After five years, Guan Xue was still unable to leave her "motherland" and go to a foreign land where she did not have to be "reformed" and "imprisoned."
No matter what Guan Xue has experienced in the past five years, at least from the perspective of Guan Xue eating pork stewed vermicelli, she has not encountered the ups and downs and experiences of her youth again.
Even judging from Song Zhuowen's teasing, at least in terms of food or taste, Guan Xue who is undergoing transformation seems to be more palatable than Song Zhuowen who eats in the canteen.
In order to let Guan Xue live in the "War Criminals Management Center", in order to make Guan Xue seem to be living a good life on the surface.
"Harbin 1944", in the second half of the story, designed an uncle for her to abuse her, and confirmed this through Pan Yue's mouth.
In addition, in order to make Guan Xue's tragedy more intense, not only did she not go to the East, but she also arranged a suicide scene similar to a public execution for her annoying brother.
Perhaps it is to give Guan Xue a more graphic or strong sense of contrast when facing Song Zhuowen's rebuttal.
Now I hope to hear from Song Zhuowen that the person in the photo is his brother Song Zhuowu, but Guan Xue ordered his men to assassinate Song Zhuowu who was eating melon seeds on the street five years ago.
Could it be that since Guan Xue has no younger brother, does it mean that Song Zhuowen must also have no older brother?
also had too much resentment. Perhaps Song Zhuowen did not choose to go to a foreign country with Guan Xue in the end. Guan Xue finally said: You have to worry about your country.
Perhaps this is the truest aspect of "the old and the young", and perhaps the reason why "Harbin 1944" is so good-looking.
Because this spy war drama is a spy war drama without a positive female protagonist, because this spy war drama is a heroine who refuses to repent or accept transformation until her death.
As a supporting actress, Xie Yue believed Song Zhuowen's words. Today she no longer needs to rely on anyone, she has become a hero, she wears a big red flower, she is loved by people, but what about Guan Xue?
She is still the same Guan Xue as before. She does not believe that this new world will be better than the old world, nor does she believe that Song Zhuowen believes in such a "god".
In Guan Xue's heart, only those who win can be worthy of talking about faith, and only those who are alive can talk about faith. It doesn't matter if she doesn't deserve it now.
No one knows why Guan Xue took in Song Zhuowen in the first place, and no one knows why Guan Xue never revealed that Song Zhuowen was not Song Zhuowu.
When Song Zhuowen pointed a gun at Guan Xue in the car, and when Guan Xue looked at the injured Song Zhuowu next to her, it was the first and last time that she was so close to the savior she had longed for.
What was Guan Xue thinking at that time? And how did she escape from the two Song brothers?
Guan Xue had nothing left, her defense plan was robbed, and Asano Daigo walked into the elevator he never took, leaving her with no chance to escape the failure in front of her.
In the final Guan Xue, it seemed that only Hu Bin accompanied her to the end. Her younger brother left, Jin Qingyuan left, Pan Yue left, Song Zhuowu left, everyone left.
Looking at Song Zhuowen, who personally made pork stewed vermicelli for her, did Guan Xue regret leaving her wedding to Hu Bin?
Perhaps this devil-like woman is just a woman after all, a woman who has been obsessed with Song Zhuowu all her life, a woman who is fragile and unable to face the past.
She wanted her uncle who had abused her to live forever and feel the pain and humiliation she had suffered.
Her cruelty was forced out, forced out by the times, forced out by everyone, and forced out by herself.
Guan Xue is the tragedy of an era and the end of an era. It perfectly echoes Qian Chongli's evaluation of her existence.
Guan Xue can never be won over, and she can never be influenced or transformed by Song Zhuowen.
Just like the Guan Xue who was raped by her uncle, she will never be the Guan Xue who was once begged by Song Zhuowu.
Guan Xue is like a piece of white paper that has been scribbled on. Neither Hu Bin nor Song Zhuowen can restore her or wipe her clean again.
And this is Guan Xue, a Guan Xue who can never be transformed, a Guan Xue who perfectly echoes Qian Chongli's evaluation of him.
The interpretation of "Harbin 1944" will be written here for now. More exciting interpretations will be discussed in the next chapter.
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