Party, the theme creation drama "Our Ten Years" was in full swing.
"Three Meals a Day" takes sausage powder as the starting point, and tells the story of eight regulations changing the party style, political style and folk style. The rice rolls were served steaming hot, like a chapter in "A Bite of China". The change from snacks to abalone wings and then returning to home cooking vividly reflects the evolution of the concept of governance. As soon as the unit
was broadcast, it caused a huge tsunami of audience reactions. They were impressed by the rich fireworks in the play, and applauded for the restraint of public money eating and drinking. "Three Meals a Day" shows the people-centered creative orientation, and highlights the simple and profound truth of "to fight the country and guard the country and guard the heart of the people".
"Three Meals a Day" was preceded by "Qianhai", with the theme of Guangdong-Hong Kong-Macao Greater Bay Area construction; after that, "Wish of the Heart", with the theme of ecological civilization construction and rural revitalization. The two units were also recognized by the audience. The three units,
, from the perspectives of market life, technology entrepreneurship, and young people returning to their hometowns to start a business, tell the story of different groups of people's adherence to good values and long-term choices under the changing times. The play is popular because the story and characters are grounded, so that each audience group can see their own shadow in the play and feel different degrees of resonance.
"Three Meals a Day": a story of fireworks, witnessing the achievements of the party's style and clean government
The story of "Three Meals a Day" takes place on an old street in a small town in Guangdong. Its owner is Cai Wuwei ( Hou Yong ) who has been making rice rolls all his life. Later, his daughter Cai Yun ( Jiao Junyan ), who was the director of a five-star hotel, cooperated with the developer Fang Zong ( Zhu Gangriyao ) to transform the rice noodle shop into a high-end restaurant "Royal Abalone" . The two store names,
, are in stark contrast. The changes in the signboard and decoration have completely reversed the meaning of a storefront. Such a conflict hides the irreconcilable development direction.
"Three Meals a Day" was widely praised by netizens after its broadcast. This is because the main creator put some sharp questions behind the fireworks. It first talked about "nostalgia on the tip of the tongue" and "in the market." The human feelings”, followed by the narration of the simple values that have been impacted by the trend of the times.
spent a lot of pen and ink in the drama to describe the process of making rice rolls by Cai Wuwei. After a simple grinding, a spread, a steaming, and everything, the rice rolls are loaded into the plate and become the "that's what diners think about every day". One bite". Only loyal diners can taste this simple rice roll, which is made of aged rice and soaked for two hours, which takes a lot of time and energy of the maker.
Big brother Yan, Lao Bai, Lao vinegar , Ding Niangniang, several old customers sitting around the stone table eating rice rolls and drinking tea, this pleasant scene has become a major driving force for Cai Wuwei to open the store.
is such a firework-filled story with a strong dramatic tension in it. The play adopts the method of creating opposition and stretches the strings of the story:
Lao Cai and his daughter Cai Yun are opposites. This is explained at the beginning of the plot. When the daughter expresses dissatisfaction with the income of Kaichangfen shop, Lao Cai and her daughter Cai Yun are opposed to each other. Cai said angrily that the money for raising his daughter and going to college was all earned by opening a rice roll shop, and one should never forget one's roots; Opposite, this is not a conflict of consumption concepts, but a value confrontation between diligence and thrift and extravagance;
cooperated with Cai Yun and Fang Zong. The various tricks of the shopping mall and officialdom have always been vigilant;
Parents and children are not on the same channel. When the children become officials or rich people, the parents start to beat the children constantly, reminding them that they are officials, Doing business honestly, pay attention to the distinction between Jing and Wei. These contradictions and conflicts described in
"Three Meals a Day" summarize some of the problems existing in society over the years into one point: in the rapid development,How to keep the bottom line under the background of the times when the concept is complex and the concept is shaken? The play of
regards Lao Cai as a character who leads the way, which makes the craftsman who has been a snack on the old street for a lifetime, stabilizes the chassis of the whole story, and also gives the audience a clear answer.
Lao Cai is conscientious in business, and insists not to increase the price of rice rolls, because the taste will become sour after ten o'clock in the morning, and he insists that he will not sell it after ten o'clock. Lao Cai didn't obey his daughter's arrangement. Behind his seemingly stubbornness, there was a kind and honest heart. At the same time, he also vaguely sensed danger. Lao Cai's occasionally hot personality is actually a defense of his craftsmanship and survival dignity, and also a counterattack against the bad atmosphere that spreads around him...
