"Our Ten Years": Bai Baihe's wrinkles, Sui Junbo's face, the filter of this show is so real

From 2021, the audience can clearly feel that the main theme plays are continuing to exert their strength. " Sweeping the Black Storm ", " Awakening Age ", " Mountains and Seas " have become high-quality masterpieces, and the dramas to be broadcast There are still many ruthless dramas waiting to be uncovered.

, for example, " Dajiang Dahe 3" starring Wang Kai , can continue this story to the third part, which is enough to see the audience's satisfaction, and what problems will the frontrunners in the wave of the times have, I can't wait to think about it. To have a glimpse.

also has the criminal investigation drama " Hurricane ", Zhang Yi and Li Yitong starred together, through the word of mouth of the current hit movie " Homecoming ", we know that there is Zhang Yi, an actor in the town, with proper acting skills. The scale case is also the most eye-catching aspect.

However, these two dramas have not yet been set, but the audience was first caught by " our ten years ", the first broadcast rating broke 2, even Jin Dong 's " bottom line " couldn't hold back, Douban The four-star and five-star praises are on the screen. From the plot to the actors, they have won the recognition of the audience. So what is so good about this drama?

Combining reality and literature and art, the overall texture is full of

"Our Ten Years" is divided into 11 unit stories, showing the group portraits of different industries in the new era, and the first one is called " Tang Palace Night Banquet ", which is about The Henan Satellite TV Spring Festival Gala dance, which is popular all over the Internet, has shaped the literary and artistic workers headed by Chen Ran ( Bai Baihe ).

This type of industry-oriented drama can easily bring a sense of distance to the audience, and even have problems of suspension and artificiality, and "Our Ten Years" is indeed a big drama broadcast simultaneously on five channels and four networks. control is just right. In the

play, the audience was presented with a group portrait of the dancers of the Zhengzhou Theater. The heroine Chen Ran, as the choreographer, allowed herself to immerse herself in savoring the charm of history and cultural relics, combining traditional culture with the modern stage.

But the success of the stage depends on all the actors. The lead dancer Yi Wenyan has been missing for many days, and the substitute Lin Beibei also wants to marry the rich second generation. When the Lotus Award competition is approaching, the theater is facing a major crisis.

As the plot unfolds, the audience sees the hidden pain behind the dancers, age, family, salary, and those who can persevere all rely on their love. But for life, reality is often more important than dreams, and the presentation of this topic must have aroused the empathy of many viewers in front of the screen.

is fortunately going around, everyone gritted their teeth and continued to move forward. The plot retains the real quality of life, and at the same time, there are also artistic depictions, such as the opening dialogue between Chen Ran and Tang Mai, Yi Wenyan's performance of "Water" Moon Goddess", when traditional culture and modern drama collide, giving people a new experience.

It is worth mentioning that the production side of the show has put a lot of effort into it. The play involves flashbacks and dance performances from multiple eras. In order to ensure the look and feel, there are 81 sets of main styles, and 6 sets of dance performance costumes are also involved in special styles. And Tang Dynasty style, you can see the sincerity of the drama party from the service of Taoism.

What is more valuable is that all the actors involved in the stage performances in the play are all selected from people with certain dance skills, Zhang Huiwen and Wan Peng who graduated from North Dance have contributed brilliant dance moves, even The supporting characters and the dragons can speak a Henan accent and try their best to restore the truest appearance of the story behind "The Banquet in the Tang Palace". It can be said that this drama is a rare conscience drama.

refuses to use heavy filters, and shows the true face

"Our Ten Years" not only reflects the reality of the plot, but also does not have the "devil filter" of current urban dramas in order to present a real and down-to-earth texture. Pi Meiyan, even middle-aged actresses are facing the camera directly.

is just like the heroine Bai Baihe, who plays Chen Ran in the new drama, and manages a group of young dancers. Not to mention, she almost didn't recognize it when she first appeared. Compared with before, Bai Baihe is obviously fatter.He couldn't even cover his double chin, and he even had a big shoulder and a round waist, and his sense of age was soaring.

However, Bai Baihe is indeed not the sassy girl in "33 Days of Broken Love" and " Monster Hunting ". At the age of 38, her face will inevitably add some traces of years, and the decree pattern is clearly visible. The skin has also begun to sag, and it must be difficult for the appearance to return to its peak.

But as a good actor, this has actually made her role modeling. After all, Chen Ran is a senior choreographer, and she always has to go through thousands of years of calmness. Bai Baihe only needs to stand in the dance room without being angry and arrogant. The aura of the character is spontaneous, and there is no sense of incongruity with the characters.

In addition, Sui Junbo joins in the play. In "The World", she plays Hao Dongmei, which is impressive, especially when she was young, with big braids, wearing a simple green military uniform, and her own literary goddess Temperament, people can't take their eyes off.

In the new drama, Sui Junbo is the exact opposite of Bai Baihe. Instead, she lost a lot of weight and even lost her face. When she played director Zeng Ruirui watching the dancer's performance, the camera showed her face.

can see that Sui Junbo's cheeks are sunken and her cheekbones are bulging. I have to say that this filter is so real that even the neckline on her neck and the color difference between her neck and her face after makeup are undoubtedly revealed. The image of the character also adds a sense of age to the characters, a little tired and old-fashioned.

However, these flaws are not worth mentioning under Sui Junbo's excellent performance. Originally, Director Zeng was not optimistic about Yi Wenyan. She didn't have any prejudice, but the attitude of indifference was really heartbreaking.

But when she saw that Yi Wenyan had her own understanding of the stage and performed well, Director Zeng's eyes seemed to be lit up for a moment, she looked at Yi Wenyan with a smile, and praised her word by word. Artists who cherish their talents stand directly in the hearts of the audience.

In addition, Lou Yixiao is also an "old acquaintance" of the audience, Hu Yifei in " Love Apartment " is beautiful and sassy, ​​but unfortunately she can't resist the erosion of time, her face in the new drama has a silicone feeling It's too serious, and it will be shiny. It's not good to fake it. Thanks to the fact that the characters are more real, they are very pleasing. Combined with natural acting skills, they will not make people play.

Not only that, even the young Xiaohua Zhang Huiwen, Wan Peng and others don't have special filter blessings when they appear in the camera, and occasionally you can see the sweat on your body. It is this true attitude that makes the characters in the play seem to be alive In reality, it gives the audience a strong sense of substitution.

All in all, "Our Ten Years" is a high-quality masterpiece. The plot is online, the narrative is tense, the service is well-made, and the expression of inheriting the spirit of traditional culture has depth and connotation.

In addition, it is also rare for the actors to put aside their own burdens and face the camera directly. I believe that as long as the follow-up plot does not collapse, the ratings are expected to achieve better results, so do you think the show is good?