Cover News Reporter Li Yuxin
"The silk pipes in Jincheng are flowing day by day, half into the river wind and half into the clouds. This song can only be heard in the sky, and can be heard several times in the world." In 761, Du Fu, who was living in Chengdu, heard the silk and bamboo music in Shu. I was very surprised when I wrote this poem. This shows that as early as the Tang Dynasty, the urgent and complicated sounds of the land of abundance were already lingering around. After thousands of years of ups and downs, the bustling scene of palace banquets back then has been hard to find. But now, the twenty-four musical stone sculptures sleeping in the Yongling Tomb together with Wang Jian, the ancestor of the former Shu Dynasty, have left a microcosm of the imperial music of the Tang Dynasty, allowing contemporary people to have a glimpse of the peaceful singing and dancing scenes at that time.
Thousands of years later, how will the "Twenty-Four Music" reliefs in Yongling in Chengdu, which bear witness to the music culture of the late Tang and Five Dynasties, play the sounds of the Tang Dynasty? On September 7, at the Yongling Museum in Chengdu, many children wearing traditional costumes gathered together and wore their musician ID cards with confident and proud smiles. It turns out that this is a group of young musicians who represent the future hope of folk music. After fierce selection, they were successfully selected as the "Little Musicians" in the first season of "Twenty-Four Music·Interpretation Club". On the same day, the youth version of the Chinese style music gathering "Jile 24" also officially entered rehearsals.
Little Musicians Appeared
"The Little Musicians" activity in the first season of "Twenty-Four Music and Interpretation Club" was initiated by Chengdu Yongling Museum for the first time and was inspired by the underground palace of the museum, "Twenty-Four Musicians" The "Jiyue" relief is the only cultural relic discovered by archeology that completely reflects the palace band combination of the Tang Dynasty and the former Shu, and it occupies an important position in the history of Chinese music," Feng Xia, deputy director of Chengdu Yongling Museum, said in the interview. opportunity to hold this event. "We have always emphasized that we should make cultural relics 'come alive' and recruit 'little musicians' in the hope that the music culture in 'Twenty-Four Music' can be better inherited and continued."
Feng Xiaye Speaking of which, the "Little Musicians" recruitment event was officially open to the public in early July, and the popularity of registration exceeded their imagination. After nearly two months of registration, selection, interview and assessment processes, 51 outstanding preparatory young musicians were finally selected. At the same time, Chengdu Yongling Museum has hired many senior representatives from the traditional music industry to serve as instructors for the "little musicians". At the scene, letters of appointment were also issued to the instructors.
In the past summer vacation, museums have become "popular check-in places" for students during the holidays. Many museums are so popular that it is hard to get a ticket. This also shows that museums are not only a place to display cultural relics, but also a place to interpret the meaning and value of cultural relics, carrying the important function of social education. Feng Xia said that as a public institution with educational functions, the Chengdu Yongling Museum has the responsibility to provide "aesthetic education" to young people. "We hope that while participating in these activities, young people will understand the rich traditional culture behind the cultural relics, understand the profound history of the 'Twenty-Four Music', and actively inherit and carry forward it.
Cover News Reporter Li Yuxin
"The silk pipes in Jincheng are flowing day by day, half into the river wind and half into the clouds. This song can only be heard in the sky, and can be heard several times in the world." In 761, Du Fu, who was living in Chengdu, heard the silk and bamboo music in Shu. I was very surprised when I wrote this poem. This shows that as early as the Tang Dynasty, the urgent and complicated sounds of the land of abundance were already lingering around. After thousands of years of ups and downs, the bustling scene of palace banquets back then has been hard to find. But now, the twenty-four musical stone sculptures sleeping in the Yongling Tomb together with Wang Jian, the ancestor of the former Shu Dynasty, have left a microcosm of the imperial music of the Tang Dynasty, allowing contemporary people to have a glimpse of the peaceful singing and dancing scenes at that time.
Thousands of years later, how will the "Twenty-Four Music" reliefs in Yongling in Chengdu, which bear witness to the music culture of the late Tang and Five Dynasties, play the sounds of the Tang Dynasty? On September 7, at the Yongling Museum in Chengdu, many children wearing traditional costumes gathered together and wore their musician ID cards with confident and proud smiles. It turns out that this is a group of young musicians who represent the future hope of folk music. After fierce selection, they were successfully selected as the "Little Musicians" in the first season of "Twenty-Four Music·Interpretation Club". On the same day, the youth version of the Chinese style music gathering "Jile 24" also officially entered rehearsals.
Little Musicians Appeared
"The Little Musicians" activity in the first season of "Twenty-Four Music and Interpretation Club" was initiated by Chengdu Yongling Museum for the first time and was inspired by the underground palace of the museum, "Twenty-Four Musicians" The "Jiyue" relief is the only cultural relic discovered by archeology that completely reflects the palace band combination of the Tang Dynasty and the former Shu, and it occupies an important position in the history of Chinese music," Feng Xia, deputy director of Chengdu Yongling Museum, said in the interview. opportunity to hold this event. "We have always emphasized that we should make cultural relics 'come alive' and recruit 'little musicians' in the hope that the music culture in 'Twenty-Four Music' can be better inherited and continued."
Feng Xiaye Speaking of which, the "Little Musicians" recruitment event was officially open to the public in early July, and the popularity of registration exceeded their imagination. After nearly two months of registration, selection, interview and assessment processes, 51 outstanding preparatory young musicians were finally selected. At the same time, Chengdu Yongling Museum has hired many senior representatives from the traditional music industry to serve as instructors for the "little musicians". At the scene, letters of appointment were also issued to the instructors.
In the past summer vacation, museums have become "popular check-in places" for students during the holidays. Many museums are so popular that it is hard to get a ticket. This also shows that museums are not only a place to display cultural relics, but also a place to interpret the meaning and value of cultural relics, carrying the important function of social education. Feng Xia said that as a public institution with educational functions, the Chengdu Yongling Museum has the responsibility to provide "aesthetic education" to young people. "We hope that while participating in these activities, young people will understand the rich traditional culture behind the cultural relics, understand the profound history of the 'Twenty-Four Music', and actively inherit and carry forward it.”
Pictures from Chengdu Yongling Museum
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