Recently, the summer movies have been exciting. Not only are there foreign blockbusters like "Despicable Me", but there is also a domestic comedy movie "Catch Me" which has also brought unexpected surprises to the audience. But for this "surprise", the famous director L

Recently, the summer movies are all exciting.

There are not only foreign blockbusters such as "Despicable Me", but also a domestic comedy movie "Catch Me", which also brought unexpected surprises to the audience.

However, the famous director Lu Chuan directly criticized this "surprise" on the Internet.

questioned that this is a low-quality, highly alkaline comedy film, but it can achieve such a high box office.

As soon as his statement came out, it immediately caused an uproar. It can be said that this movie was not in his aesthetic taste, but for a big director to openly criticize another outstanding work, it seems to be out of order.

As the incident intensified, Lu Chuan stood up to refute the rumors, saying that this was content posted by someone who hacked his account and that he had deleted it.

But the term "account hacking" sounds very vulgar. After all, the security of major platforms is still guaranteed to a certain extent, and celebrities will always take the blame for account hacking when something goes wrong. As expected, the Weibo platform later issued an announcement to refute the rumors, directly This subverts Lu Chuan's statement and makes people realize that Lu Chuan is really jealous of the performance of this movie, so he utters evil words.

As early as more than ten years ago, it was Lu Chuan's turbulent period, and few other directors could compare with him.

In front of the crews such as "Happy Twist", he can still walk sideways, relying on the serious theme work "Nanjing!" Nanjing" is famous all over the world, and even the famous female star Qin Lan is full of admiration for his attitude and fell in love with him.

And the Yu Ji audition he held for "The King's Feast" also won the support of many stars. Even Di Lieba, who was not yet famous at the time, also appeared in the audition ranks.

It can be said that during that period, people regarded Lu Chuan as a young and promising young talent and held him high.

However, after becoming famous, Lu Chuan seemed to slowly "gone".

He tries hard to cater to the audience, but he is getting further and further away from the audience. His new film "Nine-Storey Demon Tower" obviously has a big IP, great special effects, and a number of celebrities joining the film.

But in the end it was a bloodbath. From that time on, he formed a relationship with Happy Mahua represented by Shen Teng.

Because of his "Nine-Story Demonic Tower", the opponent at that time was "Charlotte Troubles" launched by Happy Twist.

"Charlotte's Trouble" won a lot of money and became a dark horse, while "Nine-Story Demon Tower" lost completely.

Perhaps, Lu Chuan was already full of anger at that time, feeling that the big-budget work he sincerely launched could not compare to a comedy film.

What is even more disappointing is that after "Nine-Storey Demon Tower", Lu Chuan fell silent.

The new film "749 Bureau" has not yet been released, but "Happy Twist" has been rising steadily since then, occupying the top spot on the market list many times.

This growing gap also gave rise to Lu Chuan's jealousy and dissatisfaction.

What is even more embarrassing is that long before Lu Chuan spoke out this time, the director of "1942" Feng Xiaogang also made a sarcastic statement: The reason why China has so many garbage movies is because there are too many garbage viewers. Trash viewers love to watch trash.

In the current increasingly diversified market environment, the two great directors not only do not reflect on themselves, but have been questioning the audience's aesthetic level, leaving the audience to take the blame.

This makes people reflect: This seems to be the dilemma of movies, but it is actually the dilemma of filmmakers.

It is true that the current movie market is relatively impetuous, and many viewers prefer to watch fast-food movies instead of in-depth works.

But on this basis, directors should combine comedy and depth to cater to the market's aesthetics and take into account their own needs, instead of resenting the audience's poor aesthetics. They also hope that there will be more films on the market that are powerful, deep, and capable. A great film to attract the public to watch!