The audience likes "Three Meals a Day", so why not like Lao Cai, but like Lao Cai, is it not because he, as a spokesperson, speaks the words of people's hearts. Since ancient times, "the people take food as the sky", these simple five words include the cherishing and respect of food, the protection of life order and etiquette, and can eat a meal well and at ease, and can eat in the form of eating To enjoy interpersonal relationships and experience life, this is a small but non-negligible happiness. In contrast, putting sky-high wine into a mineral water bottle and drinking it secretly is a high-level judgment.
"Three Meals a Day" has a kind of mildness in its look and feel. This kind of mildness comes not only from the natural quality of life in the city, but also from its constructiveness in solving problems. At the end of the play, the signboard of "Royal Abalone Wing" was replaced by "three meals a day". The Cai family reconciled and concentrated on running this "home-cooked food". An appropriate solution was also found for the restoration of the old street. The glass cover makes the two old streets underground and above ground have the value of being seen and appreciated. The atmosphere of a play like
and a happy ending show that it is sufficient to find out what people want and their emotions, and provide institutional protection for them, as well as affirm the value of supervision, so some things and concepts that go astray, It is possible to find the right path again.
"Qianhai": Love outweighs profit, two generations join hands to cross the mountain and the sea Living under the same roof with his parents and sister, he lived an embarrassing but warm life. Sister Pei, a neighbor and elder, took out a chocolate from a jar and asked Ye Zhou to guess the left and right hands. Ye Zhou could always guess the right hand magically. , This scene runs through every episode of the "Qianhai" unit. Sister Pei uses this game to tell Ye Zhou a truth, "Don't always think about winning, but also be able to accept losses."
Such a sentence with a philosophy of survival, Incorporating inspirational elements into the entrepreneurial story of "Qianhai", it also permeates life in it.
Ye Zhou, who has been fond of technological inventions since childhood, was able to win the opportunity to stand in front of the stage again and again with the spirit of always wanting to win. The person Xiang Hai ( Huang Zhizhong ) lifts him up. This is the story of Ye Zhou and Xiang Hai cherishing each other, and it is also a story of pursuing personal values and ideals.
In terms of the plot, "Qianhai" uses a lot of elements of business warfare. In the core technology founded by Ye Zhou, the wily Zhu Wenjie planned to "big fish eat small fish" and annexed it at a low price. Later, President Wu and Chen The two "venture capitalists" who do not want to take risks are eyeing them. In such a business whirlpool, if there is no escort from Xiang Hai and the witty reactions of other young people around Ye Zhou, the chance of Ye Zhou winning is very low.
In addition, with the help of Xiang Hai, Zhu Wenjie and other five people's arduous process of starting a business, "Qianhai" also objectively states the hardships and bitterness that the first generation of technology entrepreneurs have tasted. There is a strong conflict of values between Xiang Hai and Zhu Wenjie, but Xiang Hai still puts Zhu Wenjie's photo on the table, which is a kind of nostalgia for the past and a symbol of "love over profit". There is an impressive scene in the
play: Xiang Hai hoped that Zhu Wenjie would give up the use of means to acquire Corestar Technology at a low price, but Zhu Wenjie's remarks that "nothing can be sacrificed in business, the only thing that can be sacrificed are feelings", completelyXiang Hai was angered, and the two were at each other's throats... Even so, the two did not really turn against each other. This is mixed with the conflict of emotions and interests. For Ye Zhou, it is a rare educational lesson.
Most of the stories of "Qianhai" take place in Shenzhen after 2018, and a small part of the stories take place in Hong Kong at the same time. When telling the stories of the two cities, the play used some memory scenes as a foreshadowing of plot transitions. It is the existence of these memory scenes that make the audience feel some comparisons when watching, and have many emotions about the different cultures of the two cities, the different concepts of the two generations, and the different atmospheres of the past and the present.
This emotion mainly focuses on people, the story of a Hong Kong youth and a Shenzhen entrepreneurial platform project investor. Behind them, they correspond to different groups of people, experiences and years, but there is a common dream, So that they can work together to cross the mountains and the sea. It's heartening that idealism doesn't die.
