The make-up and filters that make actresses want to cry in "Story of Tang Dynasty" are too real and not a good thing

" Tang Dynasty Weird Stories " is over. This 36-episode drama started quietly and ended so quickly. Compared with the current appetizing update speed, the update speed of two episodes a day until the end is really conscientious. .


For fans of unit suspense dramas, this drama is actually quite good, and every story is designed to be interesting. The key is also to link the background of the protagonist and some of the story backgrounds to "Di Renjie". Although there is a small abacus to smash the traffic of "Di Renjie", this drama is also worthy of the label of "Di Renjie's disciple".

If the two male protagonists of this show can go further in their acting skills, perhaps the quality of the work can be even better. The starring configuration of Yiwen Yiwu in the play is quite similar to the classic "Detective Di Renjie", one is Di Renjie's disciple and the other is the prospective son-in-law of " Yuanfang ". Although the reasoning ability and force value of the two male protagonists have inherited the abilities of Di Pangpang and "Hangling" Yuanfang, their acting skills still cannot be calculated, and they have to continue their studies.


Audiences who have watched Yang Zhigang 's film and television works probably have a common understanding, that is, Yang Zhigang's line skills are really a little stiff. There are reasons for the speed of the lines, and there may also be emotional expressions. Yang Zhigang's lines that jump out word by word feel a bit dull. In fact, compared with the performance in previous works, Yang Zhigang's lines in this "Story of the Tang Dynasty" have improved a lot, but in some episodes where the characters are emotionally excited, the lines are still the same.

's other star, , Yang Xuwen, , I don't know whether it was because the script designed the character "Lu Lingfeng" or the actor's performance. After watching the whole play, I only remember Lu Lingfeng's frowning expression.


has another love-hate thing about this show, which is makeup and filters. In order to make the actors look more beautiful, the film and television industry once used makeup and filters to the extreme, wishing that every actor in the work could glow on the face. There are even rumors that some actors need to retouch the shots that appear in the works frame by frame for the sake of image. The makeup and filters in


"The Story of the Tang Dynasty" are in the most realistic and simple way, not the exaggerated and outrageous effect. The wrinkles and ravines on the characters' faces in the play, including the makeup powder on their faces, are clearly visible, and their faces are not that clean and spotless like a photo glass, but really the skin we see in real life. The most interesting and most impressive is Fei Jishi and Zeng San's red rosacea nose, which is really unique, highlighting the two people's drinking habits and long-term drinking habits.

However, this real makeup and filter method has advantages and disadvantages. It can make the characters and stories more real, and occasionally makes the audience a little awkward, especially for some female characters.


For example, the princess played by Yue Lina and and Hu Shireniang in the "Human Mianhua" case, the two actors played really well, but the makeup and filters were bad. Whether it's Yue Lina or Bai Qinglin who plays Hu Shi Niang, they all look pretty good, whether it's herself or her role in other works. But in this drama, it's awkward to look at it from makeup, let alone a beauty, it's not too exaggerated to say "a little ugly". In addition to the makeup reasons, the filter is also a factor. The face is too real, and the powder on the face is clearly photographed. It doesn't look like heavy makeup anymore, it's just a layer of white paste on the face, and some rough paint on the face to paint and draw. At this time, it is not impossible to use a filter to filter the powder on the actress's face.


After watching this drama, I realized that no matter whether it is makeup, filters, or post-editing, it cannot be said that it is completely unavailable, but it is only used properly and reasonably.