I agree with the view that "femaleness is a living situation", and many women in real life find it difficult and lack free space. But opinions are opinions. If you really want to evaluate the new film "The Determination to Run away " released during the Mid-Autumn Festival, I would rather watch it relatively purely. I don't want the topic of the movie to become a target and become the target of attacks or attacks.
The movie is adapted from real people who broke out in the short video platform. The prototype character is still wandering on the road and living hard. This determines that the attitude and values of the film are actually limited from the beginning, and there is not much space and gaps to maintain a certain degree of independent thinking. The dilemma that contemporary Nora faces after she runs away is actually more subtle. Have you ever thought about what would happen to Nora on the road if there is no traffic to feed her? Fortunately, the movie just stayed at the highlight where she was favored by traffic.
Probably director Yin Lichuan is a poet and writer, and she is also a woman, so the emotional part of the story is not only delicate but also very poetic. For example, the protagonist Li Hong’s impulses have been laid early for her “hands”, famous foreign songs, red skirts, bright flowers (including plastic flowers), vases, snow, etc. The heroine is not only domestic violence and material, The victims of mental difficulties are essentially female intellectuals, so the movie is bound to win the favor of some elites. To a certain extent, there is a certain degree of overlap between Li Hong, Zhang Ailing and even Yi Shu's book fans. This can almost be regarded as a director. own development. The lens language of the movie is quite good. In the urban environment of Zhengzhou, Li Hong is often "cut", either by the chaos of light and dark caused by the cramped environment at home, or by the projection of sunlight through leaves, or by furniture or the glass of public transportation, etc., like an invisible The birdcage is always there. Coupled with Li Hong's feeling of sweating all the time, the image of a depressed patient emerges.
I need to be very cautious when evaluating the male characters in the movie. There are three generations of men, father, brother, husband and son-in-law. I am particularly worried that they will become the ultimate victimizers, but I still have a good sense of proportion. Here I especially want to praise Jiang Wu . The hardest part is him. I don’t know why I didn’t find it particularly hateful when I watched it. He is a Phoenix man with low self-esteem, the bottom of the system. At the end of the film, after his wife ran away, the director still left him with a sad close-up shot. He is also aging. In fact, many men are unaware of their own plight, and the vanity gained from playing ball and fishing cannot fill the black hole. Of course, saying this does not excuse his selfishness. Li Hong's luck lies in his courage to ignite the engine. Yong Meiqiang is expected; Jiang Wuqiang is supportive, otherwise the movie may become a collection of slogans exported by one side.
The shortcomings and advantages of the movie are the same thing. The story of the prototype character has been popularized for a while, so the movie is clever. It chooses the structure of narration and interjection, but some transitions are stiff and impatient. The filters of some eras are a bit thick, unconsciously revealing petty bourgeois sentiments. For example, when Li Hong was young and her husband went on a blind date to receive the certificate, they thought it was nostalgia similar to "Please Go Back to 1988". This kind of wavering actually hurt the story. The theme will indeed make some viewers doubtful, thinking that life is just like this, and will Li Hong be too pretentious? The images could actually be rougher and more direct. At the end, the short video materials of the prototype character are mixed and edited together. The emotional concentration in just a few minutes is more than all the previous narratives, because she is real enough and does not have a noble temperament, which makes people more convincing. The depression before running away finally inspired What a decisive resilience, and where this power ultimately leads her to in life, whether she is in the spotlight or alone and beautiful, it is all curious. Going back to the beginning, womanhood is an existential situation of which time is the only witness.
I agree with the view that "femaleness is a living situation", and many women in real life find it difficult and lack free space. But opinions are opinions. If you really want to evaluate the new film "The Determination to Run away " released during the Mid-Autumn Festival, I would rather watch it relatively purely. I don't want the topic of the movie to become a target and become the target of attacks or attacks.
The movie is adapted from real people who broke out in the short video platform. The prototype character is still wandering on the road and living hard. This determines that the attitude and values of the film are actually limited from the beginning, and there is not much space and gaps to maintain a certain degree of independent thinking. The dilemma that contemporary Nora faces after she runs away is actually more subtle. Have you ever thought about what would happen to Nora on the road if there is no traffic to feed her? Fortunately, the movie just stayed at the highlight where she was favored by traffic.
Probably director Yin Lichuan is a poet and writer, and she is also a woman, so the emotional part of the story is not only delicate but also very poetic. For example, the protagonist Li Hong’s impulses have been laid early for her “hands”, famous foreign songs, red skirts, bright flowers (including plastic flowers), vases, snow, etc. The heroine is not only domestic violence and material, The victims of mental difficulties are essentially female intellectuals, so the movie is bound to win the favor of some elites. To a certain extent, there is a certain degree of overlap between Li Hong, Zhang Ailing and even Yi Shu's book fans. This can almost be regarded as a director. own development. The lens language of the movie is quite good. In the urban environment of Zhengzhou, Li Hong is often "cut", either by the chaos of light and dark caused by the cramped environment at home, or by the projection of sunlight through leaves, or by furniture or the glass of public transportation, etc., like an invisible The birdcage is always there. Coupled with Li Hong's feeling of sweating all the time, the image of a depressed patient emerges.
I need to be very cautious when evaluating the male characters in the movie. There are three generations of men, father, brother, husband and son-in-law. I am particularly worried that they will become the ultimate victimizers, but I still have a good sense of proportion. Here I especially want to praise Jiang Wu . The hardest part is him. I don’t know why I didn’t find it particularly hateful when I watched it. He is a Phoenix man with low self-esteem, the bottom of the system. At the end of the film, after his wife ran away, the director still left him with a sad close-up shot. He is also aging. In fact, many men are unaware of their own plight, and the vanity gained from playing ball and fishing cannot fill the black hole. Of course, saying this does not excuse his selfishness. Li Hong's luck lies in his courage to ignite the engine. Yong Meiqiang is expected; Jiang Wuqiang is supportive, otherwise the movie may become a collection of slogans exported by one side.
The shortcomings and advantages of the movie are the same thing. The story of the prototype character has been popularized for a while, so the movie is clever. It chooses the structure of narration and interjection, but some transitions are stiff and impatient. The filters of some eras are a bit thick, unconsciously revealing petty bourgeois sentiments. For example, when Li Hong was young and her husband went on a blind date to receive the certificate, they thought it was nostalgia similar to "Please Go Back to 1988". This kind of wavering actually hurt the story. The theme will indeed make some viewers doubtful, thinking that life is just like this, and will Li Hong be too pretentious? The images could actually be rougher and more direct. At the end, the short video materials of the prototype character are mixed and edited together. The emotional concentration in just a few minutes is more than all the previous narratives, because she is real enough and does not have a noble temperament, which makes people more convincing. The depression before running away finally inspired What a decisive resilience, and where this power ultimately leads her to in life, whether she is in the spotlight or alone and beautiful, it is all curious. Going back to the beginning, womanhood is an existential situation of which time is the only witness.
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