"Where the Heart Goes": Renewing the concept, returning to the hometown is also the beginning of entrepreneurship Those who came out of the countryside and gained a firm foothold in the city were affected to varying degrees by their parents’ love and obsession with land and farming, from resolutely not returning to the countryside, to trying to return to their parents, to returning to their hometowns Engaged in innovative farming, they experience complex psychological changes.
In reality, people who are in the middle of the city and the countryside may have more complex psychology than TV dramas about whether to stay in the city or return to the countryside. More and more people are returning from first-tier cities to second- and third-tier cities. Similarly, there are also many young people who have completely returned to the countryside. E-commerce provides a channel for young people to return to their hometowns to display their talents, but compared with the large number of floating population , In the "choose one" between urban and rural areas, most people still have a hesitant attitude.
"Where the Heart Goes" unit presents this general psychology. The prosperous and fashionable Hangcheng in the play provides rural youth with a completely different way of life. When they haven't had time to fully enjoy this way of life, they return to the lack that once left themselves out of a certain call. The memory of the countryside is no small test for anyone.
A decade or two ago, such a test did not exist, even a small one, because young people had no choice, leaving the land and heading for the city was the only way to change their fate.
But the villages portrayed in the play are very different from those of a decade or two ago. The moonlight on the lotus pond, the blue tiles and white walls, the fragrance of rice and flowers... Compared with the rapidity and repetition of urban life, the charm of rural life is in silence. After a while, it reappeared. If the hardware and software gap between rural and urban areas is further narrowed, more people will return to work and live in rural areas.
"Where the Heart Goes" puts forward a proposition: Returning to the countryside, is it the return of the fallen leaves of the middle-aged and the elderly who realize wealth freedom? Or is it a brand new position for young people to change the battlefield to reflect value? From the perspective of rural needs, both aspects are indispensable. The former will bring consumption growth and cultural returns to the hometown, while the latter will inject vitality and enhance potential. But to make it possible to go back to the hometown requires certain preconditions, and some obstacles must be removed.
Li Xinyao's father was looking forward to his daughter's return, but when his daughter finally decided to set up her entrepreneurial base in the countryside after several detours, the biggest obstacle was him. one. For the parents, the days of "face to the loess and back to the sky" are no longer willing to let their children come. Even if they endure the pain of separation, they do not want their children to repeat their own destiny, but when children really bring new ideas and new skills , When the new pattern comes back, they will block in front of their children from time to time out of fear of failure...
Fortunately, the town cadres and village cadres in the play are enlightened, they know that young people are valuable resources, Willing to provide them with services, such "inside and outside" oncebecome the norm, the concept of rural survival and development will be truly elevated. Intensive agriculture is actually a standard urban thinking and scientific thinking . Developed countries can rely on a small number of people to complete land cultivation and food security. This should be the next direction of Chinese agriculture. Pain and hope in this direction.
A reality is that compared with entering the city from the countryside, the road from the city back to the countryside is actually more difficult. This is not easy, and it mostly comes from the high expectations of the returnees and their complete psychology. Only by clearly seeing and acknowledging the strengths and weaknesses of the countryside, and trying not to bring too much emotion, can we take this road home more steadily and firmly. In terms of creation,
"Where the Heart Goes" highlights realist care. On the one hand, it does not shy away from worry, on the other hand, it also expresses optimism. Most importantly, it gives countless people who yearn or plan to go home, A reference sample and executive text are provided. This requires a conscious audience to complete an inner judgment and choice with the help of this text, and use reason to make plans for the future time and life. The three units of
have been broadcasted, and the artistic style of "Our Ten Years" is more obvious. 4 episodes and one unit to reflect the theme of the times, this is a literary and artistic practice with a high degree of matching. The narration of Chinese classical stories emphasizes "inheritance and transformation", and the length of 4 episodes just corresponds to this narrative rhythm, which can achieve a complete and ups and downs, concentrated and refreshing effect.
From cultural construction to national unity, from party style construction to rural revitalization, the tacit understanding between "Our Ten Years" and the audience has been established. Let's look forward to more exciting chapters in the future.
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