinese culture. This sense of political responsibility and patriotic sentiment stemming from the original heart of intellectuals was keenly captured and retained by the creators. The creator's grand narrative mind is embedded in his generous self-statement that "the fate of the canal is the same as the fate of the country."
Editor Wu Longzhen
Proofreading Yang Li
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