Elephant News·Oriental Today Chief Correspondent Wu Jingjing’s summer TV series “Sauvignon Blanc Season 2”, which has attracted much attention, had its finale last night on Jiangsu Satellite TV. With its grand world view, rich character creation and wonderful plot design, this dr

Elephant News·Oriental Today Chief Reporter Wu Jingjing

The summer TV series " Sauvignon Blanc Season 2 ", which has attracted much attention, had its finale last night on Jiangsu Satellite TV. With its grand world view, rich character creation and wonderful plot design, this drama has been a hot topic since its launch. In addition to its great online influence, the theme of growth conveyed in the drama has also deeply moved many viewers. Although it is a fantasy theme, chief director Qin Zhen said in an interview that before they started filming, they agreed to make a new costume that is more realistic. "Although the story has a mythical tone, it needs to be turned into a more realistic one. story". Regarding the actor's performance, Qin Zhen spoke highly of it, saying bluntly that " Yang Zi is a talented actor" and Tan Jianci also "thought a lot and invested a lot" for this role.

Focus on the "feel of landing"

"The tone must be set around the word 'real'"

"Sauvignon Blanc Season 2" is starring Yang Zi, Zhang Wanyi, Deng Wei, Dai Luwa, Wang Hongyi, with Tan Jianci as the special star. Adapted from Tong Hua's novel of the same name, it tells the story of Xiaoyao, Xingxuan, Tushanjing, Xiangliu, A-Nian and others growing up hand in hand, intertwined with love, family, and friendship. Before coming into contact with the script, Qin Zhen read the original novel and felt that it was different from many works of the same type on the market. It used the perspective of the heroine Xiaoyao to understand her life and the people around her, and then unfold the story. After turning a written work into a film and television, how to make the characters and plot more prominent while ensuring the originality of the story? "It has a eloquent temperament, and there are many daily dramas and group portraits. I think the tone should be set around the word 'real', whether it is the relationship between the characters, the emotions of the characters, the art style, and the performance system. I hope everyone can feel it. The plot is real, the scenes are immersive, and the actors’ performances are real.”

How to highlight this "reality"? Qin Zhen chose to start with the details. For example, in Qingshui Town, after Xiaoliu recognized Xuan, the two had a chat scene, "Xiaoliu asked Xuan in the teahouse, 'You must have been working hard for so many years.' That scene didn't have a great mood, but it still It's very touching. It seems to be a light sentence, but it actually contains a lot. "In Qin Zhen's opinion, capturing the delicate emotions in the plain scenes is the most moving part.

This "reality" is also reflected in the construction of the scene. In order to restore Qingshui Town, one of the important scenes in the play, Qin Zhen led everyone to spend 6 months designing drawings, and then after 7 months, more than 50 buildings were built, and flowers and plants were planted on the roofs in advance. Landscape placement can also help actors increase their sense of belief to a certain extent. "Every character in the play is very realistic. I want to make everyone feel that the characters and stories are real and credible through life-like expressions."

It's just that the drama itself is a fairy tale. How to grasp the scale of realism and freehand brushwork to achieve a balance between reality and reality? ? Qin Zhen said that the crew broke the inertial thinking that not necessarily those with a fairy spirit are "gods", but those with a down-to-earth spirit like Wen Xiaoliu can also be gods. "Before filming each scene, I will focus on thinking about what the main focus of the scene is and what I want the audience to see. It is important to have a preset in mind. It is not just the shooting of big scenes and famous scenes in the play. It is necessary to pay attention to expressions and details in scene transitions, so that the audience can feel this 'feeling of reality'. "

I am very satisfied with the performance.

"Yang Zi is a 'talented actor'"

Regarding the performances of the leading actors, Qin Zhen said. It was also highly praised. In her opinion, Xiao Yao, played by Yang Zi, is a rather special heroine. “(Xiao Yao) has experienced injury, deception, abandonment, and betrayal, but she still has compassion, independence and sobriety. After experiencing hardships and vicissitudes, Xiao Yao has People always have good intentions and responsibility for things. For example, when she was getting along with Mazi, Chuanzi, and Lao Mu in Qingshui Town, she looked carefree on the surface, but in fact she was like a parent, always worrying and planning for them, but she was lonely and self-centered. She is extremely protective and has a hard time opening her heart."Xiaoyao has never relied on anyone. She has been healing herself through her own efforts throughout her life." She (Yang Zi) presented Xiaoyao’s kind and tenacious qualities one by one through her delicate performance." Qin Zhen praised Yang Zi as a talented actor: "Her (Yang Zi) ability to understand the script, her understanding of the characters The ability to perceive and the on-site appeal of the performance are very strong. "

In the play, Xuanxuan played by Zhang Wanyi is more complex, with a ruthless side and a tender and infatuated side. "He (Xuanxuan) expresses his feelings in a very tolerant way, but at the same time he is very contradictory in his heart and has many body parts. An involuntary embarrassing situation. Xuanxuan's character line unfolds slowly, and it is a process of accumulation and accumulation. This process is not easy to act, but Wanyi completed the role of Xuanxuan very well."

As Xiaoyao's "official wife", Deng Wei played Tu Shanjing behaves well and is gentle and elegant, and Deng Wei himself is very attentive when playing the role. “He (Deng Wei) will talk a lot about the behavioral logic of Ye Shiqi and Tu Shanjing. When we were filming the second half, he said that he had already thought about what Tu Shanjing and Xiaoyao's life would be like after they got married. During the time he was on the crew, he really believed that he was Tu Shanjing and took great care to get into the character."

Tan Jianci played the two roles of Xiang Liu and Fang Fengbei in the drama. But Qin Zhen said that Tan Jianci There are actually three different stages to be performed: Xiang Liu, Fang Feng Bei, and the combination of Xiang Liu and Fang Feng Bei. During the filming, Tan Jianci designed Xiang Liu's "demon" character and handled his "coldness". , Qin Zhen approved of it, “He can play ‘Leng’, but it’s not facial paralysis and requires some emotional expression. Tan Jianci thought a lot about this role and invested a lot"... The protagonists represented by Yao (played by Yang Zi) and Xuanxuan (played by Zhang Wanyi) have firm beliefs, gone through hardships, and staged a "trifecta of growth" in the play ”, it is precisely because of the attentive interpretation and presentation of the main creative team that the audience seems to have grown up with